Guarachará

Taken from Blundetto's 9 tracks new album "World of Dub". Out on November 20th  in Digital and LP limited edition 1000 ex.

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World of Dub

Last Broken Dub

Blundetto - Last Broken Dub

A mediados del 2009 el FRENTE CUMBIERO invitó a Bogotá al legendario productor de dub Mad Professor, como parte del proyecto Incubator del British Council, con el objetivo de realizar un encuentro sonoro entre la cumbia y el dub. Durante 3 días y bajo la orientación de Mad Professor y su hijo Joe Ariwa, se grabaron en los estudios de la Facultad de Artes de la Universidad Javeriana varios temas para ser tratados bajo la estética del dub. Además de grabar composiciones originales del FRENTE, parte importante del proyecto buscaba reunir a músicos claves de la escena bogotana a improvisar y crear juntos en estudio.

De esas improvisaciones salieron 3 composiciones colectivas, que se suman a 4 originales del FRENTE para un total de 7 temas que fueron remezclados con técnicas propias del dub por Mad Professor en su estudio ARIWA en Londres. El resultado de este disco, además de convertirse en uno de los primeros encuentros tangibles entre la cumbia y el dub, aporta un nuevo sonido colombiano al poderoso movimiento de cumbia continental.

¡GUACHARACA TRANSNACIONAL! 
credits 
released 01 November 2010 
°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°

Temas 1,4,5,6 
Mario Galeano Toro: Bajo, guacharaca / Pedro Ojeda: Batería, timbal / Eblis Alvarez: Electrónica / Andrés Martínez: Guitarra / Chongo Puello: Alegre, Caja / Marco Fajardo: Clarinete / Juan Francisco Duque: Trompeta / Oswald Macías: Trombón / Diego Tunjano: Saxo Barítono

Temas 2,3,7 
Mario Galeano: Guacharaca, melódica / Urian Sarmiento (Curupira): Alegre / Pedro Ojeda (Palanca): Batería, Timbal / Lucho Gaitán (Mojarra Eléctrica): Guitarra / Andrés Martinez (Monareta): Guitarra cortesía Nacional Records / Javier Morales (Jipijam y raspacanilla): Acordeón / Jose Miguel Vega "El Profe" (La 33): Trombón / Jairo Alfonso Barrera (Alerta Kamarada): Saxo Alto / Pablo Araoz (Alerta Kamarada): Bajo Eléctrico / Liliana Saumet (Bomba Estéreo): Voz / Javier Fonseca (Alerta Kamarada): Voz / Kiño (Kmusic): Voz / Shaun Turner: Voz

Temas 1,5,6 compuestos por Mario Galeano Toro; 6 por Mario Galeano y Sonido Martines; 2,3,7 Composiciones colectivas.

Versiones Dub (8-14) mezcladas y producidas por Mad Professor y Joe Ariwa en Ariwa Studios (Londres) 
Versiones limpias (1-7) mezcladas y producidas por Manuel Schaller en el estudio Oidos Contentos (Buenos Aires) 
Mural por Mateo Rivano (pintado en el barrio La Macarena-Bogotá) Foto: Juan Felipe Rubio

Grabado en Bogotá el 10, 11 y 15 de Junio del 2009 en los estudios de la Facultad de Artes de la Universidad Javeriana. 
Ingeniero de Grabación: Jefferson Rosas. Asistentes de Grabación: Nicolás Ramírez, Juan Diego Galvis y Tomás Arenas.

Agradecimientos: 
Al British Council Colombia, Incubator y Facultad de Artes U. Javeriana. A Martin Giraldo y Radio Cápsula por su apoyo incondicional. A Paula Silva, Mad Professor, Joe Ariwa y Manu Schaller. A Catalina y Luita. A todos los músicos que participaron en estas grabaciones. A Eblis, Pedro y Marco por darle tanto poder al FRENTE. A Mateo Rivano por tan tremendo mural. A Rob Ness, Leonor Convers, Oscar Hernandez, Subcopetón Cero, Lucas Silva, Juane, Sonido Martines, Propongo producciones y Names You Can Trust.

La Bocachico

Toto "Africa"
Sidestepper "Deja"
Mosh up sunday chilling
NO EDITING NO OVERDUBS JUST DJ MIXING
with shitty gear .!

Africa Deja -(Mashup PabloElDiablo)

Música de Erick Iglesias Rodríguez. CIMAFUNK

CIMAFUNK - Alabao Ft. Brenda Navarrete

https://wonderwheelrecordings.bandcamp.com/album/desert-to-douala 

An exploration of traditional Chadian music with an electronic twist... Chad is in many ways a blind spot on the map of today's global musical conversation. Overlooked, misunderstood and misrepresented, outside observers rarely concede the country an autonomous voice over its past, present and future. N’Djamena, the dusty capital of Chad with its well-kept stories of boundary-breaking musical collaborations and thirst for experimentation is a city that reflects the country's diversity: the arid North, bordering the Sahara, where nomadic tribes revere the endless desert with their handcrafted instruments. The lush tropical South, where the frenetic drumming of local initiation ceremonies blends with sounds of neighboring Congo and Cameroon. Right in the middle: N'Djamena, a forgotten melting pot of cultures and peoples bursting with unrecorded stories of life at the margins of the world's attention. Tackling this view is precisely one of the aims of Pulo NDJ. In May 2018, Nickodemus accepted an invitation from Hape Collective to travel to N'Djamena to teach a group of young adults DJ'ing and electronic music production, which resulted in the encounter between a group of talented artists from Cameroon, Chad, Congo and Togo. After a weeklong series of listening to original songs & demos, the recordings continued in a pop-up studio created by DJ Buosis & Nickodemus which culimated in Desert To Douala, an album featuring 11 songs, all originally written and recorded in N’Djamena. The project found its inspiration in the city's un-narrated diversity and seeks to explore the possibilities offered by technology to demonstrate how the country’s rich heritage connects with existing musical conversations. It strives to create bridges in a world of walls. It has been a yearlong creative process that built friendships and fostered understanding among people united by a passion for music and creation.

Buy individual songs

Pulo NDJ "Desert To Douala" 28 Min Album Mix By Nickodemus

Fuego De Colores

MPeach, UprootAndy - Fuego De Colores

Digging up some of my favorite stripped tunes I recorded years ago in my closet on an old Tascam. Enjoy!

2 Months

MPeach (a.k.a. Mariana Martín Capriles) is a multidisciplinary artist born and raised in Caracas, Venezuela. Her experimental music is strongly influenced by a combination of Changa Tuki (Venezuela’s native ghetto-dance music), Afro-Caribbean beats and melodies rooted in traditional Venezuelan folk culture. She draws from a wide variety of musical inspirations, including "dembow, soukous, heavy bass, spanish reggae, hip hop, 4x4, grime, dancehall and kuduro,” making for a dynamic sound that stands all on its own.
 
MPeach is part of an emerging movement of musicians (i.e., Pocz & Pacheko, Cardopusher, DJ Yirvin, Sunsplash, Ernesto Pantin, FLYBVK) whose music is profoundly impacted by their individual cultural roots while reconstructed to reflect their global Internet-Age upbringing. Her creations intersect musical and visual art, where each side exists symbiotically as a compliment to the other. "I use visuals just like a musical instrument,” she explains. “They are created as part of the composition. They don't necessarily have a particular storyline but are choreographed to the structure and rhythmical patterns of the songs, displaying a sensibility that relates to each of them."
 
As a member of the now disbanded cult electronic band Todosantos (originators of the 'tukky-bass' sound), she's opened for headlining acts such as M.I.A and The Beastie Boys, as well as performed at SXSW, POP Montreal and the CMJ Music Marathon.
 
Working independently as an audio/visual artist, MPeach has completed installations at BRIC Contemporary Art (Brooklyn, NY), One Art Space (New York, NY) and collaborated with the Joshua Light Show, Latin Grammy award winner Los Amigos Invisibles, the tropical bass party Que Bajo?, New York based culture blog Mex And The City, and the electro-dance punk band Heartsrevolution.
 
MPeach is preparing for a South American tour slated for the fall of 2012. She is currently based in Brooklyn, New York. 
 

MPeach, UprootAndy - Fuego De Colores

MPEACH

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