Brother North's debut album is out now. 

Spotify: http://open.spotify.com/album/0do9SSQb6AeViBVJyfWkIe
iTunes: https://itunes.apple.com/se/album/brother-north/id859132384

Follow Brother North on Facebook: https://www.facebook.com/BrotherNorth

Brother North - Skyward Lights

My Brightest Diamond - I Have Never Loved Someone - A Take Away Show

The Sea (My Brightest Diamond Remix)

Stones 

See her I've been dreaming of her but soon she'll make me rise
Nightmares pass but this one seems to last, she's a curse but one I swear by

She could be the death of me, I knew it even from the start
God forbid she's proves to be, least I'm leaving with an angel's heart

Stones, boulders holding me down
But I'm not struggling
No I'm not struggling out
When you come you lift them

A crown of thorns, a silence in the storms, she's out of reach or so it seems
Warms my should, the chill inside my bones, she's moving through my bloodstream

She could be the death of me, I knew it even from the start
But God forbid, her demons win, least I'm leaving with an angel's heart




Recorded, mixed and produced by Declan Legge at Big Space Studios
www.bigspacestudios.co.uk
Mastered by Pete Maher at Topfloor productions, London
www.petemaher.com

Stones

Funeral - Ralph - Memorial Song

From the deluxe version of "Everyone Thinks I Dodged A Bullet" available on iTunes: http://smarturl.it/ETIDABitunes

http://greglaswell.com
http://www.facebook.com/greglaswellmusic
http://twitter.com/greglaswell
http://instagram.com/greglaswell


"Watch You Burn (Piano Version)

In 2014 I moved to Gibsons B.C and built guitars for the winter. We lived in a small stain glass windowed cabin on top of Harvey Hill while we built guitars. When I got home I wrote this song about how I had felt about Cranbrook and the routine I was in. Hope you like it.

Harvey Hill

My Brightest Diamond, "High Low Middle"

From the album 'Little Torch', released on Jan 27, 2017
Buy here: http://smarturl.it/LittleTorch

⇩⇩⇩ Lyrics ⇩⇩⇩

Support Erin K:
www.erinkmusic.com
facebook.com/ErinKMusic
instagram.com/erin_kleh

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~ Lyrics:

couldn’t have held on any longer than I did
couldn’t have told you anything more than the words that I said
couldn’t let go no I couldn’t let go then you did
couldn’t let go no I shouldn’t let go but we did
 
And now there’s a space where our hearts don’t meet
And anyone who comes close to mine will see how I bleed I’m weak
 
All the words that you said well they couldn’t hurt more than they did
All the things that you said, couldn’t hurt more than they did
 
couldn’t have smiled any bigger than I did, when I met you
couldn’t have caught your eye, no I couldn’t have tried to feel ready
for this, oh I 
couldn’t let go no I couldn’t give in then I did, thank god
I couldn’t let go no we shouldn’t let go then we did
 
and now, there’s a space, where our hearts don’t meet
and anyone who comes close to mine will see I am not so weak
now there’s a space where our hearts don’t meet
and nothing hurts more, nothing than the scar this leaves
 
all the words that you said, no I couldn’t love more than I do
all the things that you said, I couldn’t love more than I did

Indie Feed on Facebook

Erin K - Couldn't

I have always gravitated toward records that were grand and a bit overly ambitious. With "Swallow the Sea" I didn't want to go the route of the low-fi indie record. The title represents what I was going for. I also have to stay true to my roots. I'm a product of the 80's and my musical taste was shaped largely by bands like The Pixies, REM, U2, Echo and the Bunnymen and other underground bands of that time. It was the era of epic art-rock and smart pop. I ate it up. This record certainly nods to my influences without apology."

Ambition is evident in Matthew Perryman Jones' third record, but first proper release. From the sense of hope that swells from the darkness of the opening track to the epic reinterpretation of the spiritual, “Motherless Child” to the closing track’s two minute mantra, “Where can you go? Can you Swallow the Sea?”, this record is the sound of Jones simultaneously putting his neck on the line and shedding musical inhibitions, and finding his voice in doing so.

Regarding "Swallow the Sea" Jones confesses, "It seems I can’t get away from dealing with darker elements. The only way I can approach them, in my life and in my writing, is to approach them from a hopeful perspective. I think that’s apparent on this record. Otherwise, I think the inclination is to not want to address those things…not wanting to go there if you can’t see a way out.”

Jones was born near Philadelphia and relocated to Atlanta at the age of 11. As a teenager he fell in love with the bands of the nearby Athens, Georgia music scene, including R.E.M., and the likes of Guadalcanal Diary and Mary My Hope. He began writing songs in high school, where he also formed his first band, and was 15 when they recorded their first five-song demo (produced by Indigo Girls producer Don McCollister.) 

By the mid-90s, he was fronting an Atlanta folk-rock band with steady gigs at the legendary Eddie’s Attic. As his own songwriting began to bloom and solo shows at Eddie’s followed, friends encouraged the burgeoning artist to pursue his music full-time. Before long, Jones had packed his things and was headed for Nashville. After relocating, Jones soon found a pocket of independent artists who quickly became his musical community. Touring and writing with these contemporaries has contributed to Jones' growth as an artist. In collaborating with local talents, he eventually became acquainted with producer Neilson Hubbard with whom he soon began working.

Swallow the Sea is Jones’ second consecutive album with Hubbard (Garrison Starr, Glen Phillips, Matthew Ryan). “With this record there was a bit of a struggle in that (musically) subtlety seems to be en vogue these days and I wanted to make a bigger record because those are the records I’ve always been into.” As he did on 2006’s Throwing Punches in the Dark, the disc finds Jones writing in a stream-of-consciousness manner, coming up with song ideas in a spur-of-the-moment fashion. “It’s kind of like getting in your car and driving around and seeing what you can find.”

“Save You” (co-written with Hubbard) was the first track on the record to garner attention via multiple television placements (Kyle XY, Private Practice) and resulted in an internet groundswell, as well as being the impetus for this new album. Jones’ strength as a writer is further showcased on this record from the aggressive pop of “Without a Clue” to the breezy “Amelia” and the quirky “When it Falls Apart”.

Amelia

Deltas

June

Richard Walters and Ralegh Long - Sunsleeper

Greg Laswell - Comes and Goes

Best Beatles cover I've heard in a while.

My Brightest Diamond - Everybody's Got Something To Hide Except Me And My Monkey

Listen to 'Keep It Down' from Katie Ruvane's album Part II, released October 18, 2018

❤️ Support Katie Ruvane
╎ https://katieruvanemusic.com
╎ https://www.facebook.com/KatieRuvaneMusic
╎ http://instagram.com/katieruvanemusic

🎧 'Keep It Down', released 18-10-2018
╎ Buy here: https://bit.ly/2OZYc7M
╎ Listen on Spotify: https://spoti.fi/2OXtlso

❤️ Follow Indie Folk Central
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🎧 Enjoy more of our music
╎YouTube: http://youtube.com/indiefolkcentral
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✏️ Feel free to contact me: 
╎Mail: rufus@indiefolkcentral.com
╎Song Submissions: www.submithub.com/blog/indiefolkcentral

📝 Lyrics:

Morning light
I found my stomach in my throat last night
Another bite
I swear it’s nothing but a long goodbye

But everyone we know has lit their torch
There’s never one side in holy war
But maybe if we blur the lines nobody gets hurt

If you don’t have the answer
Then why don’t you keep it down?
If you don’t have the answer
You might as well shut your mouth

Summer night
I heard you laugh and my throat got tight
I can’t live or die
All I can do is love you right

But everyone we know has lit their torch
There’s never one side in holy war
But maybe if we blur the lines nobody gets hurt

If you don’t have the answer
Then why don’t you keep it down?
If you don’t have the answer
You might as well shut your mouth
Oh, if you don’t have the answer
Then why don’t you keep it down?
If you don’t have the answer
If you don’t have the answer

I know we both decided
That our love was best divided
But I don’t know how to hide it
When it feels like you’re still mine sometimes
I know we both decided
That our love was best divided
But I don’t feel fit to fight it
When you act like you’re still mine sometimes

I don’t know

Well if you don’t have the answer
Then why don’t you keep it down?
If you don’t have the answer
You might as well shut your mouth
Oh, if you don’t have the answer
Then why don’t you keep it down?
If you don’t have the answer
If you don’t have the answer
No, I don't know the answer

Keep It Down (feat Jordan Hamilton)

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Katie Ruvane - Keep It Down (feat Jordan Hamilton)

Sara Groves. 

World's FIRST Robotic Exoskeleton Guitarist.

PUBLICITY: 
Jeff Kilgour // jeff@thesyn.com

MGMT:
Erin O. Anderson// erin@oliviamanagement.com
Day to Day:
Maggie Adams // maggie@oliviamanagement.com

BOOKING:
New Frontier Touring
Agent: Alex Fang // afang@newfrontiertouring.com
Agent: Peter Loomis // peter@newfrontiertouring.com

Amelia

Matthew Perryman Jones

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