She says all her thoughts 
Are finally sorted out
I've heard it all before
She's trying to say goodbye
 
She takes every measure to make me see
There's nothing I can do to make her pleased
 
She says all that love 
Is sadly running out
I've heard it all before 
It's time to say goodbye
She's going somewhere else 
Where she can free her mind
From all the wrongs that I 
Brought into her life
 
She takes every measure to make me see
There's nothing I can do to make her pleased
No, I'm not gonna fight it
No, I'm not gonna fight it
No, I'm not gonna fight it
No, I'm not gonna fight it
She takes every measure to make me see
There's nothing I can do to make her pleased

Buy on iTunes

Goodbye

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IG @therealbananaboys https://www.instagram.com/thebananaboyss/




Check out https://www.facebook.com/itsOnAnOn

ON AN ON - Drifting

Kyle XY - Kyle meets Amanda

Still

All songs written and performed by GBMystical.
Produced by GBMystical, Scoops Dardaris, and Zeno Pittarelli.
Mastered by Zeno Pittarelli.
Cover art by Gaelen Bates.
This album was tracked by Scoops Dardaris over the course of 2023, between Jamtown and Headroom Studios in Philadelphia, PA and Gary’s Lakehouse in Otisco, NY.
Demos and additional recordings were completed by GBMystical at home in Philadelphia, PA

buy / stream / watch

Remember

ALLMAN BROWN - ON TOUR IN NORTH AMERICA MAY 2018: http://bit.ly/2s3Uu2M

Produced by Sebastian Fox, mastered by Ian Barter.
@robyn-sherwell appears courtesy of Birdland Records.

Released 6 November 2015 on Akira Records.

Spotify: http://spoti.fi/1KJwkLE

http://www.facebook.com/AllmanBrownMusic

Rivers (feat. Robyn Sherwell)

R I C H A R D   W A L T E R S 
'July Bones'

Taken from the new album 'A.M':
https://play.spotify.com/album/1YraoIM5TyBlDkerh4BLvZ?play=true&utm_source=open.spotify.com&utm_medium=open

www.richardwaltersmusic.co.uk
www.facebook.com/richardwaltersmusic
www.twitter.com/richardwalters

Written by Richard Walters (Crown Songs Ltd.) & Aidan O'Brien (Copyright Control)
Produced, Recorded & Mixed by Aidan O'Brien
Mastered by Joe Rubel

'July Bones'
In July I burnt all your things 
And they glow and the fire still sings 
Only a fool would let you go 
Only a fool would... 

I'm down on my knees 
For you 

Is it right that we can't change? 
Do we make the same mistakes? 
If only your bones would lie with mine 
If only your bones would lie 

I'm down on my knees 
For you

July Bones

iTunes - http://tinyurl.com/goodlove-itunes
Spotify - http://tinyurl.com/goodlove-spotify
Artwork by Jolon Cullinan

Listen on Spotify

Good Love

We're very excited to share "Clover" with you! It's our first new song since our album "A Folded Letter" came out in December of 2016. We'll have more for you later this year as well, but we thought "Clover" was a good place to start.

Listen on Spotify: http://smarturl.it/CWClover
Listen on iTunes: http://smarturl.it/CWCloveriTunes

Thank you, as always, for listening!
Steve, Jeff, and Brian
CWC

Additional Credits:
Kevin Lucero (Cello)
Shane Luckenbaugh (Drums)
Pat Noon (Recording / Mixing - Eight Sixteen Music Studio)
Alan Douches (Mastering - West West Side Music)

Lyrics:
Learning comes later, savor the sorrow
Were these moments fate or just something borrowed and set to leave?
Yearning for greater, I long for tomorrow
Stuck in a state of clinging to far roads, they’re tempting me

To see this through new eyes, sun in a high-rise
There’s a reason why two lives can feel like they’re
Both counterclockwise, but time makes new allies
It can ease their minds, and let things fall behind

So take it as a sign, you have both found what you were looking to find
Don’t let it all decline, know that you were still made to feel aligned

Learning comes later, savor the sorrow
Were these moments fatal, trusting to erode? Yet I believe

The city’s in your skies, the streets have all realized
There’s a reason why two lives feel intertwined
Hope for a reprise, a sonnet with more lines
Alteration finds, and wonder calls to bind

All our time, say that you’ll feel it again
When you’re hanging on, while you’re letting go to all you know
(All our habits are falling rapids and all you do is step aside)
Facing a climb, say that your steel doesn’t bend
When you’re hanging on, while you’re letting go to all I’ve shown
Watch, we’ll unwind, say that this isn’t the end
When you’re hanging on, while you’re letting go

Oh take it as a sign, it is the star to every wandering heart and mind
(Don’t say it’s over, call it a clover, I’m never cold and you’re never forward, don’t say it’s over, don’t say that’s all we’ve got)

Take it as a sign, it is a part of every two colors combined
(Don’t say it’s over, call it a clover, I’m never cold and you’re never forward, don’t say it’s over, don’t say that's all we’ve got)

Oh take it as a sign, you have both found what you were looking to find, don't let it all decline
(Don’t say it’s over, call it a clover, I’m never cold and you’re never forward, don’t say it’s over, don’t say that's all we’ve got)

Clover

Up We Go

Save You

I have always gravitated toward records that were grand and a bit overly ambitious. With "Swallow the Sea" I didn't want to go the route of the low-fi indie record. The title represents what I was going for. I also have to stay true to my roots. I'm a product of the 80's and my musical taste was shaped largely by bands like The Pixies, REM, U2, Echo and the Bunnymen and other underground bands of that time. It was the era of epic art-rock and smart pop. I ate it up. This record certainly nods to my influences without apology."

Ambition is evident in Matthew Perryman Jones' third record, but first proper release. From the sense of hope that swells from the darkness of the opening track to the epic reinterpretation of the spiritual, “Motherless Child” to the closing track’s two minute mantra, “Where can you go? Can you Swallow the Sea?”, this record is the sound of Jones simultaneously putting his neck on the line and shedding musical inhibitions, and finding his voice in doing so.

Regarding "Swallow the Sea" Jones confesses, "It seems I can’t get away from dealing with darker elements. The only way I can approach them, in my life and in my writing, is to approach them from a hopeful perspective. I think that’s apparent on this record. Otherwise, I think the inclination is to not want to address those things…not wanting to go there if you can’t see a way out.”

Jones was born near Philadelphia and relocated to Atlanta at the age of 11. As a teenager he fell in love with the bands of the nearby Athens, Georgia music scene, including R.E.M., and the likes of Guadalcanal Diary and Mary My Hope. He began writing songs in high school, where he also formed his first band, and was 15 when they recorded their first five-song demo (produced by Indigo Girls producer Don McCollister.) 

By the mid-90s, he was fronting an Atlanta folk-rock band with steady gigs at the legendary Eddie’s Attic. As his own songwriting began to bloom and solo shows at Eddie’s followed, friends encouraged the burgeoning artist to pursue his music full-time. Before long, Jones had packed his things and was headed for Nashville. After relocating, Jones soon found a pocket of independent artists who quickly became his musical community. Touring and writing with these contemporaries has contributed to Jones' growth as an artist. In collaborating with local talents, he eventually became acquainted with producer Neilson Hubbard with whom he soon began working.

Swallow the Sea is Jones’ second consecutive album with Hubbard (Garrison Starr, Glen Phillips, Matthew Ryan). “With this record there was a bit of a struggle in that (musically) subtlety seems to be en vogue these days and I wanted to make a bigger record because those are the records I’ve always been into.” As he did on 2006’s Throwing Punches in the Dark, the disc finds Jones writing in a stream-of-consciousness manner, coming up with song ideas in a spur-of-the-moment fashion. “It’s kind of like getting in your car and driving around and seeing what you can find.”

“Save You” (co-written with Hubbard) was the first track on the record to garner attention via multiple television placements (Kyle XY, Private Practice) and resulted in an internet groundswell, as well as being the impetus for this new album. Jones’ strength as a writer is further showcased on this record from the aggressive pop of “Without a Clue” to the breezy “Amelia” and the quirky “When it Falls Apart”.

01 Out of the Shadows

04 O Theo

Buy on iTunes: http://smarturl.it/DaylightM5

Overexposed

Daylight

I Won't Let You Down Again

PUBLICITY: 
Jeff Kilgour // jeff@thesyn.com

MGMT:
Erin O. Anderson// erin@oliviamanagement.com
Day to Day:
Maggie Adams // maggie@oliviamanagement.com

BOOKING:
New Frontier Touring
Agent: Alex Fang // afang@newfrontiertouring.com
Agent: Peter Loomis // peter@newfrontiertouring.com

I Won't Let You Down Again

Matthew Perryman Jones

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