Listen on all platforms + buy the LP: https://idol-io.ffm.to/the-offline-les-cigales
Support on Bandcamp: https://theoffline.bandcamp.com/album/les-cigales
Listen to the DeepMatter Catalogue: https://tinyurl.com/dm-catalogue

Les Cigales

Les cigales

The Offline - Les Cigales

Rosettes are finally here with their debut album on Timmion Records, Lifestyles, a compelling journey into psychedelic soul, jazzy funk, and introspective grooves. For the listener, it creates an experience that manages to be both sophisticated and raw to the bone. Expanding on the sound they refined with their previous singles, this 10-track album captures the group in top form while crafting intoxicating sonic potions that pull you in.

Featuring standout tracks like the soulful opener “The Call,” the Isaac Hayes-inspired title track “Lifestyles,” and the introspective groover “Spirals,” the album weaves together cinematic instrumentals, intricate horn arrangements, and deeply personal storytelling, courtesy of lead singer Tytti Roto. Drawing inspiration from a range of vintage and contemporary masters—Cymande, SAULT, and Sade, to name a few—the rest of the eight-piece group doesn’t linger in the shadows. Instead, they make it their mission to position the groove front and center.

The album closes with “The Queen,” the sole instrumental track, which evokes the spirit of 1970s blaxploitation soundtracks with its wah-wah and fuzz guitars and jazzy changes. Every track on Lifestyles is a testament to the Rosettes’ ability to craft genre-blending masterpieces that are as emotionally gripping as they are musically intricate. For fans of adventurous soul and funk, this album offers a rich and rewarding journey.

Lifestyles

Listen & download: https://melting-pot-music.lnk.to/tonights

New single ‘Tonight's Entertainment’ from British jazz producer Daylight Robbery. Taken from his forthcoming second album on Melting Pot Music, ‘Third Island Suite’ (May 2025). Connecting the dots between Spiritual Jazz, Fusion & Hip-Hop. Recorded in collaboration with New York pianist Nick Marks. Follow-up to his first album ‘Moons of Jupiter’ (2022).

Follow Daylight Robbery
Spotify https://lnk.to/daylightrobbery_spotify
Apple Music https://music.apple.com/de/artist/daylight-robbery/1460597495
Instagram https://www.instagram.com/daylight___robbery/

Follow Nick Marks
Spotify https://lnk.to/nickmarks_spotify 
Apple Music https://music.apple.com/de/artist/nick-marks/1664544664 
Instagram https://www.instagram.com/nmarksmusik/ 

Follow Melting Pot Music
Spotify https://lnk.to/meltingpotmusic_spotify
Apple Music https://music.apple.com/label/1548390831
Instagram https://www.instagram.com/melting_pot_music
YouTube https://www.youtube.com/user/MPMTV
Bandcamp https://meltingpotmusic.bandcamp.com
SoundCloud https://soundcloud.com/mpmcgn

Produced by Daylight Robbery & Nick Marks.
Keys by Nick Marks.
Mixed and mastered by Roe Beardie.
Artwork by Jens Roth.

Cat No: MPM 349-2
Artists: Daylight Robbery & Nick Marks
Title: Tonight's Entertainment

© ℗ 2025 Melting Pot Music

Daylight Robbery - Tonight's Entertainment w/ Nick Marks

Listen & Pre-Order LP: https://melting-pot-music.lnk.to/truthbytrial

New single ‘Truth By Trial’ from British jazz producer Daylight Robbery. Taken from his forthcoming second album on Melting Pot Music, ‘Third Island Suite’ (May 2025). Connecting the dots between Spiritual Jazz, Fusion & Hip-Hop. Recorded in collaboration with New York pianist Nick Marks. Follow-up to his first album ‘Moons of Jupiter’ (2022).

Follow Daylight Robbery
Spotify https://lnk.to/daylightrobbery_spotify
Apple Music https://music.apple.com/de/artist/daylight-robbery/1460597495
Instagram https://www.instagram.com/daylight___robbery/

Follow Nick Marks
Spotify https://lnk.to/nickmarks_spotify 
Apple Music https://music.apple.com/de/artist/nick-marks/1664544664 
Instagram https://www.instagram.com/nmarksmusik/ 

Follow Melting Pot Music
Spotify https://lnk.to/meltingpotmusic_spotify
Apple Music https://music.apple.com/label/1548390831
Instagram https://www.instagram.com/melting_pot_music
YouTube https://www.youtube.com/user/MPMTV
Bandcamp https://meltingpotmusic.bandcamp.com
SoundCloud https://soundcloud.com/mpmcgn

Produced by Daylight Robbery & Nick Marks.
Keys by Nick Marks.
Mixed and mastered by Roe Beardie.
Artwork by Jens Roth.

Cat No: MPM 349-3
Artists: Daylight Robbery & Nick Marks
Title: Truth By Trial

© ℗ 2025 Melting Pot Music


Daylight Robbery - Truth By Trial w/ Nick Marks

Bertil - no fønky greier

SUM GAME FOR YA

Harvest by RavenBoneProductions

Playing with Dilla's beats is just another way for me to practice and improvise, guess I'm not the only one doing that.
 
There's no losin' game when playin' with Love 
that's what I've learned from you, Dilla.
 
Blessing

1. What's up (Detroit 98)
2. I believe in a love Supreme (Let me be the one)
3. What a color (Colors of you)

Art Work by J.Lamotta Suzume

About Love #1 (Dilla Tribute)

When The Expansions self released their first single in 2013, the laid-back jazz funk of Lavender, it quickly gained strong support from soul and rare-groove aficionados including Kenny Dope, Dom Servini, Patrick Forge and Andy Smith. A run of shows followed and before long, when someone was asking if there was a soul-jazz band around to play with, “The Expansions” was the answer. 

Although this popularity meant a hiatus in releasing music, the band have been constantly busy, playing around Europe with legendary British-Ghanaian soul singer, Andrew Ashong and the exceptional, upcoming talent Connie Constance. 

There has also been a breakout project from drummer Jonny Drop - the album Sub Plot gained massive support and love from BBC Radio 6 Music’s Lauren Laverne. While keys-man Dave Koor has been busy playing shows with Gilles Peterson favourite Hector Plimmer, Shaun Escoffery, and Ego Ella May, improvising with Yussef Dayes (Yussef Kamaal) and Nubya Garcia, releasing music as Deoke and collaborating with label-mate Scrimshire on their Modified Man exploration. 

But always, The Expansions has remained a central focus and the true home of these four jazz and soul lovers, with occasional trips out to the country to form ideas and practice new music for the eventual album. 

Murmuration, recorded over three days at Big Noise in Southend, is constructed of single takes, with minimal overdubs, as the band attempt to capture the feeling and energy they create live. 

Debut single Breakthrough introduced the insanely catchy but deeply soulful blend of synths and groove, but here on the album that is explored to the fullest with longer breakdowns and more expansive, experimental solos. Pocket 5 displays the, possibly unexpected, influences of broken beat and almost combative rhythm playing – particularly in the complex guitar and keys breakdown where Koor and O’Keefe layer conflicting time signatures and battle to ride it out to the heavy drum return. 

Cannonball brings warm mellowness that delicately evolves through beats, touching on bossas alongside their fundamental hip-hop sensibilities. But even here there is a raucous zenith before the band sublimely recede into the silence of the a-side ending. 

Colossal album highlight Ivory Mountain is truly an epic. Evoking moments of 4Hero, there is a lightness of groove in the first half of this soulful exploration. But at the halfway point, all restraint is let go as a live string section joins the four quarters of the band for three glorious minutes of soulful disco. Evoking sounds of Quincy Jones, George Benson and Johnny Hammond, all the way through to a beautifully cacophonous finale. 

Dragonfly undoubtedly reflects on the work of Herbie Hancock and is the most direct throwback to the band’s earlier work, which is a welcome marker of how far they have come. A quintessential jazz funker. 

The album closes with the thoughtful and introverted shuffle of Miles Away. In the final eight minutes of Murmuration, The Expansions allow space and time to take precedence, with once-more-restrained peaks and developments. It becomes clear though, that the band cannot resist one last explosive finale, as they rise with screeching synths, strings and dubs for a perfect race to the finish line. 

You can hear the influences of Idris Muhammad, Grover Washington, even parallels with South London peers Yussef Kamaal and Ruby Rushton. But The Expansions have tirelessly worked to create a sound of their own and are very proud, along with label Albert’s Favourites, to finally share it.

Murmuration

Miles Away

@abasemusic delivers groove and sateen sweetness on this eight-minute stunner via @cosmiccompositions.

Read more: http://www.stampthewax.com/2018/11/30/premiere-abase-align-feat-wayne-snow/
Listen on Youtube: http://bit.ly/abase-snow

Listen on Youtube

Àbáse - Align feat Wayne Snow (STW Premiere)

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

Melting Pot Music is a record label from Cologne, Germany. We like beats, rap, jazz, & soul music.

Daylight Robbery - Tonight's Entertainment w/ Nick Marks

MPMCGN