Raw sonic explorations of the tools I am designing at GRM. No external input, live capture with minor editing.

Today, a vague and uninformed tribute to Maryanne Amacher.

GRM Development Diary 1

Raw sonic explorations of the tools I am designing at GRM. No external input, no post-processing, live capture with minor editing.
Today, a study from synthetic strings to chaos, listening to John Luther Adams. All artifacts intentional ⚡️

GRM Development Diary 2

In the GRM Development Diary series this week, ∿∿∿ lullaby for sine waves ∿∿∿. Raw sonic explorations of the tools I am designing at INA grm. No external input, no post-processing, live capture with minor editing.

GRM Development Diary 3

Raw sonic explorations of the tools I am designing at INA grm. No external input, no post-processing, live capture with minor editing. 

This week, when time becomes malleable matter.

GRM Development Diary 4

Raw sonic explorations of the tools I am designing at INA grm. No external input, no post-processing, live capture with minor editing.

Today, a study on feedback, in the style of early electronics pieces.

GRM Development Diary 5

Raw sonic explorations of the tools I am designing at INA grm. No external input, no post-processing, live capture with minor editing.

Today, a(nother) lullaby for sines.

GRM Development Diary 6

Raw sonic explorations of the tools I am designing at GRM. No external input, live capture with minor editing.

Today, growlings and seepings, a study on guttural sounds.

GRM Development Diary 7

Raw sonic explorations of the tools I am designing at GRM. No external input, live capture with minor editing.

To begin 2023 rather mysteriously, two generative patches overlaid on top of each other, objectively random but subjectively giving the illusion of a dialogue.

GRM Development Diary 8

Raw sonic explorations of the tools I am designing at GRM. No external input, live capture with minor editing.

Showcasing a novel modulation system of my invention, recently implemented, that opens up possibilities going far beyond traditional CVs, LFOs and envelopes; in fact, I don't know anything quite like it 😳 The future of GRM Tools, however remote, will be interesting 🚀

GRM Development Diary 9

Raw sonic explorations of the tools I am designing at GRM. No external input, live capture with minor editing.

A study of purely generative, Basic Channel-like dub techno. Departing from the initial constraint, this one with out-of-the-box 808 overlaid, and substantial mastering applied.

GRM Development Diary 10

Hymenoptera (on Compilation Synthé-Modulaire 2016)

Prisma Pavillion

Mid-City

Le Bourdon (listening To La Monte Young)

Egyptian Beehive

Included in The Wire Tapper 44, the CD compilation included with the August 2017 edition of The Wire.

Badalisc (from The Wire Tapper 44)

Watch the live performance: https://www.youtube.com/watch?v=fOZkSTghROA

Fifty-Seventh Parallel North (based on a live @ Powwow, 2017-06-26)

Musician, programmer, researcher, teacher. GRM Member.

Out now: "Mt. Hadamard National Park", Hallow Ground (LP, Digital).
https://hallowground.bandcamp.com/album/matthias-puech-mt-hadamard-national-park

Matthias Puech

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