Mr Flen

I was stupid

Visionary

Lie Right Next to me

sometimes

This experimental EP from Mr.FLEN and featured artist KRNbeef fuses acoustic dark pop‑rap with orchestral drama and urban grit. The opening track, Come Back Home Soon (Remix), starts with a gradual orchestral build reminiscent of 2 Cellos, adding a pulsing, ultra‑complex finger‑picked 12‑string guitar and sparse hand‑drums. The verses showcase hyper‑dynamic UK spoken‑word flow, layered synth textures and inventive percussion, culminating in an emotive chorus with melodic hooks and raw acoustic strums.

On Idiots, the artists explore shifting dynamics and a gritty, complex pop‑rap soundscape. Hyper‑emotional vocals soar over a dirty bassline while orchestral strings weave through the background, creating tension and release.

Nonsense is a shorter burst of energy—its rapid‑fire verses and catchy hook feel like a dark lullaby, offset by gritty percussion and warm guitar harmonics. The closing piece, My World Is Falling Apart, leans into melancholy; whispered spoken‑word passages ride over swelling cellos, building to a cathartic chorus with unforgettable hooks and glistening acoustic chords.

Throughout the EP, Mr.FLEN and KRNbeef bridge the gap between classical instrumentation and contemporary pop‑rap. The result is a haunting, cinematic experience that pairs string‑laden grandeur with street‑level storytelling, leaving listeners in a reverberating emotional landscape.

my world is falling apart

FINAL BOSS

Ibiza Final Boss Alt End

CAN’T STOP, WON’T STOP

Most Unexpected — a deep, quietly triumphant cut from Mr.FLEN. It’s that feeling when something good arrives out of the blue and you refuse to jinx it. The production is lean and focused: a rolling house groove, warm keys, a tight low end, and a vocal hook that keeps its cool. No gimmicks, just pocket and intent.

What you’ll hear
Vocal-led deep house / vocal house with melodic touches. Solid four-on-the-floor drums, tasteful piano and EP layers, sidechained bass that breathes, and small moments of ear-candy that reward repeat plays. Built for late-night drives and club warm-ups alike.

Concept & artwork
The cover shows hands cupping a jar with a small light and the note: “Most Unexpected — don’t jinx it.” It matches the track’s attitude: hold the good thing gently, let it speak for itself, and keep the noise out.

For DJs & curators
Clean intro/outro for mixing. Radio cut and extended mix available. Stems, instrumental, and a cappella on request for edits and remixes.

File facts

Genre: Deep House / Vocal House

Mood: hopeful, grounded, confident restraint

Vocals: intimate lead + light doubles; clear diction for playlist context

Support the record
If this lands with you, like, repost, leave a quick line about a time something good surprised you, and add it to your Deep/Vocal House or Melodic House playlists. It helps more than you think.

Credits
Written, produced & mixed by Mr.FLEN. Master engineered for clarity on headphones and club systems.

Contact / licensing
DM here or via socials @mr.flen for placements, remixes, or show enquiries.

Most Unexpected DON'T JINX IT

“Sorry, That Was Stupid” is an honest deep-house apology—contrite vocals over a rolling 123 BPM groove in D minor. It’s for those moments you say the wrong thing, feel it land flat, and decide to grow. Clean, intimate male lead sits on warm Rhodes/EP chords, M1-style piano stabs, and a sine+FM low end that breathes with the kick. The hook is simple and unforgettable—built to live in your head and on late-night floors.

What it sounds like
Vocal-led deep house / vocal house with modern melodic touches. Think club-ready drums, tasteful vocal chops in the drops, and a sincere top-line that stays clear in the mix. No stadium bombast—just groove, pocket, and truth.

Theme
Accountability > cheap laughs. The song owns a misjudged joke and chooses care. It’s a message track you can dance to: humble, direct, and replayable.

Production quick facts

Tempo/Key: 123 BPM, D minor

Palette: tight 4-on-the-floor kick, rounded clap on 2&4, closed-hat 16ths, offbeat open-hat, subtle shaker

Bass: sine core with parallel FM grit, sidechained to the kick

Keys: warm EP/Rhodes comp + M1 piano stabs; soft pads that open on choruses

Ear-candy: vocal chops on “sorry / stupid / dumb,” tasteful delay throws, gentle risers and downlifters

Vox chain: transparent dynamics, light tape saturation, plate verb with short pre-delay (intelligibility first)

Song structure (listener-friendly)
Intro → Verse → Pre → Hook/Drop → Verse 2 → Pre → Hook/Drop → Bridge (strip-back) → Final Hook/Drop → DJ-friendly outro. Designed for both radio-length and extended club plays.

Lyrical snapshot (hook)

“Sorry that was stupid / Sorry that was dumb…”
A frank, minimal refrain that hits because it doesn’t try to be clever—it’s real.

Use cases / playlists
Deep House, Vocal House, Melodic House, Late-Night Drives, Club Warm-Ups, After-Hours, Focused Work Sessions with Groove.

For DJs & curators
High headroom master for streaming; club master available on request. Clean intro/outro for mixing. Stems, instrumental, and a cappella upon request for remixes and edits.

Credits
Written, produced & mixed by Mr.FLEN. Artwork: ultra-real cover series (mirror condensation / hazard-tape variants). Mastering aimed for clarity and punch without harshness.

Support the track
If it resonates, like, repost, drop a comment with your “I owned it and learned” story, and add it to your Deep/Vocal House playlists. Your engagement helps this reach the people who need it.

For licensing, remixes, or placements
DM via SoundCloud or socials (@ mr.flen). Non-explicit. Radio edit, instrumental, a cappella, and extended club mix available on request

Sorry, that was stupid

Music is not just an art form for me—it's a lifeline, a form of therapy that sees me through the highs and lows of life. Each track I create is a piece of my soul, translated into sound. It's in the depths of melodies and rhythms that I find solace, pouring my emotions and experiences into each note as a way to heal and understand myself better. My music is a diary of my journey, a reflection of the inner workings of my mind and heart. When you notice an influx of new tracks, it's a signal that I'm navigating through tougher times, seeking refuge and expression through my music. This direct channel from my innermost thoughts to your ears is what makes my music raw, real, and resonant. So, as you listen, know that you're not just experiencing a song, but a chapter of my life, a moment of catharsis, and a piece of my path to healing. My hope is that it may offer you the same comfort and escape it provides me.