Una versión ecléctica del hit del año, jugando entre la cumbia, el fidget, el bass y un poquito de teclados "sergio denis style". ;) 
LINK DOWNLOAD : http://www.mediafire.com/?lo1gfq218ray0f0

Viene De Mi (El Remolon Remix)

Having been long-time admirers of one another from afar, Hell Yeah and Michele Mininni finally come together for Pop Archetypes. It is a multifaceted debut album that collides broken beats, worldly rhythms, jazz, eastern melodies, live drums and much more into one thrilling 15-track opus that arrives on May 31st.

Italian artist Mininni has always had a leftfield take on electronic music and imbued it with rhythms, melodies and instruments from around the globe. He has released it on cult labels like R&S, Optimo Trax, Internasjonal and Curle Recordings but has saved his magnificent debut album for Hell Yeah. It is much more than a collection of sounds he has already explored and instead finds him heading off into all new territory without losing his signature sense of inventive and beguiling rhythm and melody. It is a multicultural journey that takes in heterogeneous styles and diverse influences but distills them all into one cohesive album with its own unique storyline.

Says Mininni of the record, "I wanted each track to be like pieces of a unique, multifaceted picture, like walking through train cars or progressing through the levels of a video game, all filtered through my own vision and concentrated into 36 minutes. I wanted a pop album rooted in the extraordinary richness of popular music and projected into the future, a continuum where pieces communicate with each other and are received by the ears in symbiotic balance."

Despite that concept, the album is a spontaneous listen full of surprises, left turns and original ideas that all hold together in thrilling fashion. It kicks off with the tumbling jazz drums and swirling synths of 'Spinning Around Cotton Candy', takes in mellifluous melodic layers and broken beats on 'Golden Room' and 'Slipped Air' casts you adrift amongst gorgeous piano keys and refracted vocals on the suspensory 'Vertigo'. There are jungle interludes with Eastern string melodies like 'Bangkok Tempo', lavish fusions of organic and synthetic sounds on 'Kundalini' and more charming Far Eastern rhythms on 'Muting Cat'. 'Congoflash' brings electrifying cosmic rays to busy hand drum patterns, 'The Magic Of Synesthesia' combines dark amen breaks and bright and uplifting flutes while 'Carousel Of Tears' douses you in watery melodies and celestial pads that awaken the soul.

Pop Archetypes is an adventurous work packed with meticulous and infinite details but all with an overarching narrative that makes it far more than the sum of its parts.

GILLES PETERSON
www.bbc.co.uk/sounds/play/m001yyxg

DAMIAN LAZARUS/ CROSSTOWN REBELS
Really nice album!!

SEAN JOHNSTON/ A LOVE FROM OUTER SPACE
Absolutely love this.

JAYE WARD/ RINSE FM
Ahhh wicked big fan of his R&S output… the lp sounds totally epic, really into vertigo, urban voodoo, Congo flash & wet market. But the whole LP is definitely going to get rinsed. Propels left field and beautiful!

MAX ESSA
What an astonishing collection of music! An incredible release.

FRANCOIS K/ BODY & SOUL
Love this.

AME (Innervisions)
Great Album

Pop Archetypes

Bandcamp

Michele Mininni - Bangkok Tempo

Any Moment

Mix: Nicolás Bruschi & Nahuel Berneri en camaronbrujoMúsica
Mastering: Daniel Ovie
Arte: Estudio Famas
https://www.facebook.com/Sidirumusic
--
iTunes
https://itunes.apple.com/gb/album/intercambio-ep/id1061048989

Bandcamp
https://sidirum.bandcamp.com/album/intercambio-ep

Soundcloud
https://soundcloud.com/sidirum/sets/intercambio-ep

Spotify
https://play.spotify.com/album/28MPgHLbQ50GJIZBKgqYG1

Amoeba
http://www.amoeba.com/intercambio-sidirum/albums/3780039/

Amazon
http://www.amazon.com/Intercambio-Sidirum/dp/B0189CGR7K/ref=sr_1_1?s=dmusic&ie=UTF8&qid=1448979570&sr=1-1-mp3-albums-bar-strip-0&keywords=sidirum

SidiRum - La Sin Futuro

Shika Shika - the record label without borders or owners - celebrates its first physical format release with ALBURA, the new album of Barrio Lindo, available as a 12” limited edition and in digital format on April 6th.
ALBURA is a portrait of the last three years of touring through Latin America, USA and Europe, that inspired this new phase in the work of Agustín Rivaldo, producer, luthier, and co- founder of Shika Shika Collective.
With its 12 tracks, ALBURA invites the listener to go on a deep and fresh journey into the contemporary sound of Latin American music, accompanied by organic electronica. In the midst of cumbias, sambas, carnavales and folkloric melodies, this record includes collaborations with indispensable referents of the new wave of South American producers who have crossed paths with Barrio Lindo: Jhon Montoya, Ela Minus, Lulacruza, Clara Trucco a.k.a. Wende Wen (Fémina/Weste) y Carrot Green.
This album merges the two universes that coexist in Agustín Rivaldo: the role of producer and the role of a luthier dedicated to traditional South American instruments. In fact, the name ALBURA is a botanical nod to the youngest part of the wood of a tree, and where the most recent growth rings of the trunk are found, at the same time a vital part for luthiers.
During the production process, Rivaldo recorded with instruments that he made himself: charangos, guitars, quenas and marimbas, among others. On the songs Pura danza, Saudade and Intensidad mañanera he uses his own singing voice.

Written, Played and Composed by Agustín Rivaldo a.k.a. Barrio Lindo 
Tape Master by Jerónimo Escajal in Estudio El Nogal 
Mastered by Sebastian Cordovés 

in collaboration with: 
Jhon Montoya "1-Facón" 
Lulacruza "3 . Otoño Primavera" 
Carrot Green "4 - Na rúa" 
Wende Wen "6 - Belleza en el Aires" 
Ela Minus "8 - Túneles" 

Artwork Volcán Studio

Barrio Lindo - Pura Danza

Así Tocan Los Indios- (Mr.Toé Edit)

Cerrero - Cuando canto grito feat. Lucía Pulido
Produced, recorded and mixed by Diego Gómez
Mastered by Matt Colton in Alchemy Mastering
Vocals: Lucía Pulido
Guitars: Juan Miguel Sosa
Written by Diego Gómez
Lyrics based on the poem "Las mujeres que cuando cantan" by María Paz Guerrero

Cerrero, navega entre las raíces del sonido colombiano y la producción dubera. En su segunda entrega, Cuando canto grito, parece atravesar cordilleras junto a la voz de Lucía Pulido, la poesía de María Paz Guerrero y la guitarra sutil de Juan Miguel Sosa, creando una atmósfera hipnótica y firmemente afincada en el poderío femenino de los Andes.

Sobre la historia detrás de este nuevo tema, Diego Gómez nos cuenta:
Cuando canto grito es la segunda parte de la colaboración con Lucía Pulido para Cerrero, mi proyecto en solitario. La letra es la adaptación del poema Las mujeres que cuando cantan de María Paz Guerrero, una gran amiga que ha dedicado su vida a la poesía. Aprovechando una corta visita de Lucía a Bogotá, nos reunimos en el estudio a grabar las voces sobre una idea de melodía sencilla que tenía a partir de unas guitarras que había grabado con Juan Miguel Sosa, un gran guitarrista de música popular colombiana. El resto fue subir las partes al sampler y darle forma con la consola. Lo repetitivo, la voz y la palabra, tres poderes.
En la imagen que acompaña a  Cuando canto grito, la artista bogotana Karolina Bebop nos sigue dando pistas sobre el enigmático universo que habita Cerrero, el más reciente proyecto de Llorona Records.

//

Cerrero´s sound blends colombian roots music with electronic aesthetics and dub production techniques. His second single, Cuando canto grito, presents powerful legendary Singer Lucía Pulido performing an adaptation of Las Mujeres que cuando cantan a poem by young colombian Poet María Paz Guerrero. The subtle and intimate guitar, sampled flutes and minimalistic percussion creates an hipnotic track that serves perfectly to the powerful words sung by Lucía. 
Cerrero, brainchild of Llorona Records´ Diego Gómez, keeps releasing previews of the upcoming EP in the making.

Cerrero - Cuando canto grito feat. Lucía Pulido

Frente Bolivarista continues to seek for fusion and borderless music presenting now Derrok from Chile. His productions take you on a walk through the mystical sides of the Andes and it is heavily dance floor intended on mid tempo rhythm.

Produced & Mixed by Joaquin Roca  (https://soundcloud.com/derrok)
Mastering by Einstmann Mastering (www.einstmannmastering.com) 
Artwork and Page Design by Juliana Lira (www.instagram.com/mizzyfk)

Buy on Bandcamp!

Derrok - Frutos

Las cosas toman su tiempo en madurar, aunque a veces ese tiempo se nos escape. Seis años después del fallecimiento de Leda Valladares, y a casi dos de haber lanzado la convocatoria, Fertil Discos (Argentina) y Folcore (Barcelona) presentamos el primer adelanto de lo que será El Camino de Leda, un repaso por el cancionero que la gran música popular rescató del olvido, y que gana otra vida a partir de 12 temas grabados por una nueva generación de productores electrónicos y cantantes invitados. 

En este caso, Chancha Vía Circuito, un productor que ya se ha destacado en el uso de la copla y el canto con caja en la música electrónica, genera una atmósfera simple y poderosa, que la voz de Shaman Herrera llena con un canto que parece ser el de muchas personas o el de muchos tiempos a la vez. Siguiendo la idea general del proyecto, el tema no modifica las pautas formales de la canción recopilada por Leda, sino que las refuerza con una base musical tan densa como espaciosa, que incluye también a la caja, el elemento central del ritmo, y guía del canto.

El Camino de Leda continuará próximamente con el siguiente single, realizado por Tremor y Soema Montenegro, y el disco final, a editarse a principios de 2019, en digital y vinilo, contará con la participación de El Remolón, Bárbara Silva, King Coya, Sofía Viola, San Ignacio, Lauphan, Pol Nada, Jin Yerei, Dat García, Jazmín Ezquivel, Barda, Celeste, Uji y Charo Bogarín (La Charo) de Tonolec. 

CHANCHA VIA CIRCUITO es un músico y productor bonaerense, que vincula en sus trabajos la música electrónica y las raíces latinoamericanas, presentándose en todo el mundo y obteniendo un gran reconocimiento tanto en el país como en el exterior.

SHAMAN HERRERA es un cantautor nacido en Comodoro Rivadavia, ahora radicado en La Plata. Es el líder de Shaman y los Pilares de la Creación, y ha participado como guitarrista, cantante y productor en numerosos proyectos vinculados al rock, el folk y otros estilos.

www.fertildiscos.com
www.folcore.com
www.elcaminodeleda.com

El Camino de Leda

Chancha Via Circuito feat. Shaman Herrera - Yo he sido (El Camino de Leda)

Stiko is back on Shango Records edits series and this time he's paying his respects to Malian wassoulou musician Oumou Sangare. He transforms the classic "An Ndiya" track (from her first album "Moussolou" back in 1991) into a darkish percussive broken Afro-Electronic heaven!

https://soundcloud.com/stikoantilope

SHNGEDITS013 Oumou Sangare-Ndiya (Stiko edit)FREE D/L

El nuevo álbum del productor colombiano Jacobo Polanía a.k.a. Mente Organica marca su vuelta al estudio y a su país, luego de vivir más de un año en Europa. Grabado en ese barrio de Bogotá (Chapinero), el disco maneja energías y velocidades diferentes, pero marcadas por el uso de melodías, claves y motivos latinoamericanos, abarcando desde la cumbia a la salsa, todo ello ejecutado y gestionado a partir de elementos clara y evidentemente electrónicos. Ya desde la primera escucha se configura como un disco nocturno, ofreciendo diferentes temas y climas para diferentes noches. Como ya sucediera en su anterior álbum Ojos (Fertil Discos, 2018), Jacobo hace un particular uso de la voz, cuyo tratamiento se acerca más al pop que a las producciones típicamente electrónicas. Pequeñas frases, mantras de lo cotidiano o de episodios festivos, se repiten hasta hacerse familiares. En Cumbia Afrodisíaca la voz de Mcpto agrega una sensualidad lenta y firme a la base cumbiera. Y en el resto del disco aparecen elementos ácidos, de mínimal techno, samples de Palenque, sintetizadores de todo tipo, cajas de ritmo… la mezcla exacta de quien llega al trópico proveniente del reino del tecno, y se encierra solo en un estudio.

Disponible desde el próximo 12 de Junio de 2020

ENGLISH

MARINERO EN CHAPINERO
Going back home feels like an after party

Mente Organica’s new album was recorded after he went back to his country and his studio, after more than one year in Europe. The title refers to the famous quarter of Chapinero, in Bogotá. Just as it happens there, the record mixes very different energies and velocities, all of them coloured by latin american melodies, keys and motives. From cumbia to salsa, everything is executed with purely electronic means. RIght from the beginning, the record brings us to a nocturnal mood, providing different climates and textures for different nights.Just as he did in his previous album Ojos (Fertil Discos, 2018), Jacobo has a very peculiar way of using voices, closer to pop music than to the usual electronic productions. Short sentences, every-day-mantras, brief episodes - they are repeated subtly but steadily until they become familiar. In Cumbia Afrodisiaca, Mcpto’s voice adds a slow and firm sensuality to the cumbia base. In addition to latin american rhythms, the record includes acid and minimal techno elements, Palenque samples, synths of all kinds, rhythm machines… the exact balance for someone arriving in a tropical country, seeking to spend some time in the studio after living two years in the land of techno.

OUT 12th JUNE

Cumbia Afrodisiaca

TOÉ : planta maestra del tipo adivinatorio, utilizado como alucinógeno por chamanes amazónicos,en determinadas ceremonias mágico religiosas.
Descripción
Mr. Toé, es electronica organica que fusiona las culturas ancestral latinoamericana(Afro-indigena) y del mundo con elementos tecnológicos contemporáneos. 

Generando un viaje musical etno-futurista , que conecta a la audiencia con la dimensión tierra- espacio/Cosmos.

TOÉ: master plant of the divinatory type, used as hallucinogen by Amazonian shamans, in certain religious magical ceremonies.
Description
Mr. Toé is organic electronics that fuses the Latin American (Afro-Indian) ancestral culture with contemporary technological elements.

Generating an ethno-futuristic musical journey, connecting the audience with the earth-space dimension / Cosmos.

Así Tocan Los Indios- (Mr.Toé Edit)

Mr. Toé

Recent comments

underground holidays

AIWAA ॐ

AntizénitH

SAYF

Related tracks

Así Tocan Los Indios- (Mr.Toé Edit)

Mr. Toé

Recent comments

underground holidays

AIWAA ॐ

~~ AntizénitH ~~

SAYF

Related tracks

AntizénitH