Hongos Longos 800 Related Tracks & Mr. Toé..They will change sometimes.

The Random Dance  (from 10 Years of Randomness Compilation - RANDOM RECORDS)

Second  track from "the covers" album! Free download here: 

https://randomrecords.bandcamp.com/album/the-covers

I Don´t Wanna Macarena Dummies

Third track from "the covers" album! Free download here: 

https://randomrecords.bandcamp.com/album/the-covers

Pizzicato Five - Twiggy Twiggy (Hongos Longos Remix)

El Regreso del Gallito (The Return of the Rooster) takes its inspiration from the sounds and landscapes of Paraguay, the small South American country unbeknownst to many outside its borders. Paraguayan composer and producer Santi and Turkish singer Tuğçe take listeners on a tantalizing journey into this “island surrounded by red coasts, in the heart of South America”. El Regreso del Gallito also marks the duo’s first time collaboration with U.S. based visual artist Scott Partridge, whose artwork perfectly captures the somewhat familiar and somewhat magical world of the album. 

The opening track, Gallito, begins with a bold, orchestral string section, and quotes the popular Paraguayan polka “Gallito Cantor”. The spoken poetry announces the return of a mysterious traveler, with a strange voice and burgundy crest, to his native land. This track, like the rest of the album, reveals the compositional approach that Santi takes to music production in which he writes and sequences every single note and beat for all instruments. Based on this opening track, Scott’s cover art for the album depicts the mythical Gallito, which- like the album itself- is a novel interpretation of the folkloric elements, in this case, gallinas de suerte or “lucky chickens”, of Paraguay. 

The second track, Doña Antonia, tells the story of a street vendor who travels each morning from her home in Yaguaron to the capital city Asuncion to sell her medicinal herbs that cure everything, from heartbreak to oblivion. The track is sensual, mystical, and up-tempo. In a “world that keeps spinning without compassion”, Doña Antonia’s song (and her ice cold tererê with lemon) reassure the poet, the dreamer, those who are disheartened, of possible relief and even transformation. 

La Revancha del Arpa, humorously named after Gotan Project’s debut album “La Revancha del Tango”, brings to the dance floor the intricate melodies and waterfall-like textures of the Paraguayan harp, the instrument that is at the center of the Paraguayan musical genre of the Guarania. Like Gotan Project’s “La Revancha del Tango” which gave tango its electronic sound and international revival, in La Revancha del Arpa, Santi extends the Guarania outside of its Paraguayan conventions and immerses it into Latin America’s vibrant electronic music scene and beyond. 

The fourth track, San Juan, is a grand celebration, based on the traditions of many other neighboring countries throughout Latin America. Weaving together polyrhythmic percussion, deep bass, synthesizers, the energetic accordion and the playful harp, this upbeat track is filled with fire, dancing, and daring games. Even the mysterious Gallito is back on the scene calling for community and musical innovation. 

In the last piece, the journey comes full circle, as Santi and Tuğçe give us their rendition of what is perhaps the most known Guarania of Paraguay, Recuerdo de Ypacaraí. Santi’s hypnotizing harmonies along with Tuğçe’s soothing vocals turn this timeless song into a lullaby which takes us back to a night by Lake Yparaci and invites us to remember and linger on. 

Follow the artists @ 

facebook.com/santi.production/ 
soundcloud.com/santi-productions 
soundcloud.com/tugce-kurtis

Buy on Bandcamp!

Santi & Tuğçe - La Revancha Del Arpa

DOWNLOAD WAV

Terrakoba (BéTé Re-Edit)

Pioneering Argentine musician and producer Gaby Kerpel is back to immerse us in his folktronic world via his alter ego King Coya. Seven years after revolutionizing the scene with his Cumbias de Villa Donde, he’s back with “Tierra de King Coya”, the first single from a long awaited second album to be released by ZZK Records in 2017. 

How to describe the King Coya sound? It’s folklore for the dance floor. That means electronica mixed with chacareras, carnivalitos and cumbia. His shows fuse together electronic beats with traditional music roots, and the Queen Cholas dancers get the party started on the stage, inviting the audience to join in, a celebration of the ritual of music and dance.

Tierra de King Coya

King Coya feat. La Walichera - Tierra de King Coya

Original track released in the 60's during the blooming of the Boogaloo scene of New York.

Art by @nillocr

Zoom Gully Gully - Joe Quijano Y Su Conjunto Cachana - Mȁ̲̠̻ͥ̾ra͔̥̩̾͊̑cuyá͊ Edit

Mosaico De Bunde -Grupo Bahía (Mr. Toé Edit.)

MORE ARTIST INFO:

BARBARELLA ---djane/producer based in Dresden, Germany.

https://soundcloud.com/barbarella_dd

https://www.facebook.com/barbarella.salchicha

Flumen

Oguh - Barbarella

BELEMA - Mr. Toé Edit.

Fátima -Mr. Toé Edit.

Track featured in the compilation IGUANAS OVER MARTINIQUE, release by @Shango-Records in 2017.

Download now at: 
Bandcamp         > https://tinyurl.com/y72tgl9b
JunoDownload > https://tinyurl.com/ybefl5tw
Beatport            > https://tinyurl.com/ycm8cbr3

About The Night (DJ Nirso Remix)

Come.... to... the.... Caribbean...
#UMOJAEDITS
#FREEDL

Download

Come To The Caribbean (UMOJA DUB)

Novalima's new album 'Ch'usay' will be out worldwide on September 14th.
Pre-Orders: https://wonderwheelrecordings.bandcamp.com/album/chusay

From their humble start, file-sharing musical ideas and producing their first album in separate countries during the dawn of the internet, Novalima is now a live musical force revered worldwide for breaking boundaries and uniting seemingly irreconcilable genres, communities, and generations. They have created an inspiring movement and revolutionized the music scene in their native Peru by bridging a longstanding divide between the mainstream and the minority Afro-Peruvian community, who have struggled against discrimination and cultural dissolution for generations. 

Over the last two years, Novalima created their newest offering, Ch’usay to be released September 14th on Wonderwheel Recording. The album's name (voyage in Quechua, the language of the Incas) signals Novalima's latest musical exploration, ancient sounds and instruments from the Andes and the Amazons. This time around, Novalima goes one step further to enrich their sound by collaborating with new generations of local artists from the peruvian music scene. The album also has offerings from global artists such as Esteban Copete (Colombian Marimba master) and Kumar (Cuban rapper based in Barcelona). 

The debut single, named after the album, (to be released on July 13th) is the perfect example of the the new sonic voyage in which Novalima has embarked. Ch’usay, a futuristic huayno dub, includes astonishing vocal collaborations by andean soprano Sylvia Falcon and pioneer Quechua rapper Liberato Kani. 

The 15th Anniversary celebrations will also include a limited edition release of Novalima's first three albums Afro, Coba Coba and Karimba, on color vinyl for the first time, followed by an international tour through Europe and North America. 

Novalima has garnered worldwide critical acclaim from mainstream (NPR, UK Guardian, Wall Street Journal, La Presse, Metro, Billboard) and underground media (Giant Step, Remezcla, Nat Geo) alike, delivered legendary performances around the world at festivals such as Roskilde, WOMAD, Pirineos Sur, NYC Central Park, Montreal Jazz Festival and Chicago’s Millennium Park, earned a Latin Grammy nomination for Best Alternative Album, and were featured in cult filmmaker Robert Rodriguez’s hit Mexploitation movie Machete.

Pre-Order

Novalima - Ch'usay

Biomigrant is the musical project of producer and multi-instrumentalist Michael Alfred Wagner. In 2014, as part of a journey of musical exploration, he crossed Central America en bicycle, arriving to Colombia where he currently lives. As part of the Llorona Records tribute to the gaita flute master Manuel Antonio “Toño” García, Biomigrant put together a compilation of remixes of a piece made with the field recordings of Toño singing. El Buho, Quixosis, Lascivio Bohemia, Joaquín Cornejo, RLHBSLCN, Marcelo Bergés and Steffen Ki present beautiful and different takes of “La Muerte” giving us a broad picture of latin american electronic and world downtempo landscape.

I arrived to the house of the maestro Toño García in San Jacinto in May of 2014. I had just arrived to Colombia, finishing a bicycle journey that began in Guatemala. In Panama a traveling couple told me of Mr. García, and in Bogotá a friend put me in touch so I could visit him. I made it to San Jacinto, an iconic village of the Colombian Caribbean, and I spent various nights camping along the edge of the lake, in the mornings taking classes with Toño. I received my first Gaitas from him, while he showed me songs and told mi stories of his wanderings, struggles, successes, and loves.

Manuel Antonio ‘Toño’ García joined the Gaiteros de San Jacinto after the death of Mañe Mendoza, returning to a legacy that he had left behind for years to dedicate himself to agricultural work. Winner of a Latin Grammy for the album ‘Un Fuego de Sangre Pura’, along with a generation of the group that included his student Fredys Arrieta, el maestro sill lives in his house in San Jacinto where to this day he receives visits from a endless stream of students and lovers of Gaita music, sharing with them his music and wisdom.

There here taught me the song ‘Conmigo Nadie Se Meta’, written by Nando Coba. ‘La Muerte’ is a re-interpretation of that melody, with the voice of Toño and the gaita of Fredys. It was originally published en 2016 as part of ‘Aldea Mundial’, an audiovisual project (album and documentary) released with the chilean label Regional.

I am very grateful for the 7 tremendous artists and friends from Latin America and Europe for their remixes which offer a tribute to a great musician, person, and teacher. We are part of an emerging scene that looks to create a meeting grounds between electronica and traditional folk music, and the least we can do is try to give something back to those who have maintained the essence of rural musics.

All funds generated by this work will be given to Toño Garcia (who recently celebrated his 90th birthday) and his family as assistance that we hope will help to care for his health and upkeep in San Jacinto. Thank you to all who have contributed to this project and especially to Thomas Bosq for setting it all in motion. Michael - Biomigrant

Produced by Michael Alfred Wagner - Biomigrant
Gaitas- Fredys Arrieta
Voice- Toño Garcia
Alegre drum- Loui Peña
Maraca- Owen Chamorro
Mastering - Rob Small
Artwork - Patricia AlSur 
credits
released January 24, 2020

Producido por Michael Alfred Wagner - Biomigrant
Gaitas: Fredys Arrieta
Voz: Toño Garcia
Tambor Alegre: Loui Peña
Maracon: Owen Chamorro
Masterizado por: Rob Small
Arte por: Patricia AlSur

Biomigrant - La Muerte (Joaquín Cornejo Remix)

STREAM / DOWNLOAD / VINYL (cheap U.S. shipping) ➡️   
 https://pluconpla.lnk.to/remixes_nomasvelorio

2nd single from our No Más Velorio Remix album! (fully released February 19, 2021, vinyl and digital)
British producer https://soundcloud.com/el-buho take on the original Currulao-Reggae song by Afro-Colombian band Plu Con Pla is a dreamy, deep, and true to the roots interpretation as much enjoyable through headphones than it is on the Dance floor , marrying influences of #dub , #idm , and #electronica with traditional rhythms and melodies of the pacific coast of Colombia.

No Más Velorio Remixes

🔸VINYL🔸STREAM🔸DL🔸

Plu Con Pla - No Más Velorio (El Búho Remix) // out now on vinyl //

TOÉ : planta maestra del tipo adivinatorio, utilizado como alucinógeno por chamanes amazónicos,en determinadas ceremonias mágico religiosas.
Descripción
Mr. Toé, es electronica organica que fusiona las culturas ancestral latinoamericana(Afro-indigena) y del mundo con elementos tecnológicos contemporáneos. 

Generando un viaje musical etno-futurista , que conecta a la audiencia con la dimensión tierra- espacio/Cosmos.

TOÉ: master plant of the divinatory type, used as hallucinogen by Amazonian shamans, in certain religious magical ceremonies.
Description
Mr. Toé is organic electronics that fuses the Latin American (Afro-Indian) ancestral culture with contemporary technological elements.

Generating an ethno-futuristic musical journey, connecting the audience with the earth-space dimension / Cosmos.

Fátima -Mr. Toé Edit.

Mr. Toé

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