In a jazzy mood but not only

My first release on Blue Note in 2003 (under "Climax" alias) 

Marc Moulin - Into The Dark (David Borsu remix)

C๏sʍ๏tunes ★148 @therealmojofilter
Phoebe Killdeer & The Short Straws - Fade Out Line (Mojo Filter Phaedra Radio Edit)
Release date: October 5th, 2024
Reworking of this little stunner:
www.youtube.com/watch?v=5KG6sh0NB-U
Label: @cosmovisionrecords
Artist : @therealmojofilter
Download here : https://hypeddit.com/cosmovisionrecords/phoebekilldeerfadeoutlinemojofilteredit
⋘ ────── ∗ ⋅◈⋅ ∗ ────── ⋙
About this edit
It's everywhere I look
From Las Vegas to right here
Under your dresser
Right by your ear
It's creeping in sweetly
It's definitely here
There's nothing more deadly
Than slow growing fear

Life was full and fruitful
And you could take a real bite
The juice poring well over
Your skins delight
But the shadow it grows
And takes the depth away
Leaving broken down pieces
To this priceless ballet

The shallower it grows
The shallower it grows
The fainter we go
Into the fade out line
The shallower it grows
The shallower it grows
The fainter we go
Into the fade out line

Free Download

FREE DL : Phoebe Killdeer & The Short Straws - Fade Out Line (Mojo Filter Phaedra Radio Edit)

http://www.mrbongo.com/product/welcome-home-cd-1148

http://www.mrbongo.com/product/welcome-home-lp-1336

Welcome Home was recorded live at London's Jazz Cafe and captures another magical performance from Terry and his long standing band.

Please note the vinyl album track list differs due to length of the recording.


Terry Callier - C'est La Vie

n an ever-expanding musical universe, Azymuth have long existed as a celestial giant, drawing countless artists, musicians and followers into their orbit. Marking fifty years since their 1975 debut album Azimuth, their new album Marca Passo proves that the band’s alchemic brew of Brazilian jazz-funk and cosmic samba soul remains as vital as ever, as the group honours the profound legacy of their departed founders.

Recorded in Rio de Janeiro, Marca Passo is the first full-length release since the passing of founding drummer Ivan "Mamão" Conti in 2023, following the earlier loss of keyboardist José Roberto Bertrami in 2012. Alex Malheiros, the sole remaining original member, sees his stewardship of the band’s musical legacy as his spiritual duty. He is joined by the equally devoted Kiko Continentino (Milton Nascimento, Djavan) on keyboards, who has been with the group since 2016, and new recruit Renato Massa (Marcos Valle, Ed Motta) on drums.

Yet since their earliest recorded music, Azymuth have always been far greater than the sum of their parts. The "three-man orchestra’s" unmistakable sound is rooted in Brazil's MPB studio scene of the 1970s and early 1980s—a time when artists blended traditional Brazilian rhythms with global jazz, rock, and emerging psychedelic and progressive elements. Marca Passo continues this legacy, seamlessly fusing Brazilian musical traditions with global influences while showcasing the exceptional musicianship that powers Azymuth's distinctive, multi-dimensional sound.

The album is produced by studio mastermind Daniel Maunick, responsible for Azymuth’s two previous studio albums, Fênix in 2016 and Aurora in 2011. Daniel’s credits also include albums by Marcos Valle, Sabrina Malheiros and Terry Callier. Azymuth also invited Daniel’s father, British jazz-funk royalty Jean Paul “Bluey” Maunick, of Incognito, to play guitar on a new version of Azymuth’s eighties classic “Last Summer In Rio”, in tribute to the song’s composer, José Roberto Bertrami. Equally, “Samba Pro Mamao” is a new composition dedicated to Azymuth’s beloved original drummer, Ivan “Mamão” Conti.

Marca Passo releases on limited edition blue, red & black vinyl LP editions, CD and digitally on the 6th June 2025, via Far Out Recordings, supported by European and North American tours.

Azymuth - Arabutã

In an ever-expanding musical universe, Azymuth have long existed as a celestial giant, drawing countless artists, musicians and followers into their orbit. Marking fifty years since their 1975 debut album Azimuth, their new album Marca Passo proves that the band’s alchemic brew of Brazilian jazz-funk and cosmic samba soul remains as vital as ever, as the group honours the profound legacy of their departed founders.

Recorded in Rio de Janeiro, Marca Passo is the first full-length release since the passing of founding drummer Ivan "Mamão" Conti in 2023, following the earlier loss of keyboardist José Roberto Bertrami in 2012. Alex Malheiros, the sole remaining original member, sees his stewardship of the band’s musical legacy as his spiritual duty. He is joined by the equally devoted Kiko Continentino (Milton Nascimento, Djavan) on keyboards, who has been with the group since 2016, and new recruit Renato Massa (Marcos Valle, Ed Motta) on drums.

Yet since their earliest recorded music, Azymuth have always been far greater than the sum of their parts. The "three-man orchestra’s" unmistakable sound is rooted in Brazil's MPB studio scene of the 1970s and early 1980s—a time when artists blended traditional Brazilian rhythms with global jazz, rock, and emerging psychedelic and progressive elements. Marca Passo continues this legacy, seamlessly fusing Brazilian musical traditions with global influences while showcasing the exceptional musicianship that powers Azymuth's distinctive, multi-dimensional sound.

The album is produced by studio mastermind Daniel Maunick, responsible for Azymuth’s two previous studio albums, Fênix in 2016 and Aurora in 2011. Daniel’s credits also include albums by Marcos Valle, Sabrina Malheiros and Terry Callier. Azymuth also invited Daniel’s father, British jazz-funk royalty Jean Paul “Bluey” Maunick, of Incognito, to play guitar on a new version of Azymuth’s eighties classic “Last Summer In Rio”, in tribute to the song’s composer, José Roberto Bertrami. Equally, “Samba Pro Mamao” is a new composition dedicated to Azymuth’s beloved original drummer, Ivan “Mamão” Conti.

Marca Passo releases on limited edition blue, red & black vinyl LP editions, CD and digitally on the 6th June 2025, via Far Out Recordings, supported by European and North American tours.

Azymuth - Last Summer In Rio (Featuring Jean Paul "Bluey" Maunick of Incognito)

Stream 'Da Nang' now: https://idol-io.ffm.to/danang

Following the hugely successful release of their debut studio album, British dream pop phenomenon Tokyo Tea Room are back. Now firmly established as a respected act on the scene  with support from BBC Radio 1, BBC Radio 6, COLORS, CLASH, FIP and many more, Tokyo Tea Room unveil “Da Nang,” the first single from their upcoming project.
Still captivating millions of listeners, the band’s signature romantic and dreamy touch continues to shine through in this new track, carried by stunning melodies.

Tokyo Tea Room - Da Nang

Presenting the third single ‘Ron Song’ taken from Melbourne/Naarm multi-instrumentalist Don Glori’s forthcoming third album, Paper Can’t Wrap Fire. An ode to Brazil’s musical heritage, it’s Don’s nod to icons and influences including João Donato and Seu George. Samba-flecked, yet with a distinctive Don Glori groove, it’s doused in buttery Rhodes, hazy vocal harmonies and acoustic guitar riffs. Combine that with a serving of long majestic horn lines and the instantly recognisable cuíca and it’s a one-way ticket to Rio’s sunshine-soaked shores. 
 
Speaking about the track, Don mentions, “The thing I love about ‘Ron Song’ is all the ear candy. The Rhodes was routed through the preamp of an original suitcase Rhodes to give it the proper stereo trem it needed. The guitar just breaking through the ribbon mic contrasts against the very digital chorus on the bass. The bass is pushed out to the sides, using every dial tone sample at once. Texturally it feels like an ear massage. 
 
Alcides Neto laid down cuíca throughout the track and fans of Azymuth/Brazilian music in general will appreciate the partido alto underneath the trumpet solo. It’s as if the cuíca and Rhodes are having a conversation in the outro.”


Don Glori - Ron Song

Mr Bongo proudly presents the third album by Melbourne/Naarm multi-instrumentalist, Don Glori, entitled ‘Paper Can’t Wrap Fire’. A kaleidoscopic genre-surfing odyssey that brings together the worlds of jazz, soul and funk. Feeling both contemporary and classic, familiar yet novel, it’s an assured third release that sees an artist in full flight, showcasing their creative prowess and the uniqueness of their musical voice.

Steering in a new direction, Don Glori (aka Gordon Li) has delved headfirst into his songwriting with ‘Paper Can’t Wrap Fire’. Deftly showcasing his talents as a writer and bandleader, he brings with him a whole host of friends from the creative crossroads that is Naarm. It’s an album enriched with more soul, R&B, and funk-oriented songs than his previous jazz-rooted productions, yet there’s still plenty of jazz material for those familiar fans of Don's earlier works.

The album’s title is an old Chinese proverb, roughly translated as 'you can’t deny the truth'. This underlying thread is woven between the songs. “A lot of them are in some way about truth-seeking, observations and the masks you put on to deal with life (hence the cover art)”, Don mentions. Take, for instance, the sensational soul single 'Brown Eyes' featuring silky lead vocals by ML Hall. A dissection of the minority experience, and the power and comfort in building those communities. Elsewhere, 'Disaster' is a satirical take on the structures serving everyone but the artists, and 'Flicker' tackles notations of truth and clarity after introspection.

To marry that meaning with the level of musicianship on these tracks is what really stands out. Don has set out his stall here as an artist who can write songs that hit home in the heart, as much as they do in the head. It’s a journey infused with a glistening jazz finesse, layered with nourishing vocal harmonies and powered by an instantly relatable human soul. 

Recorded over two hot summer days in Rolling Stock Studios in Collingwood, Naarm, the lineup of musicians is built up of Don's friends and family. Featuring the backbone team of Tim Cox, Al Kennedy, Joel Trigg, Robyn Cummins and Lachlan Thompson, who were part of Don's touring band before he relocated to London, and a stunning selection of vocalists in the form of ML Hall, Ruby Dargaville, Isadora Lauritz, and Bianca Kyriacou. Also gracing the album is trumpeter extraordinaire Audrey Powne, saxophonist Joshua Moshe, and Alcides Neto, sprinkling some Brazilian magic into the record. 

Taking influence from artists including Azymuth, SAULT, Jordan Rakei and Lynda Dawn, as well as from London musical beacons such as NTS and Total Refreshment Centre, Don has run with this, leaned in and come out with a record truly unique to himself and his distinctive core, with no mask necessary.

Don Glori - Song For Ants

Listen everywhere: https://idol-io.ffm.to/sholto-abase-david-bardon
Buy the 45 on Bandcamp: https://sholto2.bandcamp.com/album/sholto-a-ba-se-david-bardon-metropolis-the-right-orchid
Listen to the DeepMatter Catalogue: https://tinyurl.com/dm-catalogue


The Right Orchid

“Moving Circles” is a walk across the desert—a conversation between friends in the heat, where sharp guitar lines meet smooth trumpet tones. Producer-composer-instrumentalists Jack Barone and Andy Baxter (Robohands) dive into eastern-inspired psychedelia, fusing ancient scales with synths and modern techniques to create something both timeless and new.

Moving Circles

Pedro Mizutani & Skinshape - Canal (Instrumental)

Pedro Mizutani & Skinshape - Sozin (Instrumental)

This one was an unexpected treat. Two of our favourite contemporary musicians, Finn Rees & Sholto coming together and collaborating on a double dose of celestial, cinematic alchemy.

At Mr Bongo we are massive admirers of drummer, musician, and producer Sholto (Oscar Robertson). His two albums on Funk Night Records and DeepMatter Records, had both been highlights of their respective years. We’d gotten to know Oscar and sent him a few records. Included in the package was Australian pianist-composer Finn Rees’ debut album, Dawn Is A Melody, which was one of our favourite releases on Mr Bongo in 2024.

In Oscar's words 'For me it was a standout modern jazz record - encapsulating a spiritual / hazy dreamy soundscape which hugely resonated with me. Glissando keys and harp with lush melodies, I was instantly intrigued.”  

The pair started following each other online and as luck would have it, Finn was staying in London for the summer season, so they arranged to meet. The pair instantly clicked and said it felt like they'd known each other for years. After 40 minutes of chatting, they started to jam. 

'Love In Memory' and 'Bluebell' were recorded over two days - a track a day in Oscar's SFJ studios. Laid down on mostly analogue equipment, the pair utilised Wurlitzer’s, mellotrons, and ribbon mics through Oscar’s ‘70s Studer desk. Composed and crafted without any real intentions, other than a shared appreciation for the same style of music and approach, the tracks started to take shape. The results were as lush, nostalgic and textured as you’d expect from these two brilliant musicians, with a classical feel inspired by artists such as Piero Piccioni, Piero Umiliani, and Henry Mancini. 

For the beautiful string arrangements, the pair recruited the talents of Sholto's long-time friend and collaborator Clementine Brown (Penguin Cafe Orchestra) and Matthew Hayes of 30/70, Allysha Joy, Xpress Point, Zeitgeist Freedom Energy Exchange fame, was brought in to play bass on 'Bluebell'.

So here we have it, a chance collaborative project built on two musicians' mutual respect for each other's outputs. The result is truly breathtaking.


Terry Callier - C'est La Vie

Mr Bongo

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