¡Me encanta esta canción! El ritmo es hipnotizante y la producción es impecable. Me transporta a un mundo completamente nuevo y me hace querer bailar sin parar. ¡Definitivamente la agregar

http://www.mrbongo.com/product/sunugaal-1145

Didier Awadi is the most prominent artist to have emerged from Africa’s Francophone rap scene. Working as part of the group Positive Black Soul, Awadi established a reputation with his dynamic rap, creating a music based on genuine roots and consciousness-raising messages.

Now Awadi launches his solo career with this album. The CD features the bonus track On Ne Signe Pas (or 'Don't Sign It') advising Africa not to sign up to the EPA new European Trade deal.

Awadi - Sunugaal

Peace Lily

Another New Day (Little Big Beat Studio Live Session)

Awadi - Le Cri Du Peuple

Awadi - Sunugaal ft. Kirikou

Awadi - Zamouna

Awadi - Rosa ft. Doudou Ndiaye Rose

Awadi - J'accuse ft. Noumoucounda Cissoko

Awadi - Un Autre Monde Est Possible

Websites

Far Out Recordings proudly presents a landmark discovery in Brazilian jazz: the long lost album by drumming pioneer Edison Machado. Recorded in New York City in early 1978 but never released, Edison Machado & Boa Nova captures a pivotal figure in Brazilian music history at the height of his artistic powers.



Combining North and South American jazz traditions with Machado's revolutionary samba innovations, Edison Machado & Boa Nova represents a triumph against the odds. After facing persecution under Brazil's military dictatorship and being forced to sell his drum kit in 1976, Machado found renewed creative purpose in New York with the Boa Nova ensemble. The resulting album captures the essence of his genius - sophisticated yet wild, controlled yet daring, leading an ensemble of some of the best jazz, samba and bossa nova players of the day.



At just fifteen years old, Machado revolutionized Brazilian music through an accident that would change everything - when his snare drum broke during a performance, he began playing samba rhythms on the cymbal. This innovation, known as "samba no prato" (samba on the cymbals), brought new layers of dynamism to samba and proved instrumental in the development of bossa nova alongside contemporaries like Antonio Carlos Jobim and João Gilberto.



A complex and passionate figure, Machado was notorious for his militant perfectionism and "attacking" style of drumming. Having spent some years of his youth in the Brazilian army, musicians often remarked that he played as if he were at war. But his innovative style, while exhibiting complete control and sophistication, somehow so often danced right on the edge of chaos and wild abandon.



After making his name in Rio's legendary Beco das Garrafas (Bottles Alley) in the 1950s and early '60s, Machado went on to form Bossa Três - the world's first instrumental bossa nova group. His influence spread internationally through collaborations with Stan Getz, Sergio Mendes, Antônio Carlos Jobim, Milton Nascimento, and Chet Baker, while his 1964 album Edison Machado É Samba Novo stands as a masterpiece of Brazilian jazz.



At 80 minutes in length, Edison Machado & Boa Nova, the lost 1978 New York sessions, is a singular achievement in Brazilian jazz. The format itself is a rarity in the canon. It’s packed full of exceptional technical precision and creative vitality, with sophisticated arrangements and masterful improvisation from its exceptional sextet of Brazilian and US musicians: Paulinho Trompete (flugelhorn/trumpet), Ion Muniz (tenor saxophone), Steve Sacks (baritone saxophone), Mozar Terra (piano), and Ricardo dos Santos (double bass).



The album features unheard compositions by Brazilian masters Dom Salvador (Salvador Trio, Harry Belafonte, Edu Lobo), Guilherme Vergueiro (Raul De Souza, Leon Ware, Joyce), Aloisio Aguiar (Arthur Verocai, Airto) amidst the plethora of captivating original material by the members of the Boa Nova ensemble.

Edison Machado & Boa Nova releases on double vinyl LP, CD and digitally on the 28th March 2025, via Far Out Recordings

Edison Machado - Serena

Mr Bongo proudly announces the first single from Don Glori’s forthcoming third album ‘Paper Can’t Wrap Fire’. The cornerstone of the LP, 'Brown Eyes' is a joyous soul-jazz groover featuring the captivating lead male vocals of fellow Melbourne/Naarm local, ML Hall. On first listen you’d be mistaken for thinking this is a straight-up love song. Yet underneath its uplifting soulful flavours and sultry vocals, lies a deeper topic at play.

‘Brown Eyes’ discusses the comfort of seeking and finding your community when you had previously felt like an outsider. As Don mentions, “This song is about feeling 'othered' in a predominantly white society like Australia. The first verse is about being tokenised/tolerated and having to stake your claim to a place at the table. The second verse and hook are about finding people who have a shared history with you and feeling at ease around them. When you meet another person like that, and you don’t have to explain all the above, it’s a comforting feeling.” 

“It was the first song I wrote start to finish for the record, starting with the opening riff on the piano. I was taking a lot of cues from Jordan Rakei’s cover of Donald Byrd’s ‘Wind Parade’, as well as throwing in a nod to The Doobie Brothers inserting hooks where they shouldn’t be.”

The result is an empowering hit of jazz-injected soul, nourished by a funk flavour. A track that ebbs and flows between sections of sweeping tenderness and head-nodding, bassline-heavy grooves. Crisp swung drums, masterful keys and those honeyed vocals from Hall, backed with lush harmonies from Ruby Dargaville, Isadora Lauritz, and Bianca Kyriacou, combine to send you cruising out across the horizon.


Don Glori - Brown Eyes (Ft. ML Hall)

Listen & Pre-Order LP: https://melting-pot-music.lnk.to/truthbytrial

New single ‘Truth By Trial’ from British jazz producer Daylight Robbery. Taken from his forthcoming second album on Melting Pot Music, ‘Third Island Suite’ (May 2025). Connecting the dots between Spiritual Jazz, Fusion & Hip-Hop. Recorded in collaboration with New York pianist Nick Marks. Follow-up to his first album ‘Moons of Jupiter’ (2022).

Follow Daylight Robbery
Spotify https://lnk.to/daylightrobbery_spotify
Apple Music https://music.apple.com/de/artist/daylight-robbery/1460597495
Instagram https://www.instagram.com/daylight___robbery/

Follow Nick Marks
Spotify https://lnk.to/nickmarks_spotify 
Apple Music https://music.apple.com/de/artist/nick-marks/1664544664 
Instagram https://www.instagram.com/nmarksmusik/ 

Follow Melting Pot Music
Spotify https://lnk.to/meltingpotmusic_spotify
Apple Music https://music.apple.com/label/1548390831
Instagram https://www.instagram.com/melting_pot_music
YouTube https://www.youtube.com/user/MPMTV
Bandcamp https://meltingpotmusic.bandcamp.com
SoundCloud https://soundcloud.com/mpmcgn

Produced by Daylight Robbery & Nick Marks.
Keys by Nick Marks.
Mixed and mastered by Roe Beardie.
Artwork by Jens Roth.

Cat No: MPM 349-3
Artists: Daylight Robbery & Nick Marks
Title: Truth By Trial

© ℗ 2025 Melting Pot Music


Daylight Robbery - Truth By Trial w/ Nick Marks

Presenting the second single taken from Melbourne/Naarm multi-instrumentalist Don Glori’s forthcoming third album ‘Paper Can’t Wrap Fire’. ‘Power’ is a spiritual, choir-led, Brazilian-infused beauty. 

It was a song that Don wrote after being fed up with dealing with bad promoters and agents. It’s a simple mantra - protect your power and energy and do what feels free and good. A playful composition, musically it's divided into two parts. The first was inspired by Kendrick Lamar's 'To Pimp a Butterfly' and the West Coast sonic world, delicately balancing the spiritual choir, ghostly horns, and jazz break intro. The song then morphs as it progresses, with the gravity that the choir once provided, ripped away by the next section.

From sombre to cheeky, the group chant turns to a satirical hook from the opposite view of the cynical promoter.
 
‘Take your fee, take your seat, come on man keep it up,
Take your fee, take your seat, come on man just shut up’

The song then breaks into a segment that nods to the Brazilian legends Azymuth and their 1977 track 'Tamborim, Cuíca, Ganzá, Berimbau’. Alcides Neto, Robyn Cummins and Al Kennedy provide the shimmering pandeiro, conga and drum percussion rhythms, as Joel Trigg lets rip with a swelling Rhodes solo that crescendos to the finale.


Don Glori - Power

Degrade

Proudly presenting ‘Transe’ the first single taken from Zé Ibarra's forthcoming second album. You may be familiar with the hypnotic entrancing tones of Zé’s vocals, through his work in the four-piece, Latin Grammy award-winning Brazilian powerhouse, Bala Desejo and the band Dônica. Zé has also toured with Brazilian legend Milton Nascimento on vocals and guitar, a real honour but also a reflection of Zé's craft to be selected in the band by such a musical titan.

A classic singer-songwriter, 'Transe' sees Zé starting as the song would have been written, simply an acoustic guitar and his voice flowing in an intimate dance. It’s an instantly comforting tone reminiscent of classic Brazilian songs from the past (think Caetano Veloso), before the song builds with ghosty string arrangements, vocal overdubs, and percussion. The energy in Zé's voice intensifies to a climax, as the dial swings in a more contemporary direction powered by a grooving bassline. 

Speaking about the song, Zé mentions, “This song represents, at this moment, a side of me that is still little explored and more intimate. It moves between pop and conceptual, creating an experience closer to a film than a traditional song. This effect is reinforced by the guitar and bass of Frederico Heliodoro, who is also part of Milton Nascimento's band."

‘Transe’ therefore shows a more experimental side to Zé beyond the scared partnership of voice and guitar. Mixing elements of jazz, MPB, and progressive rock, it’s rich and dynamic with a cinematic feel that is full of suspense. A stunning single and a taste of what is to come from one of the finest modern-classic musicians in Brazil’s blooming contemporary scene.


Transe

Presenting the third single ‘Ron Song’ taken from Melbourne/Naarm multi-instrumentalist Don Glori’s forthcoming third album, Paper Can’t Wrap Fire. An ode to Brazil’s musical heritage, it’s Don’s nod to icons and influences including João Donato and Seu George. Samba-flecked, yet with a distinctive Don Glori groove, it’s doused in buttery Rhodes, hazy vocal harmonies and acoustic guitar riffs. Combine that with a serving of long majestic horn lines and the instantly recognisable cuíca and it’s a one-way ticket to Rio’s sunshine-soaked shores. 
 
Speaking about the track, Don mentions, “The thing I love about ‘Ron Song’ is all the ear candy. The Rhodes was routed through the preamp of an original suitcase Rhodes to give it the proper stereo trem it needed. The guitar just breaking through the ribbon mic contrasts against the very digital chorus on the bass. The bass is pushed out to the sides, using every dial tone sample at once. Texturally it feels like an ear massage. 
 
Alcides Neto laid down cuíca throughout the track and fans of Azymuth/Brazilian music in general will appreciate the partido alto underneath the trumpet solo. It’s as if the cuíca and Rhodes are having a conversation in the outro.”


Ron Song

Record label. Record shop. Film label. Since 1989.

Awadi - Un Autre Monde Est Possible

Mr Bongo

Recent comments

Vincen Pitch

Related tracks