Name: Tito Puente - Oye Como Va (Bongo Edit) by Mr Bongo
Duration: 3 min 49 s
Description: http://www.mrbongo.com/product/the-best-of-mr-bongo-cd-1150

TRULP163 Quantic Presents Flowering Inferno - Dub Y Guaguanco

Quantic Presents Flowering Inferno - Dub Y Guaguanco

Alan Schmitt's Senior Jazz Recital at the College of Charleston 3/30/2014

Gino Castillo - vocals, congas
Trey Cooper - piano
Christian Wood - bass
Jonathan Peace - drums
Kyle Lane - trumpet
Andy Childs - alto saxophone
Brittany DeClue - vocals
Alan Schmitt - Cuban tres

El Cuarto De Tula (Buena Vista Social Club)

El Son Te LLama (Guajira)(ipad)

Latíname
Keyboard and Artistic conducting: Brice Lebert
Lead: Christhiam Leyton
Bass: Jean-Luc Cervoni
Drums: Rafael Genisio
Congas: Nestor Alberto Sanz Diaz
Bongos: Miguel Chambel
Trumpets: Mathieu Esterni, Philippe Chaloin
Sax: Arnaud Farcy
Trombone: Romain Morello
Mix: Jean-Luc Cervoni
Mastered by François Fanelli at Sonics Mastering

Shing a Ling (Latíname-Poncho Sanchez)

Buena Vista Social Club - Tiene Sabor (Cha Cha 31 Remix by Waii)

Una mezcla de canciones diferentes, en diferentes shows a través de los años (en vivo)

A mix of different songs, in different shows through the years (live)

1 - Ibrahim Ferrer Jr- Juramento - (Live)

http://www.mrbongo.com/product/the-best-of-mr-bongo-cd-1150

Tito Puente - Oye Como Va (Bongo Edit)

The beautiful melodies and exotic rhythms of Cuban son are guaranteed to have you dancing the night away.  

The music of Cuba developed from a unique set of historical and social circumstances. African slaves, brought to work on the Spanish sugar plantations, soon outnumbered the European colonists. The attitude of the Spanish political and religious institutions towards African culture, while undeniably oppressive, was more open than in some other colonial societies. Catholic priests did their best to convert the Africans to Christianity, but they overlooked their worship of African deities as long as they gave them Christian names. In fact, santeria, a religion that combines Catholicism with African deities and rituals, is still a key part of Cuban spiritual life. 
Most of the songs on this collection are a style called son, (lit. "sound") one of the most popular and influential Cuban musical forms. Son developed around the turn of the century in Oriente, a region in eastern Cuba. Migrating musicians brought son west to Havana in the 1920s, where it exploded in popularity. The fundamental element of the son is a rhythmic pattern called clave (lit. "key"). Played on two wooden sticks, called claves, this repetitive beat is the foundation upon which all of the other musical elements are structured. It gives son the propulsive swing that has endeared it to people around the world. Most contemporary salsa is based on son. 


03. Septeto Nacional de Ignacio Pinero - El Adios de este Momento

IBRAHIM FERRER

Various Artists - Mongo Santamaria . Watermelon Man

Written by Will Holland, Mario Galeano and Nidia Gongora
Words by Nidia Gongora
Arranged by Will Holland

Lead vocals: Nidia Gongora
Backing vocals: Nidia Gongora, Tanya Makú, Sara María Quintero
Wurlitzer piano: Alfredito Linares
Guitars: Will Holland, Eblis Alvarez
Bass: Mario Galeano
Timbales: Wilson Viveros
Drums: Pedro Ojeda
Congas: Freddy Colorado
Trumpet: Jorge Gaviria
Trombone: José Miguel Vega 'el Profe'

Tiene Sabor, Tiene Sazón

Record label. Record shop. Film label. Since 1989.

Tito Puente - Oye Como Va (Bongo Edit)

Mr Bongo

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