Hold Me Tight (抱きしめて)

Hold Me Tight (抱きしめて) [feat. Iona Bermon & Mateusz Sobieski]

Finn Rees, one of the key members of Melbourne’s bubbling music scene, announces his debut solo album, Dawn Is A Melody on Mr Bongo with the first single, ‘Looking Up’. As part of 30/70 and Close Counters his previous work has found form in its groove, Dawn Is A Melody instead places the piano and arrangements centre stage, embracing a timeless warmth infused with bittersweet melodies and saturated textures.
 
The lead single ‘Looking Up’ is a divine dose of uplifting, soul-rousing optimism that kicks off the album. A blank canvas for Finn and a whole host of Melbourne’s finest talent to fill with colour. Sitting between spiritual and cinematic, the track instantly envelops you in a swell of vintage hues, Lucky Pereira feathering the drums as Blakely McLean Davies riffs on the double bass. Finn’s fingers flow across the ‘70s Yamaha grand piano, delicately dancing around Siwei Wong’s stunning harp playing as the track builds and breaks. A sublime string section made up of Chloe Danger, Eunise Cheng, Nils Hobiger and McLean Davies, alongside shimmering vocal harmonies by 30/70 bandmate Allysha Joy, lift the track to limitless heights.
 
Finn’s layered synthwork on the Moog and Prophet provides a contemporary touch to proceedings, but one of the beauties of ‘Looking Up’ and the rest of the Dawn Is A Melody is its inability to be placed by age or era. A blend of inspirations from Arthur Verocai to Alice Coltrane, Miguel Atwood-Ferguson to Kamasi Washington, tied together with recording and mix engineer Henry Jenkin’s vintage recording setup warmth.
 
Just as the swell washed in at the start, the tide draws ‘Looking Up’ to a close, fading back out across the horizon as the sun sets another story.

Finn Rees - Looking Up

‘Expansion’ is the second single from Melbourne-based, Finn Rees’ forthcoming debut album, Dawn Is A Melody. A Brazilian-inspired, spirit-embracing jazz immersion, that nods to greats like Luiz Eça, Dom Salvador and Cesar Camargo Mariano yet showcases the vibrancy of Finn’s contemporary palette. 

Further illuminating the microcosm of colour that is Dawn Is A Melody, ‘Expansion’ explores the connection between the worldly and those cosmic realms that float in between, with the help of some of Melbourne’s finest musicians. Igniting the track, Lucky Pereira’s exquisite drumming marries with Blakely McLean Davies’ strutting double bass playing, as a Latin touch shines through Dom Kirk’s percussion. 

Sitting at the helm, Finn’s signature mastery across the keys from the ‘70s Yamaha grand piano to the warming tones of the Rhodes, elevate your mind to a weightless dimension. Enhancing those earthly measures, he taps into the cosmic-channelling Moog to add an undertone of interstellar electronics.  A foundation that gives ground for the triplet of horns to form a harmonious unison, Audrey Powne on trumpet, Cheryl Durongpisitkul on tenor sax, Josh Moshe on alto sax, all gliding as one. 

Both grounded and galactic, it’s an intricate, soulful and spiritual jazz journey with a depth and richness that is perfectly saturated by recording and mix engineer Henry Jenkin’s vintage recording setup.

Finn Rees - Expansion

To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch a new compilation series with the two residents at its helm. John Gómez and Nick the Record present a collection of prized, rare and dancefloor-ready tracks from around the globe that have soundtracked the past decade of parties. The first single from the compilation is a stunning, joy filled, Kompa disco anthem courtesy of Kajou’s ‘Tet Chajé’.

The early years of the party saw the pair delving deep into the afro-disco and zouk crates. One firm favourite is this sparkling slice of Haitian disco heat from 1985. A track that captures the energy of humid nights in the packed discotheques of the Haitian diaspora. With a hint of Lincoln Olivetti Brazilian boogie vibes weaved within, ‘Tet Chajé’ is dosed up on funk basslines, strutting disco-tinged guitars and glimmering percussion. A foundation that lets the addictive, harmonising, Haitian Creole vocals transport you to sunnier settings.

A super rare, Caribbean cut that gives a glimpse into Tangent’s eclectic taste, finally given the remastered reissue it deserves.

Kajou - Tet Chajé

Aerials live, dials tuned, Transmission Towers broadcasting. On either side of the river Mersey, transcendental communications are traded back and forth. Two late-night revellers, one firing messages filled with music, the other returning them laced with lyrics. The result, a dopamine hit of oddball machine soul, melded with a highlife, Afrofuturist touch. Wonky and murky yet deeply emotional, Transmission One, is a debut album that also marks the first release on Luke Una’s É Soul Cultura label, encompassing expertly the off-kilter atmosphere the label sets to orbit. 

A synthesised landscape with a Northern charm, Transmission Towers marry the musical worlds of two artists that last collaborated over a decade ago. 10 years have passed, lives have been led, but a gravitational pull has placed Mark Kyriacou and Eleanor Mante back in each other’s spheres on opposite sides of the city of Liverpool. Energised with a newfound desire to strip it all back to the sounds that influenced their formative years in the late ‘80s and ‘90s - astral travelling, intoxicated on Motor City techno, Black Dog IDM and mystical Sun Ra. 
 
Mark half Irish, half Greek Cypriot, Eleanor half Nigerian, half Ghanian, the music contained within is an alchemy of those roots and the pivotal acts that buried deep into their minds. A cosmic contrast, part machine-made, part distinctly human. Take the opener ‘UP’, an ESG-channelling, sci-fi punk beatdown or the polychromatic hyperspace anthem ‘Roller Skater 23’. 
 
Transportive throughout, you ride the solar waves, pace and emotion ebbing and flowing. Tracks like ‘Go Slow Heart’ and ‘Cosmic Trigger’ step to a slower beat but hit with a punch. The former, a slo-mo blast of celestial tenderness, the latter an otherworldly, chugged-out lunar excursion, micro-dosing on whacked-out Wah Wah and Eleanor’s ethereal vocals. Beaming love letters to space and back, ‘Sparse’ marries the organic with the artificial, pianos and percussion circling around synth pads and broadcasting bleeps.
 
Elsewhere, vibrations move faster. ‘Mega’ strikes, fusing sonic tribalism with psychedelic swirls, as ‘Everything’ sweeps you up in its extra-terrestrial new wave grip. Synth stabs and basslines fizzing from every angle.  
 
Demos of Transmission Towers music surfaced on Luke Una’s radar, making him stop in his tracks. Something magical was emerging, perfectly aligned with the E Soul guardian’s tastes. Guidance followed, quickly turning into conversations about Transmission One becoming the first release on Luke’s own label. 
 
Escapist and futurist yet grounded and relatable. Transmission One is synthesis meets sentiment with a deep, spine-tingling soul at its core.

Transmission Towers - Planetary Alignment

Mr Bongo proudly presents the debut album from Tasmania-born, Melbourne-based, Finn Rees. Gliding across a swirling palette of saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but familiar at the same time. A spiritual, deep and textured jazz record, tipping its hat to greats from the past, capturing memories and reformulating them into new ideas with the help of some of Melbourne’s finest talent.

Expert keys player for the likes of 30/70 and Elle Shimada, alongside one-half of Close Counters, this debut LP was Finn’s conscious departure from the realm of groove-based jazz. Instead, Dawn Is A Melody places the piano and arrangements centre stage, giving Finn and his fellow Melbourne crew freedom to explore the spaces in between, new emotions and alternate soundscapes.

In Finn’s own words: “My intention with Dawn Is A Melody was to create a world; a microcosm of colour. Something rich and beautiful that allowed the melodies and compositions to reach their full potential. It was driven by hope, curiosity and the search for beauty and reassurance in this ever-changing world. The emotion behind the music is really about the journey of life, growing up and changing, as well as my relationship with Tasmania’s natural landscapes where I grew up, a part of the world that is incredibly unique and beautiful.”

The album arcs between opening, middle and end. Beginning with the optimism of ‘Looking Up’ and ‘Lagoon’, the former a celestial, string and harp marbled slice of positivity, the latter a spiritual journey of exuberance and hope, Finn’s fingers dancing across the ‘70s Yamaha grand piano. From there the songs blossom outwards with the cinematic soulful journey of ‘It’s Behind Me Now’ and Brazilian-inspired ‘Expansion’, as the divine ‘Crossing’ signals a transition to a new realm. The energy is transformed from the rich cosmic textures to a more intimate and personal feeling with ‘Ablaze’, ‘Between Spaces’ and ‘As It Passes’ which blissfully fades down to simply piano and strings to close out the record.

Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was drafted in as recording and mix engineer, his minimal vintage mic setups giving a live aesthetic and warmth to the arrangements. Lucky Pereira and Blakely McLean Davies form the rock-solid rhythm section, with a hand-picked line-up of other Melbourne talent on display, including Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on trumpet and Allysha Joy on vocals to name only a few.

Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur Verocai, this is a debut nourished by the past but firmly made in the present. A record unable to be age-stamped, casting ambiguity as to when, what era and by whom it has been crafted. Like a vintage lens capturing a current scene, Dawn Is A Melody is warm and familiar yet focused on the here now.

Finn Rees - As It Passes

Finn Rees - Crossing

Finn Rees - End Of The Line

Finn Rees - It's Behind Me Now

Finn Rees - Lagoon

This one is very special to us. We linked three of our cherished musical family together; the wonderous band SOYUZ, legendary cult artist Asha Puthli and Swedish maestro Sven Wunder, for an exclusive production made especially for the Mr Bongo Record Club 7 compilation. We were so blown away with the results, we wanted to share it as a stand-alone single too. 

They say don't meet your heroes, but this is not the case with Asha Puthli. You couldn't meet a more inspirational, gutsy and funny spirit, who is rich in stories, experience and knowledge. At the age of 79, Asha has embarked on her first-ever world tour, returning to the stage after over 40 years.

The track that would go on to become this collaborative piece, started out in Minsk just a month before the outbreak of full-scale war in Ukraine and SOYUZ’s emigration to Poland. Spending time in the studio playing around with different instruments and recording ideas, SOYUZ’s Alex Chumak wrote the initially piano-driven track, influenced by Azerbaijani pianist and composer Vagif Mustafazadeh, with hints of Holger Czukay weaved within.

As longtime fans of Asha’s music, SOYUZ were incredibly excited about the prospect of a collaboration. Asha loved the demo, so the band recorded a proper studio session, sending it to her in Miami where she returned it with her mystical vocals, that as Alex explains “were like a revelation – strange and beautiful at the same time!”.

To put the icing on the cake, Alex met one of our heroes, producer and composer Sven Wunder from Stockholm, whilst playing Sessa’s live band. After playing him the Asha track, Sven wrote a glorious string arrangement that was recorded with the Stockholm Studio Orchestra and conducted by Erik Arvinder. 

Lifting the track even further, subtle percussion by Anders Scherp and Anders af Klintberg delicately dusts the grooves. It was a pure goosebumps moment when we first opened the finished track at Mr Bongo HQ and got to hear the song in its entirety. At just over two minutes it's short, but oh-so-sweet, beautifully encapsulating Asha's character and personality - playful, wise and serene, whilst also perfectly capturing SOYUZ’s cinematic, song-writing prowess and Sven Wunder’s distinctive style.

SOYUZ (СОЮ3) Featuring Asha Puthli & Sven Wunder - Spring Has Sprung

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