The dissonance here at the end is fantastic!

The music perfectly encapsulates the song remit. Super work.

Perfect transition in the storytelling....

Yes, perfectly encaptured the progression in music, great track from light to darkness!

Very evocative, especially with the alto whistle. A beautiful, inspired piece.

Another great musical performance .... and amazing effects. A true musical film.

A fabulous piece of storytelling with music. Gorgeous, idyllic first section morphing into the tense, sinister ending as the one ring takes control of Sméagol. Excellent work indeed, Pete.

Orchestral

"A musical vision of Spring, a time of renewal and growth. From out of the cold ground comes a promise of warmer days. Then April showers herald an explosion of life, shorter nights and lighter days full of the sound of birdsong. As the season moves on, there is a slowing of change as Summer draws near."

Description

Spring, finds me trying to express, in music, my feelings about this season. Below is a attempt at doing this in words too. This is the third of four orchestral pieces that describe the four temperate seasons of the year.

If you want to hear the other pieces from the series "The Wheel Turns" after listening to this piece, the links are here :-

https://soundcloud.com/mrbouzouki/sets/the-wheel-turns

The Wheel Turns Orchestral Suite - YouTube playlist.

https://www.youtube.com/playlist?list=PLQkE1sMc-t1sixu4RmJmjyFr0HF6dnUF2

---------------------------------------------------------------
Spring
The waiting is over. The Winter chill recedes and there is a tacit acceptance to the demands of birth and rebirth. A sign of fresh green poking through the ground is a welcome sight, a simple signal that all will be well.

Very quickly, in a sudden rush, there is life in the hedgerows and the sound of birds heralding a new season. One of life and growth and warmer days and rainy times, but overall a feeling of hope.

You have longed for this moment, a chance to put away your Winter clothes and feel the sun upon your face again. The riot of change will continue as the life-giving sun takes longer marches through the sky.

Spring of all seasons is a time to revel in simply feeling alive. 

---------------------------------------------------------------
Instrumentation

Con Sordino Strings (Albion One - Spitfire)
Viola Ensemble (Chris Hein Strings)
Viola Ensemble Pizzicato Loose (Chris Hein Strings)
Cello Ensemble (Chris Hein Strings)
Solo Cello (Chris Hein Strings)
Solo(1826 Old)Violin (Chris Hein Strings)
Alto Flute (Chris Hein Winds)
Piccolo (Chris Hein Winds)
English Horn (Chris Hein Winds)
Barock Bassoon (Chris Hein Winds)
Bb Clarinet (Chris Hein Winds)
French Horn (Chris Hein Brass)
French Horn Ensemble(Chris Hein Brass)
Trombone (Chris Hein Brass)
Tuba (Chris Hein Brass)
Bell Tree (Flying Hands Percussion)
Triangle (Kontakt Factory Library)
Concert Harp (Garritan Personal Orchestra 5)

I really wanted a lightness to this piece and it took me a while of tweaking to get what I heard in my head. I didn't want it to sound like Autumn, or Summer, both weightier seasons, but not as thin and austere as Winter. So this piece is mostly woodwinds and strings with hardly any percussion

I didn't need bottom-end, I needed more focus in the melody interaction and there was a missing link. It needed to be light and airy and what else says light and airy like the harp. After about a day working on the harp part it started to give the feel I wanted. The harp glissandi were useful as bookends to the section it features in. 

The piece begins with an echo of Winter and the bell tree, the piccolo and alto flute describe the first signs of growth before giving way to pizzicato strings of April Showers. The harp section is a semi-formal counterpoint section with the harp melody inter-woven with the solo violin in my attempt to describe the rapid growth of the Season. The final section brings in the brass and is a calmer end to the piece that hints at the glory of Summer just around the corner.

The Wheel Turns

Spring

"A musical vision of Summer, a time of warmth, light and fun. A time to live life to the full and enjoy all that mother nature has to offer. As the season moves on, the solstice reminds us that the warmth and light cannot last as we start to head into Autumn"

Description

Summer, finds me trying to express, in music, my feelings about this season. Below is a attempt at doing this in words too. This is chronologically the forth and final of my orchestral pieces that describe the four temperate seasons of the year.

If you want to hear the other pieces from the series "The Wheel Turns" after listening to this piece, the links are here :-

https://soundcloud.com/mrbouzouki/sets/the-wheel-turns

The Wheel Turns Orchestral Suite - YouTube playlist.

https://www.youtube.com/playlist?list=PLQkE1sMc-t1sixu4RmJmjyFr0HF6dnUF2

---------------------------------------------------------------
Summer
The days grow longer, the nights shorter, as the golden ball we call the sun parades in all it's glory.This is a time for living life to the full, a time of happiness, a time of pleasure and excess.

At the solstice, some people still give thanks to the life giving orb upon which we all depend. For we know this moment cannot last, the majesty will fade, the warmth will falter, the party will end.

With threadbare days and darker nights the proud display of Summer flowers starts to fade. The heat can be oppressive, at times there is a chill in the air and Nature herself seems finally quiescent.

We will carry those memories of days on the beach or at the park in our hearts forever. Those days of fun.

---------------------------------------------------------------
Instrumentation

Con Sordino Strings (Albion One - Spitfire)
Ensemble Strings Mid Octave (Chris Hein Strings)
Viola Ensemble (Chris Hein Strings)
Cello Ensemble (Chris Hein Strings)
Bass Ensemble (Chris Hein Strings)
Solo(1826 Old)Violin (Chris Hein Strings)
Alto Flute (Chris Hein Winds)
C Flute (Chris Hein Winds)
Piccolo (Chris Hein Winds)
English Horn (Chris Hein Winds)
Barock Bassoon (Chris Hein Winds)
Trumpet Ensemble (Chris Hein Brass)
French Horn (Chris Hein Brass)
French Horn Ensemble(Chris Hein Brass)
Trombone (Chris Hein Brass)
Tuba (Chris Hein Brass)
Cymbal (Albion One - Spitfire)
Bass Drum (Kontakt Factory Library)
Concert Harp (Garritan Personal Orchestra 5)
Timpani (Kontakt Factory Library and Garritan Personal Orchestra 5)

This piece evolved into 5 different thematic viewpoints that I labelled up to give an insight into the composition.

1)Grand Intro ... Sunrise / The Majesty of the Sun
2)Summer Promenade / The Beauty of Life
3)Summer Fun / The Bandstand
4)Balmy Days / Sultry Nights
5)A Fading Glory / The Last Hurrah

The piece commences with a Summer sunrise and the sound of French horn and alto flute before the brass heralds the glory of the sun with a fanfare . 

Next is the introduction of the main Summer promenade theme which reflects on the glory of a Summers day before a quieter section featuring solo violin and a bit of flute in the beauty of life.

A harp glissando heralds a change of pace and mood as harp and flute hint at children playing in the park before a brief visit to a quintessentially English band-stand, complete with brass band and thumping bass drum.

Balmy days / Sultry nights introduces the listener to the fading grandeur of Summer, a more melancholic line from the English horn acting as a counterpoint to a slower version of the earlier promenade theme. 

Finally the piece ends with a last hurrah for Summer as a wistful line and rolled timpani hint at the onset of Autumn. A final bit of pomp with timpani and brass completes the piece. 

It was quite a task to fit all that imagery into  four minutes of music but overall I think it works. :-)

Summer

A song in an old tradition, with the wonderful Nadia Selvaggi. 
I recommend that you go and listen to her lovely music https://soundcloud.com/nadiaselvaggi

Oh, where is my love

Oh, where is my love
Oh, where has he gone
He has gone to the war
With fathers and sons
To fight for our right
to live a peaceful life
To safeguard the future 
of daughters and wives
To fight those other men
With rockets and knives

They were once our neighbours
Our cousins and our friends
We would live together
Brothers without end
How could they turn against us
What twisted reason wends
To create this wicked violence
To hell we will descend

Oh where is my loved one
I have heard not a word since he left our home
I fear I have lost him 
I have heard not a word
Please return to me my darling with the swiftness of a bird
Please fly to me my darling with the swiftness of a bird

They were once our neighbours (etc as above)


Oh, where is my love
Oh, where has he gone
He has gone to the war
With fathers and sons
To fight for our right
to live a peaceful life
To fight those other men
Who have daughters and wives

Oh, Where Is My Love (with Nadia)

Mark says,
"Making music with Rodolfo is always exciting and often a challenge, although I know we both find it stimulating, as we always aim to reach high and this post is no exception. This new song, started its gestation almost a year ago, instantly showed a lot of promise and since has been through many stages of exploration and rounds of problem-solving. The painfully blunt lyrics were initially inspired by a friend's brutal relationship break-up, but the final result is much heavier. I hope you find it moving rather than disturbing, I was trying to match the mood of Rod's deeply dramatic music."

Rodolfo says,
"I think it's a fantastic song and you've done an amazing job on both the story and the vocals, especially those tough lines. When I was writing it, I just felt like a modern blues with a techno vibe was taking shape. The final sound was defined by the story and those really dramatic, emotional lyrics. You might want to make it clear that it's a fictional story to avoid giving our friends heart attacks."

We appreciate all of the kind support that the Soundcloud community has given our collaborations. Thanks for listening and sharing your thoughts, Mark and Rodolfo

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix https://soundcloud.com/rplanes
Me - Vocals and lyrics

Moments of stress,
How did you deal with the rest?
All that is left of you and me,
Is wrecked.
How can we expect,
To go on when there’s nothing at all left?
 
…Left in the lurch,
You should have done more research.
I was truly never a safe bet for you…
For you could have made,
A much better match than you did with me.
 
Open your eyes,
I promise you won’t be surprised,
It’s been there before you,
All along, all of the way…
…Way before you had sensed,
That we had got it all so wrong by then.
 
Moments of stress,
All such a mess,
It’s anyone’s guess,
How it all went so wrong?
Moments of stress,
No more nor less,
Need I express,
How it all went so wrong?

Moments Of Stress - Continental Collision (by Rodolfo Planes/Mark J Bennett)

Here’s my new song recorded on my real piano. With vocals too! Thanks to my lovely Sander for a great mastering job. @wane-of-summer for his fantastic tracks. 😊❤️🎶🌷🎹🎵🎼🎤❤️

MAKE YOURSELF AT HOME (with acoustic piano)

I care little for your gold, when my gold is the wind and the sun over the wheat fields.

Poco me importa tu oro, cuando el mío es el viento y el sol sobre los trigales.

Gold

More interesting audio @ https://adammajdecki-janicki.bandcamp.com/. Vinyl @ https://herbyrecords.bandcamp.com/album/adam-majdecki-janicki

"Maszyneria Edenu"

We welcome your feedback!

Composed, produced & performed by Srouly Frank

Storm inside

Storm Inside

Cast of Characters:

Frans Beelaard – @user-936947521 – Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Hohner Blues Bender harmonica solo, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine! He also composed the song
TexMex Shaman– @texmex-shaman –Stephen–  Duesneberg Starplayer TV Phonic hollow body electric guitar
Llanpsych-- @llanpsych -- Tez – Gibson Les Paul electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha workstation organ and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–lyrics and vocals 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – PRS semi-hollow body electric guitar


This is a song that Frans wrote, recorded, and gave to Josh to share with the Eclectic Collective. Frans is playing all the foundational instruments of the incredibly intricate yet perfectly foundational rhythm section, including Fender electric bass, Roland synthesizer bass, Gibson SG electric guitar rhythm, Godin electric guitar slide background, trumpet background, horn section, including alto, tenor, and baritone saxophones, Hohner Blues Bender harmonica solo, Gibson 335 electric guitar background rhythm, a full set drum kit, percussion, cowbell, and tambourine. As mentioned in the previous sentence, he also plays the amazing harp solo after the second verse. All of Frans's music is a dazzling display of solo work on top of a dense, rock solid rhythm section. So, in that spirit, this song is a display of all of us taking 12 bars to show what we can do.
  Tez was first to add his expert blues guitar in the section right after the opening vocals. Josh took the next slot, with the notey second guitar solo on the first chorus section. Stephen added his fiery guitar next, in the last slot, after Frans's harp solo. JJ was next in line, though, bringing his piano and organ to the mix, both in a support role throughout, and in the piano solo between Josh's solo and the second verse. Ken, then came up with some lyrics and sung the whole thing for us, very ably and in the propper spirit of the song (which was named randomly by Frans). 
  Of course, every great song needs a great producer, and we tapped Stephen to do the honors here, as he's our resident expert producer. 
  We are all honored and very grateful to Frans, whom we all respect and admire to a very high degree, for sharing this with us. On the off chance you aren't familiar with him, do yourself a favor and check out his page. He's as talented a multi-instrumentalist as you'll ever come across, with hours of astounding music on his page.
  We hope you enjoy listening to this as much as we all enjoyed creating it.
Original Lyrics by K2 and the Three:
I got a bull legged woman,
You know that’s where it’s at
Gotta bull legged woman 
You know that’s where it’s at
The devil may care, 
but he don’t know thin from fat
Well!!

I got a bull legged woman 
You know that’s what I got
I got a bull legged woman
You know that’s what I got
A dope ass Betty
5’ 4”, and she’s smoking hot
 
Hey fellas, can I get a witness?

I got a bull legged woman 
you know that’s what I have
Gotta bull legged woman 
You know that’s what I have
She’s all stacked up, she’s mine
And she’s got the Jaz

Bull Legged Woman by Frans Beelaard with The Eclectic Collective

Capsula / Paploviante
Paploviante: Slap Bass, Music, Composing, Arrangement, Mix, Picture and Mastering
Free Download

Capsula - Paploviante

Drifting To Sleep

Video; youtu.be/_v0-XQUvYq8

Made in #Ableton (September 2024)

Genres;
#EDM
#Dance
#Pop

Trip To Jupiter

Overview

This is a piece of cinematically inspired music that grew out of a 30 seconds Composer Club (Facebook) Group challenge. Our remit was to create a Leitmotif based on 'The One Ring', from The Lord of The Rings trilogy.

Being a bit of a Tolkien fan I decided to create a piece based on the actual forging of the ring of power, to try and get the sense of power, malice and a desire to dominate condensed into this small object and the overriding sorrow of the Elves when they realised just what had been created.

The Shevvanai 'Voice of the Elves' vocal library certainly came in handy  :-)

After doing the initial 30 seconds I thought there was a bit more I could do with the idea so I went back to setting up the story. This involved trying to give a feeling of the Elves in Middle Earth and then I thought ... what I need is some of the Black Speech of Mordor, part of the ring rhyme to lead into the forging section. So I did my very best Dark Lord impression to utter the lines in the Black Speech of Mordor. 

Ash nazg durbatulûk, 
ash nazg gimbatul,
Ash nazg thrakatulûk 
agh burzum-ishi krimpatul.

One Ring to to Rule Them All
One Ring to Find Them
One Ring to Bring Them All
And in the Darkness Bind Them

I must admit is the most weird thing I've ever tracked vocally ;-)

Instrumentation

Shevannai vocal library (Eduardo Tarilonte)
Strings (8ve Long, Spiccato Shorts, CS Strings ,Nasty Brass (Albion One - Spitfire)
Harp (Garritan GP05)
St Peter's Choir Patch(Halion Sonic)
Alto Flute (Chris Hein Winds) 
Oboe (Chris Hein Winds)

The sound of working on a Blacksmiths Forge and Explosion sound FX that is classed as Public Domain is used to add colour to the track from www.freesound.org

The Ring Is Forged - The Elves Lament

This Lord of the Rings cinematically inspired orchestral track follows on the tale of the Ring of Power as it is rediscovered in the Gladden river by Déagol, who was out fishing on the Gladden river on Sméagol's birthday, after being lost for thousands of years.

Besides orchestral instrumentation and choir voices, it also features my Alto F Low Whistle in the first half of the piece and a Foley type section of Sound FX to link to the second section.

The idea was to setup an idyllic pastoral scene by a river before Déagol falls into the river whilst trying to catch a fish.  Underwater he spots a glint of gold on the riverbed and returns to the surface, clutching his prize.  In the second half of the piece, the One Ring quickly ensnares Sméagol, with fatal consequences. 

Listers of my earlier piece might notice the reoccurring Ring motif as it's malevolent power takes hold of Sméagol.
 
Instrumentation 
Alto F Low Whistle 

VST Orchestration 
Strings (8ve Long, Pizzicato Shorts,Spiccato Shorts, CS Strings ,Nasty Brass Long Tremelo(Albion One - Spitfire)
Sky Choir Patch, Timeless Choirs Patch(Halion Sonic)
Alto Flute (Chris Hein Winds)
English Horn (Chris Hein Winds)
Rolled Timpani (Garritan GP05)

Background
Déagol was a Stoor Hobbit, who lived in a small community bound by kinship ties—akin to a clan. He had a relative named Sméagol, whose grandmother was the matriarch of the community. He found the One Ring—which had been lost for thousands of years—while fishing with Sméagol in the Gladden river.

Instantly ensnared by its beauty and seductive power, Sméagol demanded the Ring as his "birthday-present". When Déagol refused to give it up, Sméagol strangled him and hid his body, which was never found; nevertheless, the murderer (nicknamed Gollum after the swallowing noises he made) was eventually driven from his home and into the Misty Mountains.

This track contains various Sound FX that are classed as Public Domain and are used to add colour to the track from www.freesound.org, in addition to home-grown vocal FX.

The Birthday Present

In Your Dreams - an Orchestral Mystery 

Another tick of the clock,
one moment follows another,
But is there space outside reality ?

The beat goes on,
incessant and unceasing.
But while you sleep do you live another lifetime ?

... in your dreams ?

MrBouzouki Nov 2020

-----------------------------------------------------------------------------------------
Background 
This track developed from playing a simple arpeggio that you can hear in the pizzicato strings. It ended up examining the space beyond the norm ... lol

Anyway, an interesting little project and the words that arrived from the 'ether'  acted as a catalyst for the music. I'm quite enjoying using orchestral instruments in my storytelling at the moment.

Metaphysical Playlist
soundcloud.com/mrbouzouki/sets/metaphysical
-----------------------------------------------------------------------------------------
Instrumentation
Celesta (Bell Piano)- Kontakt Factory Library 
Pizzicato Strings - Albion One (Spitfire)
Violin - Chris Hein Strings
Viola - Chris Hein Strings 
Alto Flute -Chris Hein Winds 
Cello - Chris Hein Strings
The sound of an antique clock FX that is classed as Public Domain is used to add colour and provide a rhythmic pulse  to the track from www.freesound.org
creativecommons.org/publicdomain/zero/1.0/

In Your Dreams - An Orchestral Mystery

A collection of songs, instrumentals and orchestral pieces charting my adventures in home studio recording and production.  All original compositions using voice, acoustic and electric guitar (sometimes using altered tunings), bouzouki, low and high whistles and MIDI instrumentation. 

I'm also using VST instrumentation to create classical compositions and integrating orchestral sounds into my songs and instrumentals.

Links to various instrumental projects and other Social Media links are available below.

My Eclectic Music Connections repost thread is here

https://soundcloud.com/mrbouzouki-repost

The Birthday Present

MrBouzouki

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