perfect piano! accents without overpowering. i love something about everything you post.

superb track, production is top class and the vocals are fantastic!

Always blown away by you, beautiful melodies that cut right to heart!

Love the production here. Very beautiful instrumentation; and great vocal delivery..as always

I could live here forever. Maybe this is why god made re-posts. And you, you are a master who ought to be getting paid. And I say that self-servingly, because if you were being paid, then maybe I could hear this on the radio with the car windows rolled down.

nice lyrics-well portrayed and believable hurt in the singing

words and music by K Gennery
image not my own

Leave it alone, I don't go there any more.
The look on your face, you don't believe a word that I say.
That vacant stare and rolling eyes,
cut deep inside....me.

Disbeliever, but you don't really know who I am,
and you can't understand how it feels.
You suspect I'm some kind of fooler,
try a day spent in my shoes I can guarantee you'll lose your mind.

Awkward silences scream out loud,
gaps in the conversation it's not how things used to be.
and the way that you glance at the clock waiting on time,
to move on and me to do the same. 

Disbeliever, but you don't really know who I am,
and you can't understand how it feels.
You suspect I'm some kind of fooler,
try a day spent in my shoes I can guarantee you'll lose your mind.

Just a little bit, just a little. Just a little bit, just a little.

Disbeliever, but you don't really know who I am,
and you can't understand how it feels.
You suspect I'm some kind of fooler,
try a day spent in my shoes I can guarantee you'll lose your mind.

Unknown Album (05/06/2018 11:41:43)

disbeliever

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio. (Image of the cheeky little unit under my name)


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound


Podcast:  interview and 3 song performance
www.secretsymphonies.com/2006650/11710158

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
Epiphone EJ 200 acoustic guitar
Martin performance acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

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