your productions are always incredible, really nice bridge, love the acoustic with the subtle orchestration, your music has such a timeless quality, absolutely beautiful!

This piece is gorgeous! Absolutely beautiful.

I love everything about this. The melody and strings are fantastic.

Very pretty and I'm enjoying the development with the addition of strings.  Excellent song.

Gorgeous song 🫶 I love your voice and the way you use it. Bravo ✌️

Oh, what a wonderful und wise song. Perfectly produced but much more important heartfelt, honest and sincere. I take a bow.

Watchglass

words and music K.Gennery
Image not my own

Through these eyes I have seen 62 years of joy and misery
Found my true love lost many loved ones to time
If I had my life again I wonder what could possibly be changed
Though I do believe in whats meant to be quite often will be
This paths been laid for me

Inside out upside down back to front turned around
Its never straight forward its designed that way
From the darkest of nights can follow the brightest of days
Its the ying and the yang good and the bad
A toss of a coin which side shall it land
of course I know its the same for everyone

Through these same old weary eyes laughter lines that cannot be disguised
I spend my spare days writing songs instead of a diary
This paths been laid for me

 Inside out upside down back to front turned around
Its never straight forward its designed that way
From the darkest of nights can follow the brightest of days
Its the yin and the yan good and the bad
A toss of a coin which side shall it land
of course I know its the same for everyone

Through these eyes I have seen 62 years of joy and misery
Found my true love lost many loved ones to time
Found my true love lost many loved ones to time

Eyes

drunk octopus wants to fight you

A little bit of tropicana to warm up a cold damp UK afternoon!
Thank you always for your kind reposts plays and playlists!!!

Primavera

Well hello. Here’s some rustic Mountain Blues, played on extremely oxidized guitar strings, with me hollering from the mountain top. Hahahaha. The song hints at a personal authenticity, and the experience of possibly unraveling any prior conditioning (Pavlovian or otherwise) that may constrict our lives in some way. It’s also about the different personas we portray to the outside world. How we may act at work, or on a first date, or with our spouse, or kids, friends, enemies, those who hurt us, even our stage personas comes into play…. So this song is asking a lot of us. In other news, right now in June, the mountains are snow covered and it froze last night. That is late spring, early summer here. Gardenwise, this year, I am planting a lot more Brassicas: Kale, Cabbage and Broccoli, and they are growing well. I am going to try to fence off the carrot/beet beds, as the voles always eat more carrots and beets than I ever do. Onions, leeks and garlic have been growing since March. I transplanted 50 lettuce plants I grew from seed that I saved from last year’s lettuce. The berry bushes and fruit trees have really blossomed this year. There are squash, cukes, tomato and pepper plants inside by the window, to be transplanted outside next week, quite a mess… all of which keeps me busy…. Hahaha. Thanks for dropping by, hope you’re well, Mark

'Round Here'

Original composition by Neno J. June, 2025.
Nylon electro-acoustic guitar Cordoba Studio GK, recorded directly using multi effect Hotone Ampero 100 and bass Ibanez.

Summer lounge bar

There may well be another track in the "Gazebo" suite to find here in around a week.

GAZEBO DAYDREAMS (ABOUT WIDE HORIZONS)

You will find the clip on my YouTube channel.

QUANTUM CANTICLE

A dear friend asked me if I wanted to set one of his poems to music. Well, I did. And this is what came out of it...

The title of the poem is “Augenblick”, which means "moment", but literally “blink of an eye”.

Augenblick (by Hans H. Hiebel)

Tender day
The eye-lid of the night
Has opened
Time
Is twinkling at us
And because everything is divided
And must be divided
We twinkle back
And death
Closes the lid


Composition, vocal, guitar and piano by Joliz.

The track wouldn't be the same without Robert S. Dean... Thank you!


Augenblick

words and music K Gennery
image courtesy of Joel Durkee Unsplash
Thank you so much @monnodb for the voice at the end.


on the other side of nowhere in between the nothing she cries
a flicker of a memory drifts into longing and dispair why?

gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman

she sits in the darkness alongside delusions and agitation
time shift is a constant through the window to the garden
she stares avidly

gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman


gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman

shell

I had posted a year ago the row version of this track recorded back in 2015 (https://soundcloud.com/michele-ansani/bosque-redondo)
I thought that, after all these years, it was time to remake it, without altering the melody or the atmosphere.
Regarding the context evoked, see for example here: https://americanindian.si.edu/nk360/navajo/long-walk/long-walk.cshtml

Composed by Michele Ansani (2015-2025).
Bansuri is courtesy by Aahro.
Cover photo: Navajo girls at Fort Sumner, Bosque Redondo era, New Mexico, 1864-1868(?). Palace of the Governors Photo Archives, negative number 038208.

RePosted on SoundCloud: 2025, June 16

Bosque Redondo (final version)*

So closer

This is the third Eclectic Collective track that started with an idea of mine. Check out the others here, as well as one that I plugged a synth line into with this gang (and another one of those is coming soon):
https://soundcloud.com/tea_are_sea/sets/tea-r-sea-eclectic-collective

Josh, Ken, Stephen, and the whole Eclectic Collective are incredibly welcoming and a joy to work with. I'm really looking forward to more collaborations with these great guys in the future! 

Here is Josh's write-up with more info on this fun track:

 Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, Ibanez electric guitar, beats, composition, mix, and production
TexMex Shaman–@texmex-shaman –Stephen– Fender Acoustasonic acoustic guitar and e-bow
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Custom five-string fretless bass
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
electric wah guitar
Cgmaness – @hiddenhands-760647700 – Chris – vocals, vocal harmonies, and lyrics

This song began its life as a skeleton of beats and synth created by Terry, who also added some crunchy electric guitar hits to it, too. Terry is a very skilled electronic music producer, and frequent collaborator with Stephen for a project they call Texas Tea. It's worth going to check out their other collabs, as well as Terry's solo projects on his and Stephen's page. 
  Even though Terry and Stephen work together frequently, Terry approached Josh with a couple of ideas, and Josh picked this one, so Terry started the project and invited the rest of the band to join in.
 
Stephen was the lead off hitter for this one, though, adding his magical and heavily processed acoustic guitar to the bridge in the middle, as well as textural guitar in the entire first half. He also added a couple of cool lines with his e-bow, which he used on his guitar. Ken was next up to bat, adding his always thrilling drums to compliment Terry's beats. Josh went to work next, now that he had a solid beat to work with, added his low-frequency five string fretless bass to it. Tez batted clean up, adding his thrillling Gilmore-esque guitar solo to the end of it. 

  Then, once the music was all finished, we turned it over to Chris so he could add his amazing, psychedelic vocals delivering his original lyrics throughout.
  Once we had everything recorded, we turned it over to Terry to mix, as it was his song to begin with. Terry is an excellent producer with a great ear. Stephen, who is our trained mixer gave him some key advice along the way, too, though.
  This is Eclectic Collective's third song with Terry, and we're always thrilled when he has something to offer us. He's a wonderful collaborator with tons of great songs on his page, that are all worth checking out. We hope you enjoy listening to this as much as we enjoyed creating it.
  Oh, and it's worth mentioning that three of us on this have birthdays this week, too. Chris' was first, on Wednesday, Terry's was Thursday, and Josh's is Friday (today). So, this is an extra special celebratory song for all three of us. We're all so very grateful for our SoundCloud community, friends, and musical family. We appreciate all of you!

Original lyrics by Cgmaness:

Lost in inner space,
questions interlace,
often they're erased.
amnesia's saving grace.
...
Many rising up,
What do you think it means?
Anything at all?
Anything?
....................
Wonder if you feel,
any of this truth?
Root systems occur,
we are one from birth.
we are one.
....
Slow to realize,
something is in the skies.
I cannot be wise.
We are lied to.
Realize, it's all a ruse.
but, we ripple on.
we ripple on.
we are one.
...
And that's when we fell back into,
a very familiar feel.
but I know.
Just pinholes,
just pinholes. 
....
Many rising up,
what do you think it means?
....
Sometimes we have to let go!

Koala Tea

Surfers like Us ….. composition, all guitar parts, arrangement, mix and cover picture 

Hi Everyone!
I hope you enjoy the continuation of my project called „What’s Up?” 🍀

Here I invite you all to listen to part two which is combined with part three.

My whole lead guitar part was recorded „live” in real time! 😎🎸 (as always in my songs :)

Many thanks for listening and support.
Artur

- - - Summer Break - - -
Have a great holiday! 🔆🦋

What’s Up? (Parts 2 and 3)

My anti-AI rant song ... I wrote this shortly after a friend of mine proudly told me how she'd created a song using AI which she had fed a sample of her voice. This gal doesn't sing. She sent me the YouTube link to the song and obviously wanted my feedback.

That artificiale
You call a song
Bit and bytes pretending
That thing made by machine so perfectly
Much more than your bidding
I won't buy it
Just because you can.

Just because we can
Don't mean that we should
Just let's dig all the way down
Those things can't eat
Need no sleep
Have no cares at all

Don't tell me you're proud
And make a gake fool of ypurself
Things to do your bidding
I hope you made that clear
Take all from the past
For a future rearrange
Let the things make everything
Fake the only name
That's fair

Just because we can
Don't mean that we should
Just let's dig all the way down
Those things can't eat
Need no sleep
Have no cares at all

Digging a grave
For the human made
the work of our hearts
The work of our minds
Digging a grave
For the emanescent
Voices of ourselves

Digging a Grave

lyrics

Miami is calling my name
My summer mind, my summer brain
Drinks are on me
Step into the sea

Neon Daze 
Neon Daze
Neon Daze
Neon Daze

Bartender make me a drink
One that makes me forget how to think
white sands all around
I love this neon town

Neon daze
Neon Daze
Neon Daze
Neon Daze

neon daze

La vie sourit

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio using vintage gear gathered over many years.


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound.

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit Through Roland TD20 Sound Module
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
1972 Yamaha FG180 Red Label acoustic guitar
Martin performance acoustic guitar
Yamaha FGX5 Acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

Eyes

Mr Cagey

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