your acoustic guitar is so lovely and perfect in the mix it's lovely . another great sounding song with strong feeling,  I love it. 

Man i just love your music. So much goodness going on here👌🏻

The first of many Mr. C’s songs on my Radio Show. Thanks Mr. C

This is really awesome. So much detail and such a great sound!

featuring @4catsncoffee on violin
:
You can throw away your past, but the devil gently finds ways to bring it back...  Devil's Timepiece is a guitar-based alternative folk tune with southern gothic echoes. The fourth tune off the d'ville EP >soundcloud.com/jh0st/sets/dville

Devil's Timepiece
:
Traces of smoke
Lingering soft hope
Words spit like flames
under the up-town train
Together alone
through the heat summer storm

Yes it is…
faded away
No it ain't…
the way it should stay

Church bells of peace
The devil's timepiece
Once in a while
love speaks, to the right one
'Til then I pray at the station
Penn the hymn to the speeding train

Yes it is…
No place to stay.

I saw the city lights
turn dusty moon 

I saw the blue gas-light
split the summer sky

(Yes it is…)
Last place I'll stay
No it ain't…
the only doorway

Oh, gentle violence
Time will rewind it

Oh, blame the summer wind
Sound the sirens

Who will write this down?

Buy on Bandcamp

devil's timepiece [ft. 4catsncoffee]

Gaspar Monterde: guitars & keyboards
Mia Monterde: Transverse flute

--
The Mediterranean is the largest mass grave on the planet. Migrant deaths and shipwrecks in the Central Mediterranean have multiplied.

The protagonist of the symbolic photograph of the embrace between a Red Cross volunteer and a migrant on the Tarajal beach (Ceuta, Spain), is called Abdou and is 27 years old.

---------------------------
El Mediterráneo es la mayor fosa común del planeta. Las muertes y naufragios de migrantes en el Mediterráneo Central se han multiplicado

El protagonista de la simbólica fotografía del abrazo entre una voluntaria de la Cruz Roja y un migrante en la playa del Tarajal (Ceuta, España), se llama Abdou y tiene 27 años.


El Abrazo / The Embrace

Words and music K.Gennery
image not my own

Best not dare go near your mind
you won't be held responsible
for the darkness that we may find
guess that makes you unsavable

Sway and swagger don't really matter
cause I believed in you

Something's cooking in your kitchen
I can taste and feel the heat
noise erupting plates go crashing
flooded water under your slippery feet

Immerse yourself in pityfull play
I don't understand you at all
guess youve always been that way
set up the height then nudge us to fall

Prim and proper don't really matter
cause I believed in you

Something's cooking in your kitchen
I can taste and feel the heat
noise erupting plates go crashing
flooded water under your slippery feet

Everything I said and done made no difference at all
All the things I tried to do, could not get through to you
you shut out the voices you'd hear
except for the ones in your head I tried my best.

Something's cooking in your kitchen
I can taste and feel the heat
noise erupting plates go crashing
flooded water under your slippery feet

somethings cooking

look video song

Budapest - George Ezra "Acoustic Version" By Soli Ko

David Lucas and his late father, Bill Lucas, an acclaimed Sydney architect attended my voice workshops held by the "Once Extra Dance Company" back in the "80's". Adventurous , creative souls with no holds barred on what was the beginnings of Danse Danse. It was then called "Dance Out Of Beat" and was a commentary on the club scene that I'd very much been a part of in the "60's" In recent times I invited Annette Scott on board who has brought it brilliantly to fruition along with my longtime collaborator, Jazz pianist/composer, Kirk Kadish. Now we have a new take on the current dance scene with a touch of empowerment as to whom has the final moves.

Janice Slater

DANSE DANSE: Arterial Flow ft Vocalatti

Busy

BLACK BACKGROUND
========================

23 tracks native MS2 instruments and Xewton forum.

6 tracks kv331 Synthmaster

2 Xpad tracks

2 tracks Arturia imini

1 Flowtones track

2 Oberheim Ob-x tracks


Music unconsciously reflects a state of mind.

A few weeks after the accident he couldn't find the time to create new music. That's why I decided to reissue this title, which coincided with a negative episode in my life, revitalizing some sounds and eliminating others, to obtain a dark result and adding synthesizers at the end that would express something like a cry of liberation.

I hope you liked the result.

Thanks for the comments and support.

Paco.

Black background (Re edited 2023)

Say "Ahhh" !

https://youtu.be/xUxQajqWlWg?si=DjoYScS1ZjYNeTiT
Oi oi my Team! Back with track 12.
For the album Criminals. 116 Bpm.
Simple keys, groove, effects & all.
Appreciate you listening. Support.
All feedback. Much love, thanks!
Uploaded on 29/12/2023.

Brainwashed

INVITATION TO COLLAB, DJ,BEATMAKERS,SINGERS, RAPPERS >>>Who want Can USE & REMIX PARTS OF THE ACAPPELLAS , place it, modulate it as You like, MAKE A SPECIAL TRACK, with SOUNDS 
FIT IT AS A FEAT in a SONG... LYRICS are Here Below to Help You Choice Words & Phrases.
DOWNLOAD are FREE &it's in Wave, if You Want MP3, ask me. 
If You Do Use My Vocals, Mention My Name in the Track& Let Me Know, I will Repost,Share, Include it in Playlists & Mix... Original Version >  https://soundcloud.com/specialececilia/lets-go-ahead
LYRICS
No turning back 
Lets' go ahead
Moving Forward for Brighter Future
Lets' go ahead
Moving Forward for Brighter Future

Many things got to change
Life needs a better balance
to avoid decadence 
World needs a second chance

No turning back 
Lets' go ahead
Moving Forward for Brighter Future


No want no more sorrows
want a better tomorrow
No want no more pain
want a better to day

No turning back 
Lets' go ahead
Moving Forward for Brighter Future

Forward for Brighter Future
Lets' go ahead

Many things got to change
Life needs a better balance
to avoid decadence 
World needs a second chance
needs a second chance

No want no more sorrows
want a better tomorrow
No want no more pain
want a better to day

No turning back 
Lets' go ahead
Moving Forward for Brighter Future

No turning back 
Lets' go ahead
Moving Forward for Brighter Future

LET S GO AHEAD Vocals for Collabs

My most rabble track (dec'93), although it's got a mystic surprise. As a novelty, dialog between voice and guitar (take into account that this album was recorded at once, consider it a live show).

Mi tema más "canalla" (diciembre de 1993), si bien con una sorpresita mística. Como novedad, el diálogo entre voz y guitarra, recordad que está grabado del tirón.

Lyrics/Letra:

Bonita de cara, escasa de carne;
fría por fuera, caliente su sangre.
No la volverás a ver, no la volverás a ver.

Tiene guardado un secreto muy dentro de sí;
tú no supiste saberlo, y fue para mí.
No lo pudiste saber, (oh) no llegaste a conocer,
sólo te faltó insistir, y yo...
yo insistí.

Ven a buscarla a donde guarda el secreto, 
es un bosque escondido en el fondo de su mente.

Vas a perderte, vas a perderte, porque...
ya no habla igual, ya no piensa igual,
ya no viste igual, ya no vive igual.

Bonita de cara, escasa de carne;
fría por fuera, caliente su sangre.
No la volverás a ver, no la volverás a ver.

Bonita de cara (Yo insistí)

Wallowing in the warmth of lower mids and melancholic melody.
Recorded, mixed and mastered on a Tascam DP 32 Portastudio. (Image of the cheeky little unit under my name)


Take a large bucket. Add a pint of Neil Young, a pinch of Glen Hansard. Wack in a tea spoon of Damien Rice, then an ickle bit of Tom Mcrae. Shove in a hand full of Mike Scott, a heaped table spoon of Neil Finn and a large dollop of Conor J. O'Brien. Mix with a big stick then strain through an old sock. Pour. What you have is a little bit of Mr C.

Hello good people of the cloud.
I play everything in real time and record and master on a Tascam DP 32 Portastudio. Although three of the older songs on here where recorded on a 8 track tape recorder through an old seck analogue desk.
No pc's are used or abused in the process of me music making. I love tactile recording. Switches, faders, pots and buttons. Mouses are for computers and eating cheese. No Mac, Daws or Windows, Midi or overused plugins. And no automated mixing, compromise being a large part of my final sound


Podcast:  interview and 3 song performance
www.secretsymphonies.com/2006650/11710158

Hope you enjoy some of the music that I make, please feel free to share and comment.

I now have another page, link below, of songs recorded from 1999 to 2012 on an 8 track tape machine.

Gear used:
Tascam DP32 (for all recording and mastering)
Custom Sound amp (owned since the 1980's/90's)
Tannoy DC 200 monitors (owned since the 1980's/90's)
Alesis Sr18 drum machine
Roland V drums HD1 Live Kit
Kord M1 keys (owned since the 1980's/90's)
Yamaha moX6 keys
Joe Meek VC3 pro channel (owned since the 1980's/90's)
Audio Technica AT4033a Cardioid Condenser Microphone
Shure SM58 Mic
Sessionmaster direct recording pre-amp (owned since the 1980's/90's)
Zoom GX1N guitar effects
Epiphone EJ 200 acoustic guitar
Martin performance acoustic guitar
JD Fender Telecaster Leccy guitar
DeArmond M75T Leccy guitar
Tanglewood bass 
Vintage banjo
Uke
Stagg mandolin
And a box of old rusty harps.

somethings cooking

Mr Cagey

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