Jason Chance makes a welcome return to the 'Hotfingers' label with his funky new single 'Let's Bounce', out now on Beatport:

http://www.beatport.com/track/lets-bounce-original-mix/4549321

Follow JASON CHANCE online here:

FACEBOOK: http://www.facebook.com/djjasonchanceofficial
TWITTER: http://twitter.com/djjasonchance
SOUNDCLOUD: http://soundcloud.com/jasonchance

Jason Chance - Let's Bounce (Hotfingers) (128k snippet)

The second release in our Anniversary Remixes campaign sees one of our most iconic tracks, Downpipe, reinterpreted by the worlds No.1 DJ Armin van Buuren, Techno veteran Adrian Hour and new kid on the block Bontan. 

Downpipe, the collaboration between our label leader, Mark Knight, master of production, D.Ramirez, and legends of dance music, Underworld, is a landmark track in the history of Toolroom Records. Crowned Essential New Tune on Radio 1 by Pete Tong and forming an integral part of the soundtrack to the opening ceremony of the London Olympics last year, it is still receiving overwhelming support today.

Heading up The Anniversary Remixes of Downpipe, superstar DJ Armin van Buuren delivers up a euphoric, unstoppable, big room remix that is set to take to the throne & join the original. Adrian Hour presents a techno workout that is completely relentless, energetic from the off the intensity doesnt let up resulting in a peak time gem for the underground. Finishing up the package is UK wonder kid Bontan, following his recent Top Ten he continues his reign delivering a stripped back bass line workout with Karl Hydes vocals cleverly chopped into the groove. 

A tech house anthem and one of the scenes most unforgettable tracks, The Anniversary Remixes sees Downpipe transformed across three musical landscapes with unstoppable results.

Download here!

Mark Knight vs Underworld - Downpipe (Armin van Buuren remix)

Two classics of the House Music origins which have inspired the following years!
Great to listen to them and mix them after so many years!
Original tracks, no samples or "forcing"!
100% genuine mix like the ones of the old times, got it? We're talking about the times when the digital hadn't even been invented!

DJPAS - I've Got The Power (SNAP) VS Pomp up the volume (MARRS)

Hey guys.

Heard this track a couple of weeks ago and forgot how good it was. Proper 80s sound, especially the chorus.

Chopped it up, changed it, FX, EQ, layered etc.
Let me know what you think!

If you want a copy, hit me up :)

Enjoy:) 

Regards

Buttkick

No copyright infringement intended.... For promotional purposes only....All rights reserved to their respective owners

►SUPPORT THE ARTISTS & BUY THEIR MUSIC◄

Company B - Facinated (Buttkick Re-Edit)

World Words

Baile Do Agenor

This is part of my 20 year portfolio (under aliases) of live mixes (including vinyl) to make the classics live again!..my music style comes from blending sounds that normally wouldn’t live in the same space or time - I love taking familiar groove tracks and reimagining them with new energy, whether that’s through creative sampling, stems, adding beats, unexpected transitions, or layering vocals over completely different instrumentals - see my track list here: https://soundcloud.com/ch_risk_1   I hope you enjoy the vibes and please share it across all generations, so everyone can join in the New Groove! 🎶

When Janet Thinks of You DJCK Remix Edit

I know it's been a while since you've heard anything new musically from me... I've been moving from one continent to another, along with a lot of other major changes in my life, but now I am finally settled down enough that I can start working on music again.

Boy, does it feel good. I mean, real good. I had no idea how much I missed it.

That said, here is a small album of mashups I threw together.  I am working on a more serious album of remixes that I hope to release in the near future, but not until my inner perfectionist is satisfied with every track.

Thank you for checking it out, I really hope you enjoy it!

Completely free, but you can click on the Buy link to download the album.

The Art of Noise - Peter Gunning for the Beat Box (deathy's Mashup)

electro pop from the 80's.minimix format.i hope you enjoy it!!!

MINIMIX 80'S(NAKED EYES,DURAN DURAN,HALL AND OATES)

SET A DRIFT ON MEMORY BLISS Vs TRUE Vs GIRL YOU KNOW IS TRUE - JCSKYWALKER 80s MASH UP

El perdido y encontrado megamix de The Communards

07 The Communards Megamix

Here’s Track Number 90 Of My ElEcTr0 Du0 Mix Series❣️❣️❣️
The Jacksons vs. Manfred Mann’s Earth Band - Can You Feel Blinded By The Light??? (WhiLLThriLLMiX)
🙃🎚🎛🎚⚡️
The Jacksons- Can You Feel It (DJ Aiblo Rework)
Manfred Mann’s Earth Band - Blinded By The Light (MidasTouch/DeeLander ReWork)

The Jacksons vs. Manfred Mann’s Earth Band - Can You Feel Blinded By The Light??? (WhiLLThriLLMiX)

Wale - vocals
Tiara Thomas - vocals, co-production
Kelson Camp - production, guitar, instrumentation




Wale - Bad (ft. Tiara Thomas)

It Takes Two - Rob Base
It Takes Two - Seduction
Beat Dis - Bomb The Base
Pump Up The Volume - Marrs
Never Gonna Give You Up - Rick Astley
Criticize - Alexander O'Neal
One Man - Chanelle
Just Don't Have The Heart - Cliff Richard
Gonna Get Along Without You - Viola Wills
Wait - Robert Howard (Blow Monkeys) & Kym Mazelle
Walking On Sunshine - Fax Yourself
Situation - MC Crown
Stronger Than That - Cliff Richard
Listen To Your Heart - Sonia
Gas Stop - Boxcar
Move To Move - Konkan
The Only Way Is Up - Yazz
Scandalous - Two Puerto Ricans
Wiggle It - 2 In A Room
Dangerous On The Dance Floor - Musto & Bones

House_Music_All_Night_Long

Never Gonna Give You Up (House Mix) - Rick Astley (80's/90's House Music Mix)

Jason Chance & Alias Rhythm feat Gift – Waiting for the Day

Roger Sanchez Presents Release Yourself '13

Featuring tracks and remixes from Roger Sanchez, Dusky, DJ Sneak & Riva Starr, Wehbba and exclusives from Rene Amesz, Santos, Jason Chance, Jerome Robins, Chris Count, Rio Dela Duna and more.

"Release Yourself is my annual mix compilation of the hottest tracks that have been working for me on my dance floors! The theme for me this year is going back to my underground house roots. For the last year the evolution of my own sound has taken me further back into the underground: to deep house, tech house and tribal, all the places that I started from. I feel that this year's Release Yourself is probably the closest one to my heart.

The Pre-Party is even deeper than some of my other ones have been, I just see an incredible array of new burgeoning talent in the deep house scene that has really come to the floor. The Party side is definitely peak time house but now the emphasis is more on the jackin' grooves or dirtier basslines that have always been a signature of my sound and style. My heart truly resides firmly in the underground - and that’s where Release Yourself '13 will take you." - ROGER SANCHEZ

Buy on Beatport: btprt.dj/145sUCY
Buy the compilation on iTunes: smarturl.it/Release13

Stream the continuous mixes:
Pre-Party Mix - btprt.dj/18PDYqS
Party Mix - btprt.dj/14gmq5A

Connect with Roger Sanchez:

Website: www.rogersanchez.com 
Facebook: www.facebook.com/rogersanchezfanpage 
Twitter: www.twitter.com/djrogersanchez 
Youtube: www.youtube.com/user/RogerSanchezMusic

Jason Chance & Alias Rhythm feat Gift – Waiting for the Day

PLEASE NOTE THAT I DO NOT OWN THE COPYRIGHTS OF ANY OF THE TRACKS USED IN MY SET. THIS MIX HAS BEEN DONE ONLY FOR MY PERSONAL AND NON COMMERCIAL USE AND IS NOT AIMED TO INFRINGE ANY COPYRIGHTS OF THE TRACK OWNERS/PRODUCERS.

Disclaimer: The is under Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

AGAIN: I do "NOT" own any of the music used in my mix and the mix is solely produced for my personal use to share my djing demos.

DJPAS - I've Got The Power (SNAP) VS Pomp up the volume (MARRS)

Roberto Paroni

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