увидел этот трек у ютубера 

this song brings back so many happy memories, sat watching mind blow with friends, all stoned out of our minds 🤣

Vsauce literaly links this to going down by jake chudnow...  (shoutout toNeil for pointing this one out, life saver.)

This is "Going Down" by Jake Chudnow, stop plagiarizing and freebooting music

thanks to youtube chanel VSouce. They using this track in their videos

New private playlist

Video: https://youtu.be/PwrUR8LVcb4

Time signature: 7/8

Most synth sounds are a Juno 6.

Introductory bells recorded March 2013 in Venice Italy by Carlin Cwik.

Pressed Pennies // Video in link description

The second of the two part EP release featuring unreleased Ki:Theory songs.  Many of these songs have been featured in films, TV shows, online videos, etc.

Ouija

(Early 2012)

This is still a work in progress - not mixed/mastered and want to get some more analog sounds into the mix. Uploading now though because I've had a "handful" of requests :) Let me know what you think it needs.

The sounds in the beginning and throughout are the sound hydrogen makes as created and explained by Henry from Minute Physics here: http://youtu.be/qyi5SvPlMXc

Hydrogen

Papa took me when I was one, on a trip to the far side of the sun, Oh papa let’s return, if we get close we might get burned. Mama took me when I was two, up high in the sky in a big balloon, Oh mama lets go down, for we are miles above the ground. Papa took me when I was three, to the bottom﻿ of the deepest sea, Oh papa, it is cold, and it is dark, so let’s go home. Mama took me when I was four, to walk along the forest floor, Oh mama, finally, the place I’d like to be. Papa took me when I was five, down to the riverside, Oh papa, let’s be gone, the sun set and the river is long. Mama took me when I was six, to the fields of trees, with fruits to pick, Oh mama, is that all, can we come back tomorrow? Papa took me when I was seven to a party with all his friends, Oh papa, I know you’re tall, but in this room I feel small.Mama took me when I was eight, to climb along the mountain face, Oh mama, finally, the place I’d like to be.


Emancipator - Miles Above

juss playin fr

Slow, Chill, melancolic, I don‘t even know how to describe it. Just have a listen… Enjoy!

© Sombre86, 2024. All rights reserved.

Holding on

original • https://soundcloud.com/yearofgladmusic/lifetrap

year of glad - lifetrap (johnny_ripper remix)

Watch the video: https://www.youtube.com/watch?v=3QQS8fJqXoI

Most synth sounds are the Juno 6, some soft synths used, and the drums are layered but the most present layer is a Roland 707.

Created this one in my bedroom while procrastinating rehearsal for a live set. 

March 2015

Olive // Video link in description

TatTaS 2: Comebacks EP

Welcome Back on the Earth (Original Mix)

Out of the Spaceship (Original Mix)

Created By El Ten Eleven
Uploaded By LVV Corporation

Picture quality is bad, if you have a better image, email me at nitrousgalaxy@gmail.com and credit will be given.

El Ten Eleven - Fanshawe

Dream

Labradford - Wien

"The core of Fredrik is the duo of Fredrik Hultin and Ola Lindefelt, a pair of Malmö-based musicians who also happened to form the band the LK. The music they create on Na Na Ni, however, is quite a different animal from that group's buzzy electronic pop, applying the same ear for sonic detail and an unerring penchant for melody to a more folk-inflected and more resolutely understated set of compositions. The results are nothing short of enchanting, using a consistent, gently evocative sound palette -- Hultin's acoustic guitars, voice, and accordion, and Lindefelt's bells, drums, cello, and delicately wheezy electronics -- to balance deceptively complex, layered arrangements with a charming, lo-fi intimacy. March-like singalong "Black Fur" opens the album on an especially cheery note, which is taken up more modestly on the calmer but amply catchy "Alina's Place" (whose poetically cryptic lyrics make it somewhat less reassuring) -- no less winsome, though, are the more abstract instrumental pieces which make up half of the track list. The title of one, "Angora Sleepwalking," succinctly captures the softness and sweet, dreamlike strangeness of the prevailing mood; another, "Morr," intentionally or not provides a clue to Hultin's musical aesthetic, suggesting their similarities to the less overtly electronic end of that German label's output, and the work of Múm in particular. One might also draw comparisons to the gentle, textural experiments of Silje Nes, or, to name some non-Scandinavians, the fractured folk of Animal Collective, Tunng's woodsy whimsy, and even Sufjan Stevens' antiquarian-minded indie pop. Fans of any of these artists would do well to investigate Hultin's fine debut; they will discover not just a handful of hummable songs, but a curious and comforting sound world that's at once familiar and unique unto itself. Also worth noting is the Kora Records' elegant package design, which makes Na Na Ni a joy of a thing to hold, and the appropriately intriguing booklet etchings by Warren Hilt."

Allmusic.com 



Out of the Spaceship (Original Mix)

MRGvsky

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