Awesome track. Added into Spotify playlist of Artists & Tracks I liked on Soundcloud: IN & OUT (https://open.spotify.com/playlist/4JXNilvaz7fglBughvrBW4?si=8ab345d801414188)

Une chanson rock survoltée mettant en vedette de puissants riifs de guitares électriques et une approche vocale masculine au ton extrêmement théâtral. Ce titre au refrain accrocheur est appuyé par une solide section rythmique et une qualité de production hors-pair! ________________ An over-the-top rock song featuring powerful electric guitar riffs and an extremely theatrical male vocal approach. This track has a catchy chorus and is supported by a solid rhythm section and an outstanding production quality!

free download or stream:
https://www.gate.fm/oFguomQHo

music by Sven Sebastian Horner
https://svensebastianhorner.bandcamp.com

photo by Sandra Limberg
https://sollena-photography.de

stream | download

Lifting my Heart's Dead Weight (Improvisation No. 34)

TAW018

J.SENSEI & WHO KILLED PATRICK - BLESS UP

Buy at: https://rhysmcintosh.bandcamp.com/track/walking-on-water

Piano solo dedicated to Brianna Kerridge, the love of my life.

Walking On Water

𝙼𝚢𝚜𝚝𝚒𝚌 𝚅𝚒𝚋𝚎

A foaming wave
That breaks against me
A wild wish, uncontrolled
And you want her now
An obscene vocation
Sensuality and desire
You can’t take her
Unless she chooses you
Love me now Guzadora
Love me ever more Guzadora
You feel a shiver under your skin
She sneaks inside and You want her
Sex bomb, sparkling in the night
Ravishing beauty
Thrilling, exciting
She’s driven by her istinct
Her wonderful obsessions
Now they have got you

LMN Guzadora

Last Call

Last Call (432 Hz)

Dear By Theodore Kidd - Stream/Buy It Now: https://theodorekidd.bandcamp.com/album/dear

Connect With Theo Kidd Now:

Website: https://www.theodorekidd.com
Merch: https://theodorekidd.creator-spring.com
Bandcamp: https://theodorekidd.bandcamp.com
YouTube: https://youtube.com/c/theodorekiddmusic
Tour: https://www.bandsintown.com/a/11856712-theodore-kidd

Dear

DEAR

A trippy, dreampop/synthpop track about the pitfalls of youth and the growing need to search for forms of euphoria amidst a darkening reality.
For fans of Lana Del Ray, Lorde, Troye Sivan, and Billie Eillish.

EUPHORIA

Dirty Robot

We All Gotta Grow ft. Triishh Hennessyy (Prod. Mini)

Springs Songs (for Tenor and Chamber Ensemble)
Duration: ca. 20'

MOVEMENTS:
I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II. April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

Performers: American Modern Ensemble; Alok Kumar, Tenor
For More Information: https://robertpaterson.com/spring-songs
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
Also available as a version for tenor and piano: https://robertpaterson.com/spring-songs


PROGRAM NOTE
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller for the American Modern Ensemble.

AME ARTISTS
Robert Paterson, Conductor
Alok Kumar, tenor
Grace Law, flute
Nuno Antunes, clarinet
Samuel Z. Solomon, percussion
Geoffrey Burleson, piano
Victoria Paterson, violin
Peter Sachon, cello

LMN Guzadora

MagentaSmoke

Recent comments

Related tracks