Name: Lumberjacks in Hell (A1) Rayko - Magic Voodoo 96 kbps by Rayko in disco
Duration: 6 min 14 s
Description: 12" Vinyl Out Now @ Lumberjacks in Hell!!!

http://www.juno.co.uk/products/rayko-mannmademusic-mr-lumberjacks-boogie-vol-1/526751-01/

@lowtoneuk: maybe because it just an edit? XD

Juno has the vinyl will this be available on MP3?

http://www.youtube.com/watch?v=FPygigh2fVk&feature=kp

disco

3rd track from Forthcoming E.P out on the first Friday of August Bandcamp only
Low Res upload

Bandcamp Only

Chuggin Edits - The Big Hand On The Clock [Slightly Transformed]

12" Vinyl Out Now @ Lumberjacks in Hell!!!

Lumberjacks in Hell (A1) Rayko - Magic Voodoo 96 kbps

Simple and catchy dance track. Maybe not my best, but it ain't my worst either.


Free download

Bee Gees - You Should Be Dancing (Funkhameleon Dancelishious Remix)

Juno.co.uk review:

Italian upstart Kiu D serves up a three course banquet of high cholesterol edits. For starters we're presented with a heart-attack inducing deep fried platter of greasy synths as Rocker's Revenge's "Walking On Sunshine" gets the full fat treatment. For mains we're served "Disco Brains"; the audio equivalent of a 20oz steak, it has the juiciest, rarest boogie bassline this side of Manhattan. For dessert we're treated to the sweetest of treats as the smooth-yet-unrelenting "Calm Before The Storm" ebbs and flows softly thanks to lavish piano strokes and a peppering of syrupy jazz elements. What a feast. What a debut release.

Kiu D - Calm Before The Storm

First upload in a long time, been listening to a lot of the house classics and got inspired to make this.

Horchata

Erode [Minimal Groove Concept]

MUSIC VIDEO: www.youtube.com/watch?v=A0ih5EaG4yw
The instrumental of the original song written by @anba_len and me featuring Kasane Teto.

♥️♠️♦️♣️🃏
CREDITS:
Music, Mastering: @darkbluecat
Lyrics: ‪@Anba_Len
Vocal Production: ‪phantom97 x.com/_phantom97
Bass, Guitar, Mix: ‪@mintisound‬
Art: ‪Lin x.com/lin_vt_
Video: ‪@catts-s

CONTRADICTIONS (Instrumental)

Here's my contribution to the second release on the label - Royalty of Funk Vol. 2
This is a CLIP and not the Full Track(of 6:53)

The EP also includes tracks from Alan Mooney, Queen & Disco & Napoleon...
500 Copies - No repress

Available at...

Juno:
http://www.juno.co.uk/products/alan-mooneys-royalty-of-funk-vol-2/610670-01/

Deejay.de
http://www.deejay.de/QD02_-_Royalty_Of_Funk_-_Vol_2_-_12inch__228916

Redeye Records
http://www.redeyerecords.co.uk/vinyl/74216-qd02-royalty-of-funk-vol-2-va

Pacific Beach Vinyl USA
www.pbvinyl.com/products/v-a-royalty-of-funk-vol-2

Crosstalk International:
www.crosstalkintl.com/node/53775

Strada Records:
www.stradarecords.com/shop/item/16927/index.php

Technique Japan:
www.technique.co.jp/item/140298,QD02.html

Disco Più Italy
www.discopiu.com/detail.aspx?ida=113023

Tracklist:
A1. Alan Mooney's Edits - By My Side
A2. Vincenzo De Bull - Don't Tell Me, Tell Her
B1. Napoleon - Gotta Keep Moving
B2. Queen & Disco - Satisfied

Juno

Vincenzo de Bull - Don't Tell Me Tell Her (CLIP)(Queen & Disco | Royalty of Funk Vol.2)

Get Down Edits Vol 4

Get Down Edits - Heaven Sent ♫ ♫♫

Midnight Riot Presents - Natasha Kitty Katt

1. Windy City
2.Let's Make Love

Midnight Riot Presents - Natasha Kitty Katt

Part of first VinyL EP of Miss Stavinoha (print soon in Limited Press copies)

Follow Mrs Stavinoha : https://soundcloud.com/laurastavinoha

Art Graphics concept by SSC with the great PIC of Miss Grace Jones & Andy WarhoL in Limousine Party time (if you ain't trippin' you ain't hip).

...aLways in the mood !

VinyL Pack Order

if you ain't trippin' you ain't hip (Laura Stavinoha e|r)[ORE055]

Jad & The Ladyboy - Time For Love

Excerpts from the album 'THE ULTIMATE BEE GEES'.
BUY THE DELUXE DOUBLE CD & DVD SET from Amazon <a href="http://amzn.to/1brkEjR">USA</a>, <a href="http://amzn.to/13m2yuv">Canada</a>, <a href="http://amzn.to/1aT2W9B">UK</a>, <a href="http://amzn.to/1auhjNU">France</a>, <a href="http://amzn.to/12yro7t">Germany</a>, <a href="http://amzn.to/12XkhoT">Italy</a>, <a href="http://amzn.to/12NLidu">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
BUY THE DOUBLE CD from Amazon <a href="http://amzn.to/1brikth">USA</a>, <a href="http://amzn.to/13m1yqh">Canada</a>, <a href="http://amzn.to/11ZpOAr">UK</a>, <a href="http://amzn.to/194C3hv">France</a>, <a href="http://amzn.to/13zPNZf">Germany</a>, <a href="http://amzn.to/13Qm59C">Italy</a>, <a href="http://amzn.to/12JOv2f">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
DOWNLOAD THE ALBUM from <a href="http://bit.ly/11ZocXv">iTunes</a>, or Amazon <a href="http://amzn.to/15oILcH">USA</a>, <a href="http://amzn.to/17ngCEb">UK</a>, <a href="http://amzn.to/15K92lE">France</a>, <a href="http://amzn.to/18pBX4E">Italy</a>,<a href="http://amzn.to/18mu506">Germany</a>, <a href="http://amzn.to/12XiWOL">Spain</a>, <a href="http://amzn.to/13zLJrN">Japan</a>.
LISTEN ONLINE on <a href="http://www.deezer.com/en/album/422914">Deezer</a>, <a href="http://grooveshark.com/#!/album/The+Ultimate+Bee+Gees/4657434">Grooveshark</a>, <a href="http://www.last.fm/music/Bee+Gees/The+Ultimate+Bee+Gees">Last.FM</a>, <a href="https://myspace.com/beegees/music/album/the-ultimate-bee-gees-14023661">MySpace</a>, <a href="http://www.rdio.com/artist/Bee_Gees/album/The_Ultimate_Bee_Gees/">Rdio</a>, <a href="http://www.rhapsody.com/artist/bee-gees/album/the-ultimate-bee-gees">Rhapsody</a>, <a href="http://slacker.com/r/lLHTB">Slacker</a>, <a href="http://open.spotify.com/album/3JXTUy5Ccdpe79HUgUiMF9">Spotify</a>.


ABOUT THE BEE GEES
Formed: 1958 in Brisbane, Queensland, Australia
Years Active: '60s, '70s, '80s, '90s, '00s

No popular music act of the '60s, '70s, '80s, or '90s attracted a more varied audience than the Bee Gees. Beginning in the mid- to late '60s as a Beatlesque ensemble, they quickly developed as songwriters and singers to create a style of their own that carried them from psychedelia to progressive pop. Then, after hitting a popular trough, they reinvented themselves as perhaps the most successful white soul act of all time. What remained a constant throughout their history is their extraordinary singing, rooted in three voices that were appealing individually and melded together perfectly.

The group was also music's most successful brother act. Barry Gibb, born on September 1, 1946, in Manchester, England, and his fraternal twin brothers Robin Gibb and Maurice Gibb, born on December 22, 1949, on the Isle of Man, were three of five children. The three of them gravitated toward music, encouraged by their father, who saw his sons at first as a diminutive version of the Mills Brothers. The three Gibb brothers made their earliest performances at local movie theaters in Manchester in 1955, singing between shows. The family moved to Australia in 1958, resettling in Brisbane. Now known as the Brothers Gibb — with Barry writing songs — they attracted the attention of a local DJ, and eventually got their own local television show. It was around this time that they took on the name the Bee Gees (for Brothers Gibb). The trio was astoundingly popular in the press and on television, but actual hit records eluded them.

By late 1966, they'd decided to return to England — which, thanks to the Beatles, was now the center of the world for rock and popular music. The group had sent demo recordings ahead of them, and "Spicks & Specks" — which became their first Australian hit while they were in mid-ocean — had attracted the interest of manager Robert Stigwood. The trio was signed by Stigwood upon their arrival, and began shaping their sound in the environment of Swinging London. Barry and Robin Gibb alternated the lead vocal spot, harmonizing together and with Maurice. Barry played rhythm guitar, while Maurice played bass, piano, organ, and Mellotron, among other instruments. Their first English recording, "New York Mining Disaster 1941," an original by the group with a haunting melody and a strangely surreal, almost psychedelic ambience, was released in mid-1967 and made the Top 20 in England and America. They had successful follow-ups with "Holiday" and "To Love Somebody," the latter actually written for Otis Redding to record, and "Massachusetts," which topped the U.K. charts.

After Bee Gees' 1st, the Gibb brothers took over producing their own records. It was easy, amid the sheer beauty of their recordings, to overlook the range of influences that went into their sound, which came from a multitude of sources, including American country music and soul music. At this point in their history, they were most comfortable deconstructing elements in the singing and harmonies of black American music and rebuilding them in their style.

In 1969, the trio split up in a dispute involving the Odessa album. A lushly orchestrated double LP, it was their most ambitious recording to date, but they were unable to agree on which song would be the single, and Robin walked out. Barry and Maurice held on to the Bee Gees name for one LP, Cucumber Castle, while Robin released Robin's Reign. Without a group to promote it, the Odessa album never sold the way it might have, even with a hit, "First of May." Cucumber Castle generated several successful singles in England and Germany, including the gorgeous, African-influenced "I.O.I.O.," while Robin had a hit with "Saved by the Bell."

In 1970, almost two years older and a good deal wiser, they decided to get back together. They related to each other better and had also evolved musically, now creating a progressive pop/rock sound similar to the Moody Blues. They came back on a high note with two dazzling songs: the soulful "Lonely Days," the group's first number one hit in America; and the achingly lyrical "Morning of My Life," which proved so popular with fans that the group was still doing it in concert decades later.

Their success began to ebb, however, after another huge international hit with "How Can You Mend a Broken Heart" in 1971. The single "Run to Me" made the Top 20 in 1972, but the album To Whom It May Concern was forgotten almost instantly after a brief chart run. Their fortunes continued in reverse during 1973 withLife in a Tin Can and the single "Saw a New Morning" — despite a move to America and a heavy promotional push, the song never made the Top 40 and the album stalled out.

The trio was falling into a deep creative and commercial hole. Rescue came from a suggestion by Eric Clapton, that they try recording at Criteria Studios in Miami, Florida, where he had just cut an album. The Bee Gees took his advice and came back with Mr. Natural (1974), produced by Arif Mardin. This record was a departure with its heavily Americanized R&B sound, and the following year they plunged headfirst into the new sound with Main Course — the emphasis was now on dance rhythms, high harmonies, and a funk beat. And spearheading the new sound was Barry Gibb, who, for the first time, sang falsetto and discovered that he could delight audiences in that register. "Jive Talkin'," the first single off the album, became their second American number one single, and was followed up with "Nights on Broadway" and then the album Children of the World, which yielded the hits "You Should Be Dancing" and "Love So Right." Then, in 1977, their featured numbers on the soundtrack to the Robert Stigwood-produced Saturday Night Fever, "Stayin' Alive," "How Deep Is Your Love," and "Night Fever," each topped the charts, even as the soundtrack album stayed in the top spot for 24 weeks. In the process, the disco era in America was born — Saturday Night Fever, as an album and a film, supercharged the phenomenon and broadened its audience by tens of millions, with the Bee Gees at the forefront of the music.

It was a profound moment although, ironically, there wasn't that much difference in their sound. Amid the dance numbers, the Bee Gees still did a healthy portion of romantic ballads that each offered memorable hooks. They'd simply decided, at Arif Mardin's urging, to forget the fact that they were white Englishmen and plunged into soul music, emulating, in their own terms, the funkier Philadelphia soul sounds that all three brothers knew and loved. In one fell swoop, the group had managed to meld every influence they'd ever embraced, from the Mills Brothers and the Beatles to early-'70s soul, into something of their own that was virtually irresistible. Spirits Having Flown was their crowning commercial triumph, topping 30 million in sales and yielding three more number one singles.

By the end of the '70s, however, the disco era was waning from a combination of the bad economy, political chaos domestically and internationally (leading to the election of Ronald Reagan), and a general burnout of the participants from too many drugs and profligate sex (which would precipitate an epidemic of sexually transmitted diseases and herald the outbreak of AIDS in the United States). There had already been an ad hoc reaction against the group's dominance of the airwaves, with mass burnings of Bee Gees posters and albums organized by DJs. The group itself helped contribute to the end of the party with their participation (at Stigwood's insistence) in the film Sgt. Pepper's Lonely Hearts Club Band, "inspired" (if that's the word) by the Beatles' album. The movie was a commercial and critical disaster, and an embarrassment to all concerned.

In America, the Bee Gees were virtually invisible for most of the '80s. Instead, Barry Gibb pursued work as a producer for other artists, creating hits for Barbra Streisand and Diana Ross. By 1987 and the E.S.P. album, their sales had rebounded everywhere but the United States, yielding a number one single (outside of the U.S.) in "You Win Again." Their 1989 album One got a good reception around the world and generated a Top Ten U.S. single. And in the '90s, Polygram Records released the four-CD anthology Tales from the Brothers Gibb, which sold well around the world. The trio's 1997 induction into the Rock & Roll Hall of Fame led to a resurgence of interest, which heralded the release of the live album One Night Only (1998), cut at their first American concert in almost a decade.

The Bee Gees remained active until the death of Maurice in January 2003, from cardiac arrest during surgery. Following his death, Robin and Barry decided to cease performing as the Bee Gees. Their recorded legacy, however, subsequently became more visible than it had been in decades with the move of their catalog to Warner/Reprise. The latter company began the long-awaited upgraded CD reissue of the Bee Gees' post-1966 library, including the first-ever release of outtakes and rehearsal versions of songs. Robin was diagnosed with and underwent treatment for cancer in 2011. He died in London in May 2012 due to complications from cancer and intestinal surgery; he was 62 years old. Given the previous deaths of Andy (who had several number one hits and who died of an inflammatory heart virus in 1988) and Maurice Gibb, Robin was the third Gibb brother and second member of the Bee Gees to pass away.


Music ℗ & © 2009 Barry Gibb, Robin Gibb and The Estate of Robin Gibb under exclusive license to Warner Strategic Marketing Inc. a Warner Music Group Company.


Buy CD at Amazon USA

Bee Gees - If I Can't Have You (excerpt)

DJ/Remix bookings: 
rayko.boogie@gmail.com
.
••••••••••••••••••••••••••••••••••••
Based in the beautiful and vibrant city of Madrid, Spanish DJ and Producer Extraordinaire - Rayko has been a leading light in the clubbing scene around Europe and beyond, since he founded his magnificent Rare Wiri label in 2008 where he has released some of the coolest names out there during all these years like Daniele Baldelli, Man Parrish, Gazeebo, Ilija Rudman, Ichisan, Spirit Catcher, Mushrooms Project, or Eric Duncan among many others

His very unique sound and personality, and incredible work ethic, coupled with  unstoppable creative genius have given Rayko the momentum and consistency to stack up a number of great achievements in his genres, although being such a humble and down to earth guy, he will tell you that he just loves what he does and is perpetually inspired to keep on doing it! 

Deeply rooted in the golden era of the ‘70s and ‘80s, Rayko’s influences are masterfully interpreted and transformed into modern day dancefloor bombs with great vision. His love affair with the evolution of synthesizers and vintage drum machines has gone on to heavily fuel his sound today, in addition to sonic desires of 80s Rock evident in his catalogue, that displays such exquisite musical versatility. 

Rayko is very proud to have featured on over fifty great vinyl releases, spread across labels such as Eskimo, Is it Balearic?, Whisky Disco, Lumberjacks in Hell, and Editorial, including two studio albums on Nang Recordings, in addition to over two hundred digital releases. Many of these titles have been repeatedly featured in Top 10 sales charts, with some releases making it to the coveted number one position on platforms like Juno Download, Beatport, and Traxsource. His talents as a remixer have been in constant high demand, with invitations from coveted Artists like Psychemagik, Sirs, In Flagranti, Roberto Rodriguez, or Dj Rocca, to name a few, calling upon his exceptional skills.

In his capacity as DJ, Rayko is much loved wherever he goes. He has toured extensively, having played in some of the best clubs and festivals all over the world,  from London, Berlin, San Diego, Ibiza, Paris, Milan, San Francisco, Tulum, Barcelona, Manchester, Los Angeles, Medellin, Cairo, Miami, Istanbul, Moscow, Tokyo, Mexico City, Liverpool, Oslo, Rio de Janeiro, Bali, to Lebanon and beyond, he continues to show love to his huge following, who are collectively responsible for  his incredible global streaming numbers of over six million plays on Spotify, Soundcloud and YouTube.

As his fantastic catalogue continues to expand through the years, Rayko has become one of the most loved names in modern Disco.

Lumberjacks in Hell (A1) Rayko - Magic Voodoo 96 kbps

Rayko

Recent comments

José

iLoveHousemusic

Ryan Olmstead

Henry McCormack

Related tracks