The title-track from the forthcoming Dalot EP Ancestors.

Dalot - Ancestors

Ghost and Tape : quitar 
Anna Marjamäki : vocals 

Hior Chronik - Haunted Until You Feel Nothing

Supynes Festival 2014 mix series

You can find the event here:
on.fb.me/1iYN9sl
See you 2014-06-26-29!


Miksas yra dedikuojamas nuostabiai Pakretuonės gamtai, šnabždančioms sąmanoms, pušų dvelksmui bei visoms post-reivinėms akimirkoms, kuomet malonaus nuovargio apimtas žiūri į skaidriai stikliniame ežero paviršiuje atsispindinčią oranžinę mėnesieną. 43 minutės skambesio, persunkto medžių šlamėjimu bei organiškais triukšmais.

The mix is dedicated for the beautiful natural surroundings of Pakretuonė, the soft whispering of moss, the smell of pines and all the post-rave moments when you look to the crystal clear lake surface reflecting the orange Moon. 43 minutes of sound infused with tree rustling and organic noises.  

Tracklist:

1. Paper Dollhouse "Rituals in Devon Folklore" (excerpt)
2. Dalhous "Eros, Love and Lies"
3. Paper Dollhouse "Swans"
4. LCC "Quarz"
5. Main "Reformation"
6. Ensemble Economique "Radiate Through Me"
7. Auburn Lull "Blur My Thoughts Again"
8. Stara Rzeka "Nachtlich Spaziergang Durch Klinger"
9. Tor Lundvall "Orange Moon"
10. Secret Boyfriend "Summer Wheels/Mysterious Fires"


Paulius Ilius - Special for Supynes Festival 2014 //3

'Saravá Exu' [CD|LP|DIGITAL]
Denovali Records · den223
available on all formats at [http://denovali.com/ricardodonoso]

Ricardo Donoso is a composer, percussionist and electronic musician from Rio de Janeiro, Brazil who currently resides in Boston.  After having studied composition at Berklee College of Music and New England Conservatory he has participated in a slew of projects over the years, most notably playing drums for avant-death metal unit Ehnahre and being one half of the ever morphing electronic duo Perispirit. Ricardo's musical vocabulary draws as much from contemporary composition, drone, to techno and noise.

In contrast with the continual pursuit of achievement, that today's culture teaches us, the theme of Descent, found in many myths in the shape of the hero going underground to pass a period of solitude, is no longer represented. A cultural space existed in most traditional societies for such a period in a person's life and it was seen as necessary in order for the initiate to re-connect with their past and concomitantly with his collective unconscious, or humanity’s primordial existence. 

"Sarava Exu" was written throughout such a period - one of deliberate isolation and expressed and channeled through the sacred esoteric rituals of the Brazilian cult of Quimbanda. The musical suite moves through the Seven Lines & Kingdoms of Quimbanda incorporating traditional Candomblé rhythms, Brazilian percussion, noise as well as classical string instruments, all elements from Donoso's past, re-examined & re-interpreted. "Sarava Exu" is a symphonic poem of a Quimbanda ritual and the musical accompaniment of Descent into one's own personal hell.

Certainly Donoso's most ambitious and challenging undertaking to date, but those who spend the time with it and uncover the layers underneath will be rewarded. The lines are now blurred between the compositional strategies of Donoso's solo work, the Scuba Death project and the techniques used when writing for groups like Perispirit & Ehnahre. Musically, the album takes its inspiration from movie trailer music; music that usually develops so fully and extremely in two minutes or less and has as its sole focus to trigger an emotional response with the viewer. Although each of the seven pieces are inextricably linked, one also gets the sense of a ongoing push & pull, with no resolution. A constant drive of trying to get somewhere, but never really arriving - dynamic crescendos come and go, developing and falling apart again and bringing us back to where we started, the music, constantly evolving and yet going nowhere simultaneously, creating a true sense of timelessness. 

If "Assimilating The Shadow" was the theory, "Sarava Exu" is the practice - a postscript addendum thats not an aimless or destructive fall into the abyss, but a meaningful restoration. "The way towards wisdom suggested by Exu is one of hellfire and brimstone, one of ruthless honesty and bravery, where the most vicious of all enemies is your self"

Sarava_ Exu

Ricardo Donoso - Vesperum

Where sky meets forest ain't so easy to tell. Sunlight jumps from wave to wave. The beat, a lazy pulse. Content to watch a while, take it all in. Clouds would catch the colours. A Mediterranean panorama. 

* we come in naked, and we go naked.


1. Catherine Ribeiro - Paix
2. Barnt - 0221 51025Xx
3. Gregory Whitehead - The Pleasure Of Ruins
4. Ssaliva - Trimensional
5. The Durian Brothers - Die Eisheiligen
6. Larry Heard - Faint Object Detection
7. Glitterburg - Apparition
8. Ariel Kalma - Les Mots de Tous Les Jours (Rêves Etranges)
9. Jaures - Reprise
10. Boris Blank - Oranges
11. Ariel Kalma - Barimpa 
12. Timoka - Pentekost
13. Acid Arab - Zhar
14. L/F/D/M/ - Book Of Five
15. Baby Ford - Poem For Wigan


STR (clicklounge)

Full Article and dowload here: www.seeksicksound.com/sss-podcast-167-justinas-mikulskis

SSS Podcast #167 : Justinas Mikulskis (S13)

Rain Over Ether - I Wear Your Skin (isoline. Remix)

I Wear Your Skin (isoline. Remix)

Psýchodripsis to konceptualny ambientowy projekt oparty na idei ucieczki od własnego „ja”. Nadchodzący album to zbiór dźwiękowych opowieści utrzymanych w klimacie takich gatunków jak ambient, noise czy muzyka filmowa.

Anegonia ( Echoes of the Forgotten Self) to singiel z nadchodzacej EPki. Utwór jest ostatnim elementem opowieści, gdzie słuchacz nie otrzyma odpowiedzi, nie znajdzie katharsis.
Zamiast tego – poczuje chłód. Rozluźnienie. Lekką grozę. Może niepokój, który nie ma źródła.
Może też coś więcej: ulgę w tym, że nie wszystko trzeba rozumieć.

"Psýchodripsis" is a conceptual ambient project exploring the idea of escaping one’s own self.
The upcoming album is a collection of soundscapes influenced by ambient, noise, and cinematic music.

"Anegonia (Echoes of the Forgotten Self)" is the closing track of the upcoming EP.
It offers no answers and no catharsis — only a sense of coldness, release, subtle dread, and unease without a clear source.
It may also bring something else: the relief that not everything has to be understood.

Anegonia (Echoes of the Forgotten Self)

Suffocation (Dreamy + Extra Slowed) - Crystal Castles

Tropic Of Cancer - I Woke Up And The Storm Was Over

Pre-order the 12"/DL here: www.erasedtapes.com/store/index/ERATP082

'Transition', the collaborative release of Immix Ensemble and Vessel focuses on the theme of technology. Musical instruments are a somewhat technological anomaly in that they are rarely updated after their conception, often only receiving minor tweaks over the course of hundreds of years. As such, each instrument provides us with a snapshot of the cutting edge technologies of a particular time and place – in this sense, the instrumentation used by Immix provides us with snapshots of technologies that can be traced back as far as 1500BC. 

Taking these snapshots as a starting point, each movement in 'Transition' features one or two instruments, and, thematically, explores a significant invention or discovery that took place at around the same time as the invention and development of these instruments. Collaborating with Vessel updates this technological chronology by including the tools of the digital age.

Immix is lead by Australian-born composer and sax player Daniel Thorne. The now Liverpool-based artist has a genuine passion for exploring and creating music in a diverse range of forms; composed and improvised, acoustic and electronic, and the various shades in-between. Founded in 2014, the idea behind Immix has been to galvanise the innovative musical voices from across the country.

With the addition of Vessel, the moniker of Bristolian electronic composer Sebastian Gainsborough, Immix found a valuable first partner in exploring forward-thinking composition that slips between the cracks of traditional and contemporary styles. A stalwart of the UK experimental electronica community, Vessel's solo work has received critical acclaim for it’s post-industrial, visceral tone, using a sonic palette derived from the creation of home-made instruments, aiding in the creation of his signature nonreplicable sound.

As the first in this series, March 18, 2016 will see the release of 'Transition' on 12" vinyl and download, followed by a string of live performances by the collaborators. Future episodes will bring further collaborations by Daniel Thorne’s ensemble with other forward-thinking artists and ensure Immix continues to evolve and expand.

TRACK LISTING:  	

A1. What Hath God Wrought?
A2. De Revolutionibus
B1. Scope
B2. Battle Cry

ABOUT THE ARTWORK:  

The artwork was created by Liverpool-based visual artist Sam Wiehl and includes images taken from the Immix Ensemble & Vessel live AV show.

WEBSITES: 

www.immixensemble.co.uk · www.twitter.com/immix_ens · www.erasedtapes.com

Immix Ensemble & Vessel - Scope

Commissioned by the Northwest Film Forum in Seattle as part of their Puget Soundtrack series, Madeleine composed and performed a soundtrack to Hitchcock's classic film, The Birds.  

Bodega Bay

We haven't done one of these mixes for a long old time!

A collection of tracks forthcoming on the record label and a few personal favs from the past 12 months.

Headphones advisable...

Enjoy 


Off-Key Sessions: Home

Order their self-titled album: 
http://felte.bandcamp.com/ 
ROW: https://itunes.apple.com/us/album/eraas/id558375869 
UK/IE: https://itunes.apple.com/gb/album/eraas/id559814816
http://www.insound.com/ERAAS-LP-ERAAS/P/INS111422/ 
http://www.insound.com/ERAAS-CD-ERAAS/P/INS111423/

TOUR DATES
02.25 Detroit @ The Magic Stick*
02.26 Chicago @  Lincoln Hall*                          	
02.27 Minneapolis @ 7th Street Entry*                       
02.28 Winnipeg, ON @ WECC*                          
03.01 Saskatoon, SK @ Amigos*                 
03.02 Calgary, AB @ Hi-Fi*        
03.04 Edmonton, AB @ Pawn Shop*         
03.06 Kelowna  @ TBA / $150 (direct)                                                                            
03.07 Vancouver, BC @ Venue*                     
03.08 Victoria, BC  @ Sugar*                          
03.10 Seattle, WA @ Barboza*                                	                                                       
03.11 Boise, ID @ The Shredder*      
03.12 Salt Lake City, UT @ Urban Lounge*     
03.13 Denver @ Larimer Lounge*                  	                                                       
03.15 Lawrence, KS @ Jackpot*     
03.16 St Louis, MO @ Off Broadway*                  	                                                                     
03.19 Pittsburgh @ Brillobox*                                                      	                                                       
03.22 Montreal, QB @ SAT*				                                                                                    	

*w/ Trust (Arts & Crafts)

More about ERAAS 
ERAAS 
https://twitter.com/#!/eraasgroup 
http://www.facebook.com/eraasgroup

More about felte 
http://www.feltesounds.com/ 
felte 
http://www.facebook.com/feltesounds 
https://twitter.com/#!/feltesounds

Released by: felte 
Release/catalogue number: felte-002 
Release date: Oct 2, 2012

Buy Album Now

ERAAS - At Heart (The KVB Remix)

ERAAS remixing Black Marble's track "A Great Design"

Black Marble - A Great Design (ERAAS Sunken Remains Remix)

Signals is an absolutely beautiful new collaborative effort between the much beloved Finnish electronic artist Lau Nau, and the brilliant Swedish composer and pianist Matti Bye. These 8 gently melancholic and deeply sensitive tracks are a perfect antidote to the stressful times that we all find ourselves in. Let these soothing sounds from the light filled days and nights of the far north soften your cares during these all too dark days.

Matti Bye & Lau Nau

Lau Nau & Matti Bye  "Signals"... Cloud Circles

I am a graphic designer & illustrator currently based in Vilnius, Lithuania.

Tropic Of Cancer - I Woke Up And The Storm Was Over

JOc

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