Extended version of Paper Trails, Nicolas Jaar & Dave Harrington

Brought to you by http://musiquedabeille.tumblr.com/

Darkside - Paper Trails (RA Sessions)

CHANNEL

Lost My Jacket

Following on from 2008’s critically acclaimed Stop, Space, Return, Crazy P return for their fifth studio album When We On, released September 27th through Smoke N´Mirrors (North America).

Alongside the wealth of brilliant remixes they have served up recently, When We On shows how far Crazy P have come since 2008. Whether it’s the anthemic ‘Beatbox’, with its freeform acapella work, grinding Prince—style guitar and haunting strings, the reflective ‘Eruption’, driven on by a rave piano figure and lead singer Danielle Moore’s plaintive cry of “Let me be the one you run to” or, at the other end of the scale, the Detroit techno-esque ‘Sonar’, with its increasingly frenetic payoff, this is an album packed full of potential singles. They might be crazy, but they sure know where the tunes are located.

“With Stop Space Return we wrote the majority of that as a band,” explains Jim Baron. “For this, we decided to strip it back to me and Toddy (Chris Todd. Guitar/Keys) writing with Danielle. We gave Danielle the Loop Station and she’s really taken to it. You can layer vocals, you can hear harmonies immediately, so she can jam along with us now. It shaped a lot of the vocal sound for the album. There’s a tune called ‘We Can Only Be Who Are’ which has big vocal layering, and there’s a lot of that. It’s probably a bit more… grown-up.” 

Chris expands on the theme: “We had quite a big year last year for lots of different reasons and we had difficulties too and I think a lot of the writing came out of that. It’s a little bit more reflective and thoughtful than previous albums.” 

For Danielle, it’s been a revelation in the way they work. “It was back to basics,” she says. “I’d have a go on the keyboards using two fingers or I’d have a go on the drum machine. It was like being at school or in a huge sandpit where you’ve been given loads of buckets to muck about with. We had a loop station as well which I’ve always been nervous of and this time it was like right let me have a go of this and it allowed me to record my vocals.”

For Danielle, the album narrative is the camaraderie between its protagonists. “Their friendship came through in creating this album. The way we worked created a lot of intimacy between us and a definite warmth to the album.” 

Despite the suggestions of melancholy from the band, and they certainly know how to emote when the moment’s right, they haven’t forgotten how to party. “We’re open for service, we’re open for love,” sings Danielle. Crazy, but true. 

Crazy P - Wecanonlybewhoweare

Hot Chip - Started Right (SOSA OH DISCO EDIT)

Just A Bitter Love- The Dead Rose Music Company

Spotify

Put on your dancing shoes!

@strassenmajor (https://www.facebook.com/Strassenmajor/)

Free Download

Split Decision Band ‎– Watchin' Out(Herr Vogel & Strassenmajor Disco Edit)

There has been a musical changing of the guard in Vienna the last years. Over due too some would say. Out with old crusty chilled downtempo and elevator music and most definitely in with new exciting and innovative electronica, be it Hip Hop or House or Techno. Much of this has been because of the new breed of club and party people who have taken risks and brought over from overseas very cool underrated and forward thinking producers and DJ’s to play at their parties. This has influenced a new generation of likeminded musical factions and cliques in Vienna who are now producing passionate and quality beats too. One such label is Luv Shack Records and apart from organising some of the cities best parties, they now see fit to express themselves through the medium of vinyl and digital downloads with a roster of local talent.

LeSale opens things up on the EP with “Make me feel so good”. Strong Disco overtones that hark back to the days of the Garage and the Loft. Disco in its purest and most sensible form was always just about a groove, and this has a groove. Minimal piano and vocal loops take nothing away from this gorgeous groove either.
Burnin Tears continue the Nu-Disco theme with “Confessions”. A punchy almost reggae trance with the big claps and a massive gospel shout out that really do light up this energy laden track. Vienna is definitely in the house though with some tight echo and reverb filling the holes.
On the flip, we get more sophisticated and deeper with Jakobin &amp; Domino, two very exciting producers that have had some nice sounds recently on Easy Moods out of Graz. These guys always add plenty of atmosphere to their music and “Night Glow” just oozes the savoir-faire with some soft acid and a little late night Detroit.
Last but not least, Lee Stevens &amp; The Beautiful People drop one of those mid tempo monsters that never feel out of place these days. Dropping the odd cowbell and with short and thick basslines that really do stick, this ends up being a really tight channel and groove.


Tracklisting:

A1. LeSale – Make Me Feel So Good
A2. Burnin Tears – Confessions
B1. Jakobin &amp; Domino - Night Glow
B2. Lee Stevens &amp; The Beautiful People – Ridin’ High

All tracks mastered by Patrick Pulsinger at Feedback Studio Vienna
Mastercut by Rashad Becker at Dubplate &amp; Mastering Berlin 

LUV001 at Discogs: http://www.discogs.com/Various-LUV001/release/3363496

Lee Stevens & The Beautifull People - Ridin High | LUV001

A collaborative project between Rub'n'Tug's Thomas Bullock (who also
records as Bobby Marie and Map of Africa for WWW) and Eddie Ruscha (who
spent time in Medicine, Maids of Gravity and Future Pigeon). "The Rose"
is simply one of the most splendid tracks of the summer. Opening with a
mélange of bells and infinitely sustained piano chords that might be
out of a Pharaoh Sanders early '70s jazz effort, and adding on a guitar
lick that percolates like Mr. Coffee, it only takes off from there.
Once Ruscha's voice comes in talking about "electric shadow, a full
moon in my bed," the song elevates somewhere between spiritual jazz, a
bananas disco dance floor cut and the Alan Parsons Project. The piano
stutters, the bass slides down and then the whole thing bursts forth
anew with ping-ponging squelches and other sorts of analog orgasmic
madness,making for one of the most satisfying 12-inches of the year.

The Laughing Light of Plenty - The Rose

Don't Turn It Off - 40 Thieves

I'm proud to showcase my interpretation of "Riders On The Storm" by one of the biggest rock'n role bands of all time "The Doors" almighty to today's Dance Music. Having on board Kiko Navarro from Spain, Socio Robots from Dubai and RedDub from Tehran with their massive remixes... Enjoy the ride  

Rassek- Riders On The Storm (RedDub Remix)

Dusty Springfield - Spooky (Bak & Lindemann Bootleg)

Ogris Debris with their take on a live interpretation of See Line Woman, performed by Nina Simone at Fabrik in Hamburg 1988

http://www.facebook.com/ogrisdebris

here's the new video for it: http://www.youtube.com/watch?v=iU4URfqxL0U

NEW: buy it here: http://www.beatport.com/release/birds-and-orgies-ep/1122324

Beatport

Ogris Debris vs Nina Simone - See Line Woman

Boiler Room Berlin 024/ dOP, Waze & Odyssey, Tyree Cooper & Kyodai.

[Broadcasted 10th April 2013]

Tracklist & video at boilerroom.tv

Don't Turn It Off - 40 Thieves

Mr.Millares

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