various types

The Future Sound Of London - live via ISDN on Groove Radio 103.1 FM Los Angeles Jan. 22-23 1997 - taped from the radio broadcast by me.

FSOL (The Future Sound Of London) - live on Groove Radio Jan. 22 1997

FSOL  - ISDN LIVE Transmission -  BBC RADIO 3 Mixing It - 25th March 1997

Written & Produced by: Todd Terry
Recorded at D&D Studios NYC by: Kieran Walsh
Guitar: Marlon Graves
Vocals: Margaret Conway
1996 Freeze Records
2011 InHouse Records
NY Style Music (BMI)

Jazz Anthem

Made this with Rob Noble as a official remix but the label dropped it cause it was too hard?! Tell me what do you think?

Hablando - Ramirez - Mr. Smiths & Rob Noble Bootleg

BAIHUI River

@sunjuhargun is based in Thailand and has been bringing all new energy to the Asian scene for more than 20 years. He has Indian heritage and Japanese roots which inform his mystic sound and the music he releases via the the label he co-founded, Siamese Twins Records. As he proved when he played our festival back in summer, he transcends musical and cultural borders to bring everything from, warm and percussive tribal grooves to more psychedelic sounds, acid textures and mind altering techno.

Sunju explains his approach to this week's mix. "I wanted to capture a special memory using records picked up during my trips between Amsterdam and Japan over the past few years. The result is a selection that blends the past, present, and future. As with every mix, I approach things naturally, with spontaneity. Live recordings have a unique energy that you can only feel in person, but sometimes that feeling can get lost when making a mix at home. This here is 60 mins of a raw, spontaneous reflection of friends in my living room, just hitting record and going for it. No filter, no perfection—just creativity with a limited selection.”

Dekmantel Podcast

Tracklist

Dekmantel Podcast 482 - Sunju Hargun

We start the new year with two fold mix of dance tracks!

Day and night, everyday and every night..

C.K at Ring, Horst Arts & Music 2025

Acid Mental Sentimental #16 (I am a computer)

RA.1000 launches with Theo Parrish, live at fabric: a vanishingly rare club mix from the king of deep crates and impossible transitions.

There are DJ sets and then there are Theo sets. No matter how many times you've caught him in action, every time still feels like the first. Running hot, levels smoking, isolator working over time. You think you know dance music? Think again.

Parrish's long-awaited debut on the RA Podcast is a milestone for the series, one we've sought for over 15 years. So it was only right that Theo led off our 1000th celebrations, the first of ten mixes this week. Recorded live at fabric last December as part of RA's collaborative party with the London club for their 25th anniversary, this three-hour segment documents the crescendo of his eight-hour marathon. 

The Detroit legend doesn't release mixes often, and when he does, they're usually studio recordings: think NTS shows, his 100% Detroit edition of DJ-Kicks or classic tapes Body (1997) and Methods of Movement (2020). A capture of the Sound Signature boss on the dancefloor is hard to come back. On RA.1000, you'll hear Theo in his element.

Sure, there's galvanising build-ups and crowd-pleasers, but laced throughout a Parrish beatdown are rarities designed to shock the system. In a business dominated by image-driven marketing, the vinyl master towers above thanks to a relentless hunger for lustrous melodies, moods and textures of all stripes, which he and he alone can fold into an inspiring and exhilarating joyride.

On RA.1000, blissful reggae precedes new wave disco; '80s R&B morphs into synthy techno; bleepy Chicago jack makes way for a poignant vocal ballad. Theo, once again, proves that anything and everything is possible with the right records.

@theoparrish @fabric @soundsignaturedetroit @crownruler

Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Theo Parrish

Acid Mental Sentimental #18 - Weird Fields Forever

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. Full send — this one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes, chronicling a moment when the resting heart rate of dance floors plunged lower than potentially any comparable point in the 21st century. A masterclass, and entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like a racecar.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. We sought to render an accurate picture of DJ culture in 2025 for the longhaul.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

Originally labeled as KISS FM Transmission 1, this recording doesn't match the track list and is about 6 minutes longer than this: http://www.secondthought.co.uk/fsol/261292.htm 

Any help identifying this show would be appreciated.

FSOL - ISDN LIVE Transmission - BBC RADIO 3 Mixing It - 25th March 1997

mshqn

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