precise, clear, resonating

Taken from the album 'Ett' released as LP and Download

Klara Lewis 'Shine' (eMEGO 190)

upsammy - Germs in a Population of Buildings
Label: PAN
Cat.No.: PAN 132
Release Date: 05 May 2023
Purchase: pan.lnk.to/GerminaPopulationofBuildings

On her sophomore album "Germ in a Population of Buildings”, upsammy moves through her surroundings with the curiosity of a place-bending landscape architect. The album is rooted in her interest for ambiguous environments in constant shift, and the feeling of discovering strange patterns in different ecosystems. Often, the Amsterdam-based artist finds herself zooming in and out beyond a place's most recognizable surface features to inhabit the microscopic and gigantic. Gathering field recordings and evocative environmental sounds, she shapes this source material into vibrating electro-acoustic rhythms and unstable, psychedelic textures.

upsammy's debut album, 2020's critically-acclaimed "Zoom", was praised for its careful reimagining of IDM, evolving vignettes that nodded towards the dancefloor without being shackled to its rigid set of rules. On "Germ in a Population of Buildings" her process has evolved considerably; the skeletal trace of IDM is still present but it's been trapped in amber, allowing her unique sonic landscape to develop organically. 'Being is a Stone' is a proof of concept in many ways, layering upsammy's contorted voice in rickety patterns beneath a lattice of fragile rhythms and faintly melancholy synths. It's never immediately obvious where the sounds are coming from - a hiccuping beat might be glass cracking underfoot, and larger pulses could be wet concrete, rusted iron or bent plastic. As the sounds develop they morph into each other, demolishing what came before and building on top of the ornamental wreckage.

On the dynamic 'Constructing', upsammy's sound design fluxes through hyperactive bass music structures, abstracting expectations at every turn. Often her sounds are whisper quiet, rattling and vibrating until heavier masonry drops and disrupts the structure. And when discernible rhythms subside into the background, like on the album's eerie title track, they become almost illusory, morphing between the real world and the electronic. upsammy's processed voice works like a bridge between these realms, snaking between stark, whimsical melodies on 'Patterning', arching from AutoTuned detachment into cooing, dreamy intimacy. By considering the harmonies between each location she's visited, upsammy has been able to build a unique topology that's an uncanny digital amalgam of her lived experience. It's a thoughtful alternative in an era more concerned with flatting the landscape than crumpling it and examining its peaks and troughs.

Mastered by Rashad Becker
Mixed by James Ginzburg
Artwork by Jonathan Castro Alejos and Tharim Cornelisse

Germ in a Population of Buildings

upsammy - Patterning (PAN 132)

upsammy - Green Lung (PAN 132)

upsammy - Constructing (PAN 132)

Pre-order: https://maloca.bandcamp.com/album/siiix-vol-1

Brussels-based label @malocarecords presents 'SIIIX, Vol.1', a compilation-turned-collaborative EP showcasing a dialogue between HIIIT (fka percussion ensemble Slagwerk Den Haag) and six producers - shimmering between footwork, IDM, UK bass and ambient.

The final result is six wildly different sonic outcomes, from the high-energy workouts of @upsammy’s ‘Embrytone’ to Julian Satorius’s warped rhythms in ‘Klutsel-Klötzli’.

More exclusive music

Premiere: upsammy 'Embrytone'

I’ve made a track and AGENDA⋮ has made a song out of it.

“Paradigms” out in 3 versions.

Ikävä Pii - Paradigms -++
Ikävä Pii - Paradigms --
AGENDA⋮ - Paradigms +-

A fancy press release text here. A big concept. The usual tags, buzzwords, adjectives. Post-facto meaning, retroactive motives. Tropes for easy consumption, categories for easy detection. Some big DJ played it out! It's forward-thinking - yet the usual.
Or, left turns, fuckups, new experiments, old loves.
Lyrics, words, good ideas, desires, tea, fears, memes, questions, wrong answers, bad ideas.
No interesting sound was ever made by playing it safe.
Have fun you coward :)

҉p҉҉a҉҉r҉҉a҉҉d҉҉i҉҉g҉҉m҉҉s҉ ҉l҉҉o҉҉r҉҉e҉҉c҉҉o҉҉r҉҉e҉ ҉d҉҉e҉҉e҉҉p҉҉f҉҉a҉҉k҉҉e҉҉s҉ ҉s҉҉t҉҉e҉҉r҉҉e҉҉o҉҉t҉҉y҉҉p҉҉e҉҉s҉ ҉c҉҉l҉҉i҉҉c҉҉h҉҉e҉҉s҉ ҉c҉҉o҉҉s҉҉p҉҉l҉҉a҉҉y҉҉s҉ ҉d҉҉r҉҉a҉҉w҉ ҉t҉҉h҉҉e҉ ҉l҉҉i҉҉n҉҉e҉ ҉f҉҉u҉҉c҉҉k҉ ҉u҉҉p҉ ҉b҉҉u҉҉t҉ ҉w҉҉i҉҉t҉҉h҉ ҉g҉҉r҉҉a҉҉c҉҉e҉

Ikävä Pii - Paradigms --

@stacksofvoices

Stacks ‘Want’ album out May 15th 2024

Music and lyrics by Jan Matthé & Sis Matthé
Written and recorded in St. Lauri, Antwerp
Mixed by Stacks and Yves De Mey
Mastered by Wouter Brandenburg in Amsterdam
All rights reserved ℗ + ©️ Knekelhuis 2024

Want

Stacks - I Want You

Bruce & Eris FM - The Fool In Reverse

40o6

DJ DIE SOON is the apocalyptic alter-ego Daisuke Imamura, whose performances of masked malice have been a fixture in the Berlin underground for the past decade. His latest record My Brothel The Wind takes inspiration from Sun Ra at his most grotesque, conjuring a distorted phantasmagoria with an eclectic crew of compatriots like Rully Shabara, Sara Persico, and longtime collaborator Kiki Hitomi. Film director Hiroo Tanaka’s visual contributions in the album art, poster, and music video complete the album’s narrative, telling a story not of villainy but of phantom caprice in a dying world.

My Brothel The Wind shows DJ DIE SOON as an alchemist of distortion, transmuting the club-forward beats of his 2020 debut Kappa Slap and the seething horrorscapes of DIEMAJIN, his 2022 collaboration with Tokyo vocalist MA. Imamura’s obsession with noise stems from his upbringing in Tokyo, where he grew up hearing the deafening roar of trains every day. “The buildings were really tall, so the sounds reflected so much and it was so loud that you couldn’t even have a conversation on the phone. Hearing this noise every minute when living in this flat, it became a normal thing,” he says. While most would content themselves with avoiding loudness, DJ DIE SOON seeks to unpack its visceral potential.

DJ DIE SOON’s subterranean productions form a monstrous gestalt with the eclectic contributions of his network of co-conspirators. “Unfinished” and “Directions” are pulsating chimeras that highlight animalistic vocalizations from Hitomi and Shabara; Italian MC Franco Franco’s verses snake underneath the noisy onslaught. The tectonic textures of “Dandelion Crackers” are courtesy of multi-instrumentalist Laure Boer’s handmade stone synth. Sara Persico’s mangled vocables hang as fleshy reminders of human fragility on “SAQ4IME”; in the Hiroo Tanaka-directed music video, the track’s sonic uncanniness is made cinematic, with an ambient dread that references Hiroshi Teshigahara’s 1964 psychological thriller Woman in the Dunes.

While Sun Ra’s intergalactic Moog reached for the stars, DJ DIE SOON plunges into the depths of hell. “Everybody, Shake Your Body, We Chill At Party” feels like the sonic equivalent of a wax museum burning to the ground, rigid smiles melting into the fire. Rather than a vision of the future, My Brothel The Wind is a laugh-cry of despair in the face of a Hadean present. DJ DIE SOON confronts the world with a new hand-made mask, reborn in the ashes.

Mixed by Rabih Beaini at Morphine Raum Studio, Berlin (except B2, B3)
Mastered by Rashad Becker at Clunk Studio, Berlin

Cover photography by Hiroo Tanaka/DOGGYTASTES
Photography assistant Joana Schurr
Font by Daisuke Imamura

For Tina,Miyu,Kaito

© + ℗ Drowned By Locals 2025 
DBL36LP

My Brothel The Wind

DJ DIE SOON - Botu

Andrea Burns (@andrea_andreaaa)
https://www.instagram.com/lose____my/
https://andreaandrea.bandcamp.com/
https://plasterfe.bandcamp.com/album/corolla-blues

unreleased - trussie, andrea burns, shai.fm
insecta - archypness
dark age - gent1e $oul
unreleased - trussie x andrea burns
pleating (hemmed mix) - sobolik
when you hold me - version - Horse Power Productions
rockers - yosh
unreleased - Trussie, Andrea Burns
denial - chewlie
gassin - commodo vs lurka
limbo - axle
update - sobolik
Led Ashtray - talker
Zoom (Spud's 80bpm Dumper) - Leikeli47

breathediveswim8 with Andrea Burns

Mert Seger - Empire des Pulsions LP 
PLAQUE - 21.04.2025
Tape & Digital release.

https://plaquebristol.bandcamp.com/album/empire-des-pulsions

'She who loves silence’. 

"Founder of KUMP and Meth.O tapes, Lyon’s Marc-Etienne Guibert (AKA Gil.Barte) awakens his new Mert Seger moniker for a shadowy Plaque excursion. Nine slow burners strike from the murk with venomous precision."

All tracks written and produced by Marc-Étienne Guibert 
Mastered by Austin Shepherd 
Artwork by Hamish Trevis (Kin40k)

Mert Seger - Parade - Plaque (Bristol)

co:clear is overjoyed to welcome Jonnnah to its fold, with a new long-form 12” edition. Featuring Pavel Milyakov (aka Buttechno) right off the bat, ‘Me, With You’ is an album that grips its listener tight with gleaming electronica, off-kilter trip-hop and swampy bass.

With past offerings to Soleil Rouge and Second End Records – a label which he heads – there's a thread that laces all of Jonnnah’s work. Although never sticking to a definable bracket, the Lyon-dweller effortlessly floats through various tempers, peddling impeccable electronics as equally suited to colossal sound systems, as they are to solitary early morning walks in headphones. It's ambient for the foreground that surprises with flurries of two-step and amen breaks – present-day sonics that doff their cap to what’s come before.

Deadlink

a darkwave mood from dark to light. Slowly builds to power section with Genesis "DUKE era" style keys and Vangelis lush luxury pads to a thrilling euphoric climax.

نوم الغرباء (ft ZULI)

MSYLMA مسيلمة

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