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Glucidoid

A series of bleak, blustery scenes make up Nazanin Noori’s Farce. Noori, who also works as a theater director, conjures glacial storms and buzzing subterranean server farms on this album; but such scenes were far from the artist’s guiding narrative as it was being produced. The two tracks, clocking in at 80 minutes total, were envisioned as an enraged argument (or a "modular heartbreak") unfolding between two groups of people about a pothole in the road, told from the perspective of the road, and then the pothole.

This surreal, mundane plot device is nowhere to be found on Farce in any concrete way. And this is intentional. Noori, inspired by Artaud's concept of the theatre of cruelty, wants listeners to develop their own sensorial world separate from the musician's. When not darkly ambient, the tracks are full of drama and whimsy, as if a spotlight is following a character along a wayward path, into the hands of fate. The emotional hooks in the sound include a sense of desperate desolation, optimistic reprieve, and of course, the sense that ritual repetition is both a curse and a blessing—but they resist obvious imagery. Exactly what kinds of characters or settings get hung on the album's scaffolding is up to the audience. Listening with a hi-fi sound-system is highly recommended.

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Nazanin Noori is an Iranian artist living and working in Berlin, Germany. Her work includes theater and radio play direction, music, and text. She focuses on atmospheric narratives in sound, and works to overcome cultural reliance on sentiment by making dramatic adaptations of non-dramatic texts. She studied theater, film and media sciences at Goethe University in Frankfurt and worked at Deutsches Theater and Schauspiel Hannover. She currently selects Acid Folk for POMP, a sound scenario series on Retreat Radio, and is an artist-in-residence at the Young Academy of the Arts in Berlin.

released August 25, 2020

mastering :: Martijn Comes

all proceeds to Afrorack (Chicago, IL, USA) - www.afrorack.org

FARCE

Nazanin Noori - IMAGINE ALL THAT FALL IN A POTHOLE ON A BEAUTIFUL DAY (ENMX09)

OTR (OFF THE RECORD)
@dahealyouth
@scumfuck
@crash-id-1

1. Martin Rev - I made you cry
2. Natalia Marien - Vntilador
3. Untitled 4
4. Root - Výslech (Torture)
5. Gusano - Head
6. Mightiest - The enfold shadows of mighty gates
7. Dishit - Vas a morir
8. Marceas - Daireauxxx
9. Philippe Laurent - Distorsion
10. SPK - Genetik transmission
11. Merzbow - Track 8
12. Chris Mitchell - Unknown track
13. Leo Anibaldi - Ritmicida
14. Todesreich - The darkest descent to inner prisons
15. Scumfuck & Crash ID - Unknown track
16. Japanese Telekom - Cigarette lighter
17. Military Position - Babes ov babylon
18. Bigod 20 - Acid to body
19. Loquero - Lados 2
20. Geneva Jacuzzi - Do I sad?
21. I-F - P2
22. Armour Group - Purge
23. Liquid G. - The power of

17/8/2020

cada dos Lunes una nueva edición

OTR #5

https://a.currents.fm/post/4v9QkF54ThpBGF594By0

Radical Reworks

Bandcamp

Brainscan, Ochi - Chester Mills

You can buy this track at
https://cstcscstcs.bandcamp.com/track/going-back-to-plant/

@xx_ochi_xx

People Mover

Buy tracks

OCHI - Going back to plant

Deconstructed_art_club - Little Trolls

You can buy this track at
https://cstcscstcs.bandcamp.com/track/boldo-beats/

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paltamango - boldo.beats

isolation beats
bass station2, minilog, sh101 and some breakz

Poitiv2

Emma Grace(https://soundcloud.com/emmaline-ginger-1), born in Assisi, 1994 is an American-Italian musician. She started studying cello at the age of 8, then continues studying violin for three years until she decides to proceed on her own independent way.  She lived in Paris and continued her music research in Venice with different projects and various artists and genres, involving music therapy studies. She attends Violin and Electronic Music at Conservatory, giving in to new creative experiences and collaborations, but the school structure it’s too tight to integrate all the rest of the projects, so she continues otherwise. At the age of 22, her first album "Backgrounds" is out, giving birth to her new chapter of raw compositions combining violin and vocals with the simple objective of being true to what she can give. On February 2020 she releases her latest work, Wild Fruits and Red Cheeks. She continues independently, searching for new material, and performing arts involving creativity and community. Now she is based in Nido, a place away from modern cities, an open house, in the middle of Italy, always chanting, always working on new stuff.

What was a crucial sonic experience in your life?

Listening to marbles. I must have been 6-7 years old. I remember I use to keep them in a jar inside the living room's wardrobe and I was going there to listen to them every once and a while, in some occasions, very often, as if it was the highest pleasure of the day. That sound of marbles hitting each other is the first sound where I actually felt almost a sexual pleasure just by listening. Sound as an isolated pleasure, separated from memories, from genres, from ideas and expectations. To stand still, and to listen. And i still love that marbles sound.

Link 
emmagraceofficial.bandcamp.com/
open.spotify.com/artist/3QEPnEDjS…J1T_ig4UdfvFeYMQ
www.instagram.com/ewmagrace/
www.facebook.com/emmagraceartist/
ewmagrace.tumblr.com/
soundcloud.com/emmaline-ginger-1/

Soundlist
Humming at a coffee machine— (00:00)
Acoustic family tree—
Venice walks—
Wooden lullabies—
Archive 1996, cassette of me at two years old—
Unknown piano session, Chiny, France 2015—
Sailor’s View—
Acoustic Family tree continues—
“Animated” raw slow take—
The Submarine Choir / interferenze corali (part1)—
Unknown piano session, Venice 2019— (15:40)
Climax 1— (17:20)
Rickshaw beat and Tibetan bells
Ahmednagar Streets
U. p. s., Chiny, France 2015—
Kindergarden—
U. p. s., Venice 2019—
“On top of out words” + harmonics— (24:40)
Climax 2— (25:20)
Violon Cave avec Léo, Paris 2016—
Harmonics + “On top of our words”—
Marbles—
Archive 1996, cassette of me at two years old—
Wooden lullabies 2—
The Submarine Choir / interferenze corali (part 2) — (34:00)
Latin Saint Marc’s Square
Climax 3 — (37:40)
Unknown guitar session —-
U.p.s. (unknown piano session) Venice 2018—
U.g.s. (unknown guitar session) Umbria 2019—
U.p.s. Chiny 2015—
The Submarine Choir / interferenze corali (part 3)
Vocal Memos Berlin 2018—
Shells — (45:15)
U.g.s. Venice 2017—
Vocal Memos, Venice 2016 —-
Rain + Harmonic- Climax4 (48:20)

MNEMOSYNE #009 - EMMA GRACE

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OCHI - Going back to plant

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