Love how the drum and backing track weave together :)

This track is an asynchronous collaboration with @torstengoerke in the Disquiet Junto Project (details see below): Torsten Goerke published the wonderful guitar track https://soundcloud.com/torstengoerke/jolanaparticleverb-disquiet0636, and now I improvised on the Hohner Organetta to his beautiful chords.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Printemps Fleuri [with Torsten Goerke] (Disquiet0637)

Built upon 33per's "(Rock the) Firebells" piece: https://soundcloud.com/33per/firebells

This instrument made of fireballs immediately made me think of the two organ pipes I have in my studio. I took them outside and played them with a shop vac. A bit noisy, but there it is.

Added two elements to 33per's track, both are made from samples of the lowest organ pipe. Left lots of empty space.

As the original track is stereo and makes use of that, my mix is also stereo with my parts layered on. I have a version with hard panning if you prefer.

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More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Firebells And Pipes - Stereo - disquiet0637

It’s been a rough and exhausting week, so the soothing guitar chords from Torsten Goerke (https://soundcloud.com/torstengoerke) instantly hit my sweet spot (Gruß nach Dresden!).

I extracted the MIDI notes via Ableton, added a granular reverb to it, and played a bit with the pitches. As the guitar line was a bit short, I doubled the part. Also, I added a shortwave radio segment to it.

***
Disquiet Junto Project 0637: Right (2 of 3)
The Assignment: Record the second third of an eventual trio.

While this is the second part of a three-part project, you can participate in one, two, or all three of the parts, which will occur over the course of three consecutive weeks, starting last week. 

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0636). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Important: Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from (47 as of last count). 

To select a track, you can listen through all those and choose one, or simply look around and select, or you can come up with a random approach to sifting through them.

It is strongly encouraged that you look through the discussion thread for the previous project on the Lines forum because many tracks include additional contextual information there:
https://llllllll.co/t/disquiet-junto-project-0636-left-1-of-3/

Step 3: Record a short piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and leave room for an eventual third piece of music. When composing and recording your part, don’t alter the original piece of music at all, except to pan the original fully to the left if it hasn’t been panned left already. In your finished audio track, your new part should be panned fully to the right. 

To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track you selected in Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it will be used by someone else in a subsequent Junto project.

Step 5: You can contribute more than one track this week. In normal circumstances, Junto projects have a one-track-per-participant limit. You can do two this time. For the second, it’s appreciated if you try to work with a solo that no one else has used yet. I will keep an updated list in this Google Drive document of what has been utilized:

https://docs.google.com/spreadsheets/d/1kDorIMT9j_nQQPXACYpMPe4B86T2QD5Xvv98XAOS4UE/edit?pli=1#gid=0

The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. That, foremost, is the spirit of this project.

Length: The length is up to you. Stick close to the length of the track yours adds to.

Deadline: Monday, March 18, 2024, 11:59pm (that is: just before midnight) wherever you are.

About: https://disquiet.com/junto/

Newsletter: https://juntoletter.disquiet.com/

License: It’s required for this sequence of projects to set your track as downloadable and allowing for attributed remixing (i.e., an attribution Creative Commons license).

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Right Beside You (with Torsten Goehrke) [disquiet0637]

For the second third of what will become a trio, I improvised over the neat track: https://soundcloud.com/encym/neat_disorder_disquiet0636?si=b9ddc52764ed4a2aa016f867b517e4fc&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing by @encym

The right side was made with a meaty and glassy combo instrument using Pigments and Falcon. 
Following the approach of the original track on the left, I made a sparse arrangement, with plenty of air and spectrum for future collaborators.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

encym & undermulden - Picks & String 2 of 3 (disquiet0637)

In the second part of the three week @disquiet Junto Project, I took @triermusic's Ableton Live track of street musicians and added three Logic Pro X bass. I panned Nate's track halfway left and my basses to the middle of the right and kept the tempo of 81bpm.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Right 2of3 Disquiet0637- with Nate Trier

Added a second line of (acoustic) guitar to Marc Eisenschink’s track “Guitar/Left1Mono”, helped by Monome Norns RPLS.

Left track by @randomshuffle

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Disquiet0637 - Guitar Talk (with Marc Eisenschink)

I took SAMPLAIR's track (https://soundcloud.com/user-248104983/disquiet0636-85bpm-1?si=7f73fecc7db545d6bdaa4d34fcb41c38&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing) and played with long delays, granular and fft effects, against the original track.

The track is at 85bpm.
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More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

cavernous (disquiet0637)

For the recent disquiet junto challenge, in response to the beautiful track by @FakeGenious:https://soundcloud.com/fake-genius/disquiet0636-drma

2 of 3 - minor (disquiet0637)

For Disquiet Junto 0637: The Assignment: Record the second third of an eventual trio.
I added to Sinny Sound's "Lucky Link": https://soundcloud.com/sinnysounds2/lucky-link-disquiet0636?in=disquiet/sets/disquiet-junto-project-0636
I wanted to add some light harmony to underscore the melody. Converted the melody to midi harmony in Ableton. Made some light adjustments to midi notes here and there. Used the Schwarzonator 2.0 device to help add some additional chord notes. Chose some light key sounds from Kontakt 40's keys and Playbox. Also light bass from Lode, and melodic tabla. Tapped in the shaker parts. Panned hard right with orginal panned left. 

Enjoyed listening Sinny Sound's lovely melody while making this. I'll be humming it all week!

It was fun listening to everyone's "Left" tracks this week, I'm always in awe by this community's talent and creativity!

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Lucky Link Village (with Sinny Sounds) [disquiet0637]

RabMusicLab: Track on the left channel (Original title: Melancholic Euphoria)

Sinnysounds: Overdubs of harmonica, snare drum, and synth on the right channel

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Melancholic Twophoria [Collab with RabMusicLab] (disquiet0637)

I couldin't resist Alanza's Monosynth Study
https://soundcloud.com/aalanzaa/disquiet-0367-trio-initiate-monosynth-study

It was the first thing I tried, and I played this nice riff on my new Boppad drum controller.... But I worried I wasn't a good enough drummer yet to pull anything off other than that one riff, so I set it aside for a different trio-part-two.

Only I kept coming back to this to try out more.  So, after beating on the pad for three hours, and way too many takes (and a little bit of note fixing in Live)... here is this, turning Alanza's electric water arpeggios into a thumpy frenzy in an abandoned factory.

-=-
More on this 368th weekly Disquiet Junto project (Engage Duo / The Assignment: Record the second third of a trio, adding to a pre-existing track.) at:
https://disquiet.com/0368/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Monosynth And Drums Study (disquiet0368)

This is an account for various experiments and snipptes.
My main musical project, is Electric Kitchen. See the link:

Monosynth And Drums Study (disquiet0368)

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