Wow, so cinematic and an amazing soundscape!

Harmony of Celestial Giants

Lead vocals - Glenn Sevillo
Instruments & background vocals - Cavebar
Mastered - A7 Recording Studio

Lyrics:

Got time, weather is fine,
Strollin’ on the pier beside the waters that shine.
Head high, mind in the sky,
Thinkin’ ‘bout a someone who could maybe walk by.

Feel elation, palpitations, beaming straight up to the sun
A flirtation, imagination, making it feel like a love has begun.
Are you gonna, are you gonna gonna walk by? 
(are you gonna gonna walk on by?)
Are you gonna, are you gonna gonna walk by? 
(are you gonna gonna walk on by?)

Doo-doo’s

Inhalation, inebriation, someone just came into view.
Desperation, trepidation, will they walk by when they see that it’s you?
Are you gonna, are you gonna gonna walk by? 
(are you gonna gonna walk on by?)
Are you gonna, are you gonna gonna walk by? 
(are you gonna gonna walk on by?)

Stop time, something sublime,
Movin’ from this moment now would feel like a crime,
Walked by, was that a blush?
And did you just imagine that casual touch?

Feel elation, palpitations, beaming straight up to the sun
A flirtation, imagination, making it feel like a love has begun.
Are you gonna, are you gonna gonna walk by? 
(are you gonna gonna walk on by?)
Are you gonna, are you gonna gonna walk by? 
(are you gonna gonna walk on by?)
Are you gonna, are you gonna gonna walk by?  
(are you gonna gonna walk on by?)
Are you gonna, are you gonna gonna walk by? 
(are you gonna gonna walk on by?)

Doo-doo’s

Walk By (featuring Glenn Sevillo)

Part I of a serie about human emotions and states.

Photo by Ana Bregantin: https://www.pexels.com/photo/woman-face-emotion-alone-1930523/

124 - Klangmeer's Humanity Serie, Part I - Despair

Eruption

The April 2024 theme at Mix Challenge is "Scaffold" (https://mix-challenge.com/forum/viewtopic.php?t=727).
I picked two chordstructures (one in F maj [A], one in D# min [B], four bars each), set up a simple song scheme of A repetitions, then some from B, repeat. Within that scheme the chords are used repeatedly while adding or substracting instruments. The four-bar basics are never altered. All voices are made via MIDI, just the percussions are from loops. [Updated version.]

SWC080__APi_ZZ__Scaffold

ready to ramble...
ready to ramble...

all that we may sur-
all that we may surmise
it's already in our
it's already in our minds

every last sun-
every last sunrise
already in our
already in our eyes

shan
can't change the direction
well then bump your direction
shan
shan

[repeated]

Support Gom

Every Last Sunrise

'Song From The Silence' from the album 'A World That Turns Away' by Jeremias Langsämmer is a modern classical piece for piano and strings. Through delicate piano melodies and sweeping strings, the soundtrack invites listeners into a realm where contemporary and classical elements intertwine.

Still Warm The Blood by Jeremias Langsämmer. [Contemporary Classical | Soundtrack]

In the peaceful embrace of nature, where time moves slowly like the seasons, a melody emerges from the trees. It's a gentle harmony woven between the soft whispers of the flute and the cheerful chirping of birds.

Serenity

Lost in shadows (prod. groxo)

"Breaking Point" is a stirring orchestral composition that masterfully captures the journey from introspection to a powerful crescendo of emotions. The track begins with a somber piano solo, setting a reflective and melancholic tone. This piano introduction invites listeners into a personal, intimate space, where the delicate touch of the keys conveys a sense of vulnerability and contemplation.

As the piece progresses, a string section gradually weaves its way in, adding layers of complexity and depth. The strings swell with a growing intensity, echoing the building emotions that the title "Breaking Point" suggests. The interplay between the violin's mournful melodies and the deeper, resonant tones of the viola and cello enhances the track's emotional range, preparing the listener for the impending climax.

The culmination of the track is marked by the entrance of a full orchestral section, where the earlier motifs are expanded into a grand, all-encompassing sound. The orchestration here is rich and dynamic, featuring a blend of brass, woodwinds, and percussive elements that underscore the track's thematic intensity. This final section represents the breaking point itself—a moment of overwhelming force and release, where the music reaches its peak in both volume and emotional impact.

Ideal for dramatic film scenes, theatrical performances, or any project that requires a soundtrack capable of evoking deep emotional responses, "Breaking Point" is a compelling narrative of emotional transformation, expressed through the profound language of music.

Breaking Point

Space Messages

Based in Wales UK, Mark Stothard, known professionally as mu6ix, is a versatile composer who crafts bespoke music for TV shows, trailers, commercials, video games, and collaborations with local artists. 

With a decade of experience and a solid foundation in music theory and composition, Mark's portfolio showcases an impressive range of genres—from the sweeping grandeur of Cinematic Orchestral and Trailer Music to the cutting-edge sounds of Electronic, Pop, and Rock music. His ability to weave complex emotions into his compositions makes his music not just a background element but a driving force in storytelling, enhancing the narrative and connecting with audiences on a profound level. 

For inquiries about collaborations, commissions, or to simply connect, reach out to Mark at mu6ix.music@gmail.com

Breaking Point

mu6ix

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Marco Siri

SOUNDS OF THE WORD

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