instrument

At that time I met a stranger, her story was sad and her voice gentle.. She saw and heard what no one should.. She suffered a lot. I recorded lullaby for her to make our world quieter, less scary, cold nights warmer. Many times my music was written by empathy, maybe this one is an illusion of fear that we pass through. It seems to weep over the idea of utopia, happiness. Everything needs a little bit of silence .. Even music..

Music Video:
https://www.youtube.com/watch?v=nFbOqxTr5A0

YouTube (Audio Only):
https://www.youtube.com/watch?v=3sdUBxnJkb4

Sheet Notes
http://bit.ly/2o8cIil

Stranger

This set primarily contains samples from Agitato Grandiose Legato for Violins, Violas and Cellos - a set virtual music software instruments (VST) by www.8dio.com

Follow us on Facebook: www.facebook.com/8dio.productions
Follow us on Twitter: twitter.com/8dio 
Follow us on YouTube: www.youtube.com/user/8dioproductions

8Dio Agitato Grandiose Legato Bundle: "Forgive Me" by  Antongiulio Frulio

Dental School Application break.
Hope you enjoy my interpretation of Meiko's Leave the Lights on!

(secret piano tracks: https://soundcloud.com/dntst/sets/piano/s-icqK2 )

Here's the original Meiko song: 
Youtube: https://www.youtube.com/watch?v=7FxqBssNfSw
Soundcloud: https://soundcloud.com/concordmusicgroup/leave-the-lights-on?in=meikomusic/sets/the-bright-side

Here's my remix of it: https://soundcloud.com/dntst/leave-the-lightz-on-dntst


 I've always wanted to record some piano stuff and throw it out on the internet, but I don't have any audio recording equipment to record a live piano, so I've resorted to making random creations under this pseudonym: DNTST. I've got a MIDI connection and a reasonably sized piano keyboard and thought I'd try do a lil improvisation, hope ya like it! (****sorry if there's a bit of a timing error, it seems there is a slight latency problem between the MIDI-->Computer)

Leave The Lights On (DNTST Piano Interpretation)- Meiko

video <3

In One Piece

Otjánbird Pt. I

FULL OF SOUND AND FURY -  winner of the CLIO Key Arts Award.

On the studio with our home town orchestra for a new take on our fans favorite, with sugar strings and lot's of love.

- Recorded at The Magic Place studios.
- Composed by Elekfantz
- Performed by Camerata Florianópolis Orchestra
- Conducted by Jeferson Della Rocca
- Arranged by Alberto Heller
- Vocals and piano by Leo Piovezani
- Mixed by Daniel Kuhnen

Elekfantz - She Knows (Orchestral Mix)

Classic Music - pure morning

New track from Grandbrothers debut album 'Dilation'
Out Now.

Listen to the album on Spotify:
http://hyperurl.co/99jqvj

VINYL: http://hyperurl.co/0qni9n
CD: http://hyperurl.co/m3qg7y
MP3: http://hyperurl.co/jbznyb




Check the music video for 'Naive Rider'
youtube.com/watch?v=BNLm3vo0xHI

Listen to more from 'Dilation':
Wuppertal - http://bit.ly/1KSuWab
Ezra Was Right http://bit.ly/1fcVI2A

www.grandbrothersmusic.com
www.facebook.com/grandbrothers

Buy on iTunes

Grandbrothers - Naive Rider

"For my cover version I chose this track by Yeasayer. The original is a  beautifully sad yet upbeat breakup song, strident and bright with synth lines cascading around a heartfelt vocal. I wanted to make it sound far more broken and fragile, so I re-played it on the piano, pitched it down, then mangled it quite heavily so it came out sort of wobbly and knackered sounding. I wanted to leave it quite bare, just letting that amazing melody lead the way." - Jon Hopkins

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Jon Hopkins - I Remember

 ❤ FREE DOWNLOAD →http://j.mp/PB-Lusine_freedownload

° On vous attend le 24 février à L'Olympia... :)
réservations > http://j.mp/isaac-delusion_OLYMPIA

Pandora's Box : a remix by the great LUSINE (Ghostly International)
> http://ghostly.com/artists/lusine


Isaac Delusion LP - remixs

❤ ~ follow us 

Isaac Delusion — Pandora's Box (LUSINE remix)

Love Theme from Romeo and Juliet, composed by Nino Rota for Franco Zeffirelli's film in 1968. The song based on this theme is called "What Is A Youth" in the album.

Live video: http://youtu.be/4b4oFp7yYbM

This has been covered so many times, as an instrumental by Henry Mancini in 1969, and as a song called "A Time For Us" by numerous artists. Lana Del Rey also did a very nice cover with a different chorus called "Old Money" in her album "Ultraviolence".

The instrument is a Kawai VPC1 controlling a Nord Stage 2, using a Bösendorfer sampled grand piano with some delay effect, sampled mandola and orchestra strings.

Updated on Feb 26 with a better take.

Video

Nino Rota - Love Theme from Romeo and Juliet (A Time For Us) [piano + synth]

'Europa Hymn' is the first track off of ‘MG’ - Martin Gore's new 16-track electronic instrumental album - out now on Mute. #MGxMG

BUY MG:
Digital- http://po.st/MGiTunes

MG ONLINE: 
http://www.martingore.com
http://www.facebook.com/MartinGore

‘MG’ TRACKLISTING
Pinking
Swanning
Exalt
Elk
Brink
Europa Hymn
Creeper
Spiral
Stealth
Hum
Islet
Crowly
Trysting 
Southerly
Featherlight
Blade

MG - Europa Hymn (Official Audio)

from 'Flesh' [CD|LP|DIGITAL]
Denovali Records · den228
available on all formats at [http://denovali.com/ahkosmos]

AH! KOSMOS is the moniker of Istanbul-based producer and instrumentalist Başak Günak. Her debut EP called FLESH has been released in her native country via Turkish label Müzik Hayvanı back in 2013. Along the release of her first full length BASTARDS in April 2015, Denovali Records will provide a re-issue FLESH, available for the first time on a world-wide scale and on the vinyl format.

Echoing and bouncing off the surfaces, the nuanced metallic droplets of synth-triggered sound interacts with moody sustained cluttering down-tempo beats and unholy choral voices over the trio of ambience on this three-track EP FLESH. From the mysterious catacombs and imagined otherworldly terrains of Istanbul, oozes the enlightened cosmic union of analog and electronic.

Supporting the likes of DARKSIDE, James Holden, Kiasmos, Two Door Cinema Club, Emika, Daddy G (Massive Attack) in her hometown Istanbul, AH! KOSMOS  performed at remarkable festivals as Rock’n Coke, Babylon Soundgarden, Venice Electro Festival, Budapest Punkurica Festival, Piknik Elektronik in Brussels, Tokyo Electronic Music of Arts Festival and CitySonic Festival in Mons.
Başak Günak has also composed and created sound design for contemporary dance and plays, short-flms and site-specifc performances / installations in several art spaces including Rotterdamse Schouwburg, Prague Signal Festival, 18th and 19th Istanbul International Theater Festival (IKSV), ARENA Theater Festival Nürnberg and Venice ElectroFestival. Recently, she has been invited to the highly coveted Red Bull Music Academy 2014 Tokyo as a participant.

Flesh

Preorder / Buy

Ah! Kosmos - Melting Into Rise

from 'Engtanz Depression' [CD|LP|DIGITAL]
Denovali Records · den221
available on all formats at [http://denovali.com/sanktotten]

The German instrumental duo SANKT OTTEN, founded in 1999, consists of Stephan Otten (drums, programming, synthesizer) and Oliver Klemm (guitar, synthesizer, piano), and has been releasing on Denovali Records since 2009. 

Their eighth album ENGTANZ DEPRESSION (engl.: CLOSE DANCE DEPRESSION) expresses a significant progression of their material on the preceding album trilogy (Gottes Synthesizer, Sequencer Liebe, Messias Maschine). New drum sounds and acoustic instruments such as harmonium and piano may be found, and some pieces emerged from free improvisations, which is a completely new approach taken by this band. 

The album starts with "Urlaub Unter Psalmen" which builds up slowly, piles up further, just to completely disintegrate in the end. Klemm’s typical E-bow guitar parts and the dubby baseline make this track a catchy tune. Next is "Beten, Tanzen, Küssen" which is the first Sankt Otten track ever where a harmonium appears. In combination with the minimal beat one could even think that this track is suitable for a club context, but the two musicians always manage to stay away just enough from the ordinary and remain slightly disturbing as ever. "Im Lichtorgelparadies" switches on the lights in paradise with a hypnotic synthesizer melody and the KRAFTWERK-like beat gives the track a floating ease. 

One of the album highlights is the 12-minute monster "Sing die Apokalypse", which is dominated by Otten’s powerful, but always minimalistic drumming. After about 10 minutes the listener might think that the apocalypse has aleady arrived, but Sankt Otten move on and manage to even increase this feeling. The track ends unexpectedly and with a winking bow to the influential American electronic protopunks SUICIDE. However, Sankt Otten also demonstrate that they can still master the meditative sounds. Tracks like "Der Himmel ist voll" or "Die tragische Nummer" are quite far apart from average electronica. 

The titles of the tracks appearing on the album are as always a unique mixture of aphorisms, sarcasm and puns. In spite of the new directions explored on this album, SANKT OTTEN maintain their characteristic Holy Trinity of krautrock, ambient, and 80ies electronica. Floating, meditative, dazing and catchy at times. 


Engtanz Depression

Sankt Otten - Ich Bau Dir Ein Museum

If you’ve never had the pleasure of seeing Chilly Gonzales & Kaiser Quartett LIVE , watch them perform “Sweet Burden” and “Advantage Points” from Chambers, and “The Grudge” from the Ivory Tower album, at the prestigious Berlin Konzerthaus here: http://tinyurl.com/mckmh3m

The composition of Chambers was inspired by Chilly Gonzales’ deepening relationship with Hamburg's Kaiser Quartett. The album re-imagines Romantic-era chamber music as today's addictive pop, using the strings as a modern-day sampler. 

To guide fans into his Chambers, Gonzo introduces each song with short note of intention and a dedication, here is “Sweet Burden”:
“SWEET BURDEN”

Dedicated to Gabriel Faure 

My Solo Piano song (and label) Gentle Threat is one of many contradictory titles in my repertoire.  Sweet Burden is the album's first bona fide tear jerker. A long, ambiguous melody inspired by French composer Gabriel Faure. The viola solo is slowly joined by the cello, while the violins chime in with a single-note pattern.  We all have our burdens to bear, and maybe only music can sweeten them.


GET YOUR EXCLUSIVE CHAMBERS BUNDLES AT THE SHOWROOM: chillygonzales.spinshop.com/CHAMBERS

Don’t forget to subscribe to his channel here: bit.ly/CGYOUTUBE
or like him on Facebook: www.facebook.com/chillygonzales
or follow him on Twitter: twitter.com/chillygonzales

Photo: (c) 2015 Alexandre Isard

ORDER

Chilly Gonzales - Sweet Burden Featuring Kaiser Quartett (LIVE)

Music for solo piano.

Follow:

Spotify: https://open.spotify.com/artist/2pHCm7cvE0ADlPp68tScqW

Apple Music: https://music.apple.com/us/artist/steven-gutheinz/1421925543

SoundCloud: https://soundcloud.com/steven-gutheinz

Instagram: https://www.instagram.com/stevengutheinz

Facebook: https://www.facebook.com/stevengutheinzmusic/

YouTube: https://www.youtube.com/@stevengutheinz

Bandcamp: https://stevengutheinz.bandcamp.com

Musicbed: https://www.musicbed.com/artists/steven-gutheinz/4360

Web: https://stevengutheinz.com

Vision

Sierra

After his “Roofs” album and the “All those Moments” EP, the dreaming spirit of Mooryc again traces tenderly the world of waves. With “Take 'em All”, he collects bittersweet vocals and strict drums on 4 new tracks, having the wind at his back with remixes from Micronaut and Sven Tasnadi. From another world the moon shimmers between hard and soft through the window. As if it perished and was resurrected, the sound stands with a lanky silhouette from another time. Good and bad with both colors he paints with his heart in the notes. Yet still sounding like a Japanese Jurori without the makeup he gathers simultaneously an excitement for the forthcoming album with Douglas Greed as „EATING SNOW“. Mooryc makes what only the few can master, and that is the combination of soft and hard.

1. Be My Ghost 
Like the Beauty and the Beast circling in the title track, the swinging song of the marching drummer. Between discipline and fleeting belief there takes shape a song as real as life itself, always both, never alone. 

2. Myself
Along with forest light rays and on the back of a two meter high 12ender, Mooryc speaks of himself, his legends, and the sonics flavor the presentation.

3. Turn It Off
Without vocals but with muscle power, Mooryc spins spitefully and slides the bass right on time ever forward, focussed and autonomously purposeful, the track spans the arch in the other corner of the EP. 

4. Take 'em All 
“Take em all” gets right to the center, a closing time ballad with an impressive feeling of happiness. Not back and forth, just melancholy and release.

 5. Myself (Micronaut Remix)
The Micronaut takes over the reins and expands the lonely stories of the forest lights into an endlessness of circling bows. 

6. Myself (Sven Tasnadi Remix) 
The light goes out, the 12ender turns into a disco ball and Sven Tasnadi makes from “Myself” a driving rapture where whipping arms melt into wings. 

**********

Nach seinem „Roofs“ Album und der „All those Moments“ EP nähert sich der verträumte Geist von Mooryc erneut zärtlich den Wellenwelten. Mit "Take 'em All", versammelt er bittersüßen Gesang und strenge Drums auf 4 neuen Tracks, inklusive Rückenwind und Remixes von Micronaut und Sven Tasnadi. Aus einer anderen Welt schimmert dabei der Mond abwechselnd zwischen hart und weich durchs Fenster, wie gestorben und wiedergeboren entsteht Sound mit gelenkigen Silhouetten aus einer vergangen Zeit. Gut und Böse, mit beiden Farben malt die eine Hälfte von Eating Snow sein Herz in die Noten, klingt dabei wie ein japanisches Joruri ohne Schminke und steigert gleichzeitig die Vorfreude auf das im Herbst erscheinende Album mit Douglas Greed. Mooryc schafft was nur wenige können und meistern, die Kombination aus Stark und Soft.

1. Be My Ghost
Wie die Schöne und das Biest umkreist im Titeltrack der schwebende Gesang die marschierenden Trommler, zwischen Disziplin und Geisterglaube entsteht ein Song, so echt wie das Leben selbst, immer Beides, nie nur Eins.

2. Myself
Die Waldlichtung erstrahlt und auf dem Rücken eines zwei Meter hohen 12enders erzählt Mooryc von sich, seinen Legenden und der Schall speist die Vorstellung.

3. Turn It Off
Ohne Gesang aber mit Muskeldruck, dreht Mooryc nicht aus sondern auf und schiebt den Bass im Takt nach vorn, fokussiert und autonom spannt der Track den Bogen in die andere Ecke der EP.

4. Take 'em All
„Take em all“ zieht in der Mitte das Fazit, eine Endzeitballade mit einem bedrückendem Gefühl des Glücks. Kein vor und zurück, nur Melancholie und Erlösung.

5. Myself (Micronaut Remix)
Der Micronaut übernimmt die Zügel und erweitert die einsamen Geschichten von der Waldlichtung um die Unendlichkeit der kreisenden Schleifen.

6. Myself (Sven Tasnadi Remix)
Das Licht geht aus, der 12ender wird zur Diskokugel und Sven Tasnadi macht aus „Myself“ einen treibendenden Freudentaumel und wippende Arme verschmelzen zu Flügeln.

Take 'em All

Be My Ghost

Mooryc - Be My Ghost (FREE DOWNLOAD)

Piano Score of this tune free download available in "chair house club";   http://www.chairhouse.club/

my 2nd album: piano ten thousand leaves released in Bandcamp.
https://chairhouse.bandcamp.com/releases
Sorry, this tune is not included.. maybe next album include this tune.


perfectly controlled space.. limitless world...beautiful..

#451: i feel spring is coming.. flowers begin to bloom.. happy!!

http://chairhouse.wix.com/main-page#!/c1g7x

instrument

Muhammad Junaid Sadiq