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Qawwali

Neray Neray Wus We / Chap Tilak / Main Nahi Jana

Farida Khanam - Na Gawao Nawuk E Neemkash

Artist - Ustad Abdullah
Instrument - Shehnaee
Raag - Puriya Kaliyan (Thaat Maarva)

Created & Produced by: Saif Samejo

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Ustad Abdullah - Shehnaee - Puriya Kaliyan - Lahooti Live Session

Besides their message of love and harmony, Shah’s poetry and music compositions have always been popular among Sindh’s old and young.

The tradition of Faqirs singing at the shrine is 300-year old. They sing Shah’s verses to the accompaniment of Tambooro (a variation of an Arabic stringed instrument, invented by Shah Latif) almost round the clock.

There are 80 Faqirs who sing in 14 groups with each group assigned a day or a night.

A singing session usually starts with Sur Kalyan, opening chapter of Shah jo Risalo, the anthology of Shah Latif, flowed by other Surs, according to time of the day and season.

In monsoon, Sur Sarang (the rain raga) is sung and on the 14th night of a lunar month, Sur Khambhat is sung. Shah addresses moon in Sur Khambhat as he praises the beauty of his beloved and narrates the pain of separation.

In the middle of the session comes Sur Suhni with a particular prayer called Suhni ji Dua.

The popular Sur Rano is sung at late night and the session comes ends with Sur Marui early in the morning.

Sur Sasui Abri - Faqirs of Bhitshah

https://qaul.blogspot.com/2008/07/1988-mehfil-munshi-raziuddin-sons.html

Mere bane ki Baat Na Puchcho

Here is a beautiful rendition of Man Khake Kafe Paye by Subhan Ahmed Nizami & Brothers. If you want to listen more of their renditions, visit this user who has uploaded great quality videos: https://vimeo.com/user34179970

Here are lyrics, and translation by Musab Bin Noor:

Mun khaake kafe paaye rindaane kharabaatam
Qurbaane lab-e-laal-e-janaan-e-kharabaatam

Dil reshi o be kheshi shud ain-e-namaaz-e-mun
Dar qiblae abrooe khubaane kharabaatam
 
Mun aainae yaarum, ganjeenae asraarum
Hairat zadae ishqam mun shaane kharabaatam
 
Een khirqae hasti ra dar maekada-e-vehdat
Sad baar girau kardam uryaane kharabaatam
 
Een tauba-o-taqwa shud az Jami-e-be-deene
Dar kooe Malamaati, hairaane kharabaatam
 
  
I am as the dust beneath the feet of the drunkards of Kharabaat
Sacrificing myself for the ruby-red lips of the heartthrobs of the Kharabaat
 
My prayer consists of tormenting my heart and negating my Self
As I turn my face towards the arched eyebrows of the beauties of the Kharabaat
 
I am as a mirror for my Beloved, I am a treasure-chest full of secrets
Smitten by the wonders of Love, I am the pride of the Kharabaat
 
This robe of Self , in the tavern of Unity
A hundred times I cast away, I am naked in the Kharabaat
 
All this piety and supplication from the heretic Jami
Living in the den of the Malaamatis? I am wonderstruck in the Kharabaat


Man Khake Kafe Paye - Subhan Nizami

Kaliyan Sang Karat Hai Rang Raliyan -  Raag Bahar

This was performed at T2F, and it is an absolutely beautiful rendition. It is very different from the old one as they are many new giraahs.  
Here is a video link: https://vimeo.com/150773092

Ishq Mein Tere Koh-e-Gham - Subhan Nizami (New Rendition)

Fareed Ayaz and Abu Muhammad, T2F
June 20, 2015

Har shab manam futada, Ba girde sarai e tou
 Har roz ah o nala kunam az barai e tou

every night have I fallen, around the circle of Thy tavern  
 every day, do I wail and cry, in yearning of Thee 

 Jana ba iin shakista dil-bewafa ma shou
 Umre guzasht ta shuda am aashina e tou

 O Love, turn not thy gaze from this broken hearted one  
 for a lifetime has been spent, in getting to know Thee  

Rozay ke zarra zarra shavad, ustakhan-e-man
 Ba shad hanoz dar dil-e-veesham hava e tou

 when my bones are nothing but shattered bits  
 may my heart carry on its quest of Thee 

 Bar hal-e-zar-e-man nazar-e-kun ze raahay lutf
 Tu Badshah-e-husni o Khusrau gada e tou

 Let thy Grace fall on my blighted self  
 Thou art the Lord of Grace, and Khosro but a begger of Thee 

Farsi to English translation ~ Farrokh Namazi, 

har shab manam futada ba grd e sara e tu - Fareed Ayaz & Abu Muhammad

Thumri Bhairvi - Ustaad Amanat Ali Khan, Ustaad Fateh Ali Khan

Rare Gems

Uski hasrat hai jise dil se mita bhi na sakoon

youtube.com/watch?v=o8wYSLI3etM

Daag Dehlvi's 'Na rawan kahiye...' sung by Iqbal Bano

https://www.facebook.com/TheLegend.NFAKOffical

Mehshar Mein Magfirat Ka Barha Aasra Mila - TheLegend.NFAKOffical

Mareez E Muhabbat Unhi Ka Fasana - Farid Ayaz & Abu Muhammad Qawwal

Raag Bhairavi - Bajuband Khul Khul Jaye - Ustad Farid Ayaz & Ustad Abu Muhammad

Bajuband Khul Khul Jaye - Raag Bhairavi - Ustad Fareed Ayaz & Ustad Abu Muhammad[1]

Bahauddin Khan Qawwal (1934-2006), whose party render the qawwali below, traced his lineage back to the days of Amir Khusrau. To remind centuries-yet-to-be that he had loved his murshid, Khusrau banded together twelve youngsters, personally trained them, funded them, and performed with them. He appointed Mian Saamat as the leader of the Bachche (Youngsters) Qawwal. Bahauddin's family claims descent from the Bachche.
The first couplet is by Saʿdī. Abū-Muhammad Muslih al-Dīn bin Abdallāh Shīrāzī, aka Saʿdī Shirazi (Persian: ابومحمد مصلح الدین بن عبدالله شیرازی‎; 1210-1292) was the major classical Persian poet of the middle ages, recognized for the quality of his composition and for the depth of his thought.
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Lryics: 
Guftam Ke Roshan Az Qamar Gufta Ke Rukhsar e Manst
Guftan Ke Shereen Az Shakar Gufta Ke Guftar e Manst
گفتم کہ روشن از قمر، گفتا کہ رخسار منست
گفتم کہ شیریں از شکر، گفتا کہ گفتار منست

میں نے پوچھاکہ چاند سے زیادہ روشن کوئی ہے،کہا کہ میرا رخسار
پوچھا کہ شکر سے میٹھی کوئی چیز ہے ،کہا کہ میری گفتگو ہے

I asked what is more beautiful than the moon, replied my cheeks
I asked what is far sweet than sugar, replied my words

گفتم طریق عاشقان، گفتا وفا داری بود
گفتم مکن جورو جفا، گفتا کہ ایں کار منست

پوچھا عاشقی کا طریقہ، کہا وفاداری
کہا کہ ظلم و ستم نہ کرنا ، کہا کہ  میرا کام ہے

I asked what lover may do, replied faithfulness
I asked please don’t be cruel and unfaithful, replied it is my style

گفتم کہ مرگ عاشقان ، گفتا کہ درد ہجر من
گفتم کہ علاج زندگی، گفتا کہ دیدار منست

پوچھا کہ عاشق کیسے مرتے ہیں، کہا کہ میرےفراق میں
پوچھا کہ زندگی کا علاج کیا ہے،کہا کہ میرا دیدار ہے

I asked what is the cruel death, replied the pain of living without me
I asked what is a healthy life, replied gazing at me

گفتم بہاری یا خزاں ، گفتا کہ رشک حسن من
گفتم خجالت کبک را، گفتا کہ رفتار منست

پوچھا کہ بہار اور خزاں ،کہا کی میرے حسن پر رشک
کہا کہ قمر کی شرمندگی ،کہا کہ میری رفتار ہے

I asked what is spring and autumn, replied fragments of my beauty
I asked what makes partridge ashamed, replied my walking style

گفتم کہ حوری یا پری، گفتا کہ من شاہ جہاں
گفتم کہ خسرو ناتواں، گفتا کہ پرستار منست

کہا کہ حور ہے کہ پری،کہا میں سارے جہان کا بادشاہ
پوچھا کہ غریب خسرو،کہا کہ میرا پرستار ہے

I asked what are you poplar or fairy, replied I am lord of beauties
I asked about KHESRO feeble, replied he is my lover
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In his Lectures on Aesthetics, Hegel wrote: 

Pantheistic poetry has had, it must be said, a higher and freer development in the Islamic world, especially among the Persians ... The full flowering of Persian poetry comes at the height of its complete transformation in speech and national character, through Mohammedanism ... In later times, poetry of this order [Ferdowsi's epic poetry] had a sequel in love epics of extraordinary tenderness and sweetness; but there followed also a turn toward the didactic, where, with a rich experience of life, the far-traveled Saadi was master before it submerged itself in the depths of the pantheistic mysticism taught and recommended in the extraordinary tales and legendary narrations of the great Jalal-ed-Din Rumi.

Kaliyan Sang Karat Hai Rang Raliyan - Raag Bahar

Muhammad Rizwan 17

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