This is our 74th podcast, recorded by our bro from Miami, Danny Daze (@dannydaze). Can't wait to hang together in Moscow for a week!

Представляем 74-й подкаст System 108, автором которого стал наш брат из Майями Danny Daze (@dannydaze). Эх, поскорей бы застрять с ним в Москве на неделю.

SYSTEM108 PODCAST 074: DANNY DAZE

We're very pleased to announce Molen for the 21st entry of our Digest series!

This is quite a special entry for us as it's the first time we've uploaded a live set as opposed to a DJ mix. Recorded in Uruguay at Emile, a club situated in the heart of Montevideo, this set is comprised entirely of Molen's own tracks, many soon to be released. This is a recording from back in November as part of the 3rd instalment of Audioweb, a label and party which Molen runs with some friends. 

This set is very much complimentary to his peak time slot, energetic techno with inflections of rave and trance, and a totally unique take on the Uruguayan techno sound. Clocking in at just over 2 hours, it's quite a long-form live set but I didn't want to cut out even one second because it's all top quality. Hope you enjoy it as much as I did.

Seven Hills Digest 021 - Molen (Live)

UK electro don Alien Communications marks his first Lot Radio appearance with a very special show, comprised entirely US-produced music. 

https://www.instagram.com/aliencomms 
https://www.soundcloud.com/aliencommunications



Alien Communications @ The Lot Radio 05-17-2025

This opportunity we invited a loved friend Vinyan, from Zurich. 
We wanted to ask him some questions:

1. What do you think digging and musical curation have in common — whether it's building a set or choosing an artist for your label, Intersub?

Discovering old records hidden in shelves, that are almost some sort of a relict or a timestamp, is quite different than getting to know most of the artists we feature in real life after hearing them play or discovering them on various platforms.
This being said, it is still a similar process but instead of records, I find it’s interactions I have with artists we discover mostly in or around Zurich.

I like to push unknown artists whether it’s on a turntable or a compilation of our own imprint.
Zurich is small, so it isn’t uncommon to get to know each other at concerts, cultural events or at after parties in a basement if you’re down for it. I’m quite a social animal so it kinda comes easy and it gives me a lot of joy.

2. As someone who plays both live and DJ sets, what would you say is essential when developing a performance, whether it's live, played or recorded?

 If time allows, which mostly is the case, preparation is key - but a healthy amount of improvisation is what I like as well whether it’s live or djing. In the live context, maybe my drums and some basslines are pre planned to have a foundation and on top of this, melodies, chords and effects can be improvised.

In the club it’s similar. I might plan half the set to kinda have this foundation as well and to somewhat settle in to my surroundings. Depending the crowd and time I play, I let loose from those constructs earlier than expected.
But then as well, DJ sets with zero planning are nice. I like challenges!

3. How did you first get into music? Are there any particular influences that stand out for you and that you’d like to share?

When I was around 8 or 10 years old, my neighbour’s dad had these techno tapes he recorded from radio shows and we would sit in-front of the stereo system, hypnotised by those sounds coming out of the speakers, listening to them for hours.

After that, I got my hands on the cds and records from my dad as well, which had quite a wide range from trance, minimal, chill out to funk and disco.

After playing shortly in school and punk bands as a guitarist/bassist, it’s electronic music that stayed with me. For about 10 years now I’ve been DJing and producing - a place I still feel very at home in. Having my first proper studio in an air raid shelter allows me to keep following my passion for music and focussing on new projects as much as I can.

4. Could you tell us a bit about the electronic music scene in Zurich? And what did you take back with you from our city BA?

From my experience, we have a really supportive and vibrant underground scene for the size of our city.
People engage in each others projects, exchange knowledge, and are fierce for trying out new things.
Seeing the younger generation coming with fresh energy, motivation and the same ethos is great and therefore you see both young and old starting or part-taking in things like illegal clubs, offspaces, outdoor parties in the forests, or new labels - you name it.
 
Being able to visit Buenos Aires back in 2023 in the context of music. Getting to know Jeremy Flagelo in person, who I was connected to via Mati Espina a few years back. I was grateful having him and his D.I.Y approach in the mastering context on board for intersub. It’s this punk attitude I adore.spending time in Cyberwax, visiting a Pryma party. Closing this time with a little gathering celebrating the 2nd VA of Intersub with a listening session and all the people I met on a roof terrace was heartwarming.

Taking this energy back to Zurich helped me to continue having this motivation to connect people, share and make music together. Don’t forget to never stop doing what you love, ever.

Thanks for having me, I’ll definitely come back one day!

Pryma Podcast #24 | Vinyan

TimeToEat w: CVD (14/06/25)

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инфанториум w/ roble @ KURS radio 16.07.25

Kadiristy - Hybrid Mix - 034

LIVE RECORDING OF THE INSTORE SESSIONS DURING THE 9 YEARS CELEBRATION OF FLIPPIN' RECORDS.

CREVETTE RECORDS - 2025 BRUSSELS

NIKITA - 9 YEAR CREVETTE INSTORE

Educational only. Buy original.
Written-By – E. Smith*, F. Mosbey*
Edith Michelle Smith
Anutha Records
US ’84

Michelle - Rush Hour Traffic (öömaja dub)

Brick Top

(10) The Afterparty flac

alter ego of @rennopaat
re-works and originals and...
www.instagram.com/lostandfoundchannel
Tallinn, Estonia

Michelle - Rush Hour Traffic (öömaja dub)

muhkontagurpidilohk

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