esta canción debería durar unos 6 minutos, mínimo

3 - Los chapillacs - La Marcha del Chullachaqui (Deltatron remix)

1er sencillo del Album "Salvaje" de Sotomayor / Producido por Edi Kistler / Masterizado por Oscar Zambrano en Zampol Studios New York, E.U. / Arte de Alejandro Magallanes / Published by Tropic-All NetLabel

Cielo

Track 05 del Album "Salvaje" de Sotomayor. 
Salvaje fue producido por Raúl Sotomayor y Edi Kistler entre 2014 y 2015, Grabado en Fresno Estudios, México D.F, en 2015 Edición y Mezcla por Edi Kistler en Sugar Free Studios, México D.F. Ingeniero de grabación: Uriel Durán y Edi Kistler Masterizado por Oscar Zambrano en Zampol Productions New York, E.U. 
Arte del disco por Alejandro Magallanes 
Contenido fotográfico de la banda por Pablo Cruz Iraztorza Material visual en vivo por Oscar Reyes en Todo Bien Estudio Publicado por Tropic-all y New Hispanic Music 
Sotomayor es: Raúl y Paulina Sotomayor Músicos participantes: Edi Kistler (bajo, rhodes, melódica), Diego Espinoza (percusión), Alejandro Guerrero (armónica), José Manuel Trespalacios (ukulele), Daniel Martínez (bajo), Andrés Torres (guitarra), Paulina Sotomayor (voz, batería, percusión), Raúl Sotomayor (programación y composición)

Morenita

1st single of our next album.

Lyrics:

Tumba, tumba, retumba 
¿es el mar, son mis pies?
 No lo sé ya veré, decía al mirarme 
tumba, tumba

Y yo veía la tarde que iba a caer 
ya no sé si era tarde o amanecer
tumba, tumba, que retumba

Tumba, tumba, retumba 
que hacía mucho calor 
y ahí se le ocurrió que en el mar es mejor
Tumba, tumba, retumba 

Lú tenías que ser tú
tú que loca estás 
tanto pa' saltar 
tarde por el mar 

Oh Lú, solamente tú
Tú me haces nadar 
darme cuenta qué 
quería retumbar

Oh Lú, luces surreal 
al bailar el son, 
son del malecón, 
son del malecón

Oh Lú, luce que es el ron
rompe las olas, olas que se van 
van que retumban

MULA - Retumba

Quantic & Anita Tijoux - Entre Rejas

All songs written, produced & mixed by Jorge Govea at idEA studios (improvisados dE Azotea)
www.wakal.com
idEA studios © 2003

Art Direction – Wakal
Design – Vate (2)
Drum Programming, Guitar, Keyboards, Vocals, Percussion, Sampler, Recorder – Wakal
Mastered By – Grabaciones del Cuarto Blanco
Photography By – Adán Guitiérrez, Miguel Barbosa
Written By, Producer, Mixed By – Wakal
Notes
wakal
pop/street sound
www.wakal.com 
contact@wakal.com


"to the people of this city who participated anonimously to this cd."

credited: 

· someone in Xochimilco, Hidalgo market
· showman outside Palacio Nacional
· on a bus "Ruta 100", Av. de los Insurgentes
· Indios Verdes bus terminal
· Bosque de Chapultepec
· Negra Barbosa
· London Waterloo and Paris Gare du Nord (Eurostar)
· sewage pipe on a construction somewhere in Mexico City
· Av. Pino Suarez y Correo Mayor
· the trumpet player's hostile stare
· child playing on "Metro" (líea 2 Taxqueña-Cuatro Caminos)
· Tepito and Lagunilla Markets
· sueños del vendedor de periódico (Dreams of a newspaper salesman)
· Int'l Airport Benito Juárez
· my computer
· TAPO bus terminal
· around La villa
· on the corner of Torre Latino Americana

Pop Street Sound

Terraza Mantel

Bienvenidos A Mi Disco forma parte del disco Méjico Máxico.

Bienvenidos A Mi Disco - Instituto Mexicano del Sonido

First vinyl issue out now!
Buy/stream : http://smarturl.it/un_dia

Un Día

Buy/stream

Juana Molina - Un Día

Gorda. Odaymara Cuesta.

Download/Stream: https://montoya.lnk.to/soloquiero

The lead single from Montoya's debut ZZK album “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesizer-lead climax. 

Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed revealed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production. 

He eventually joined Fabrica, a “cultural subversion center” based in Treviso, Italy, which he explains as providing the creative framework for him to experiment with art, photography, film and design; evidently apprising the cinematic qualities of his music.

The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.

Solo Quiero

Montoya - Solo Quiero ft. Pedrina

Banda electrónica de República Dominicana.
Contacto / Booking: mulaband@gmail.com

MULA - Retumba

MULA

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