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1933

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Triumph

A blues I composed myself, although blues are never self-composed, especially not by white middle class men. But anyway, there's a little twist...
Featuring Heritage H150 Les Paul type guitar on the fills. Lead part is my Fender Classic 70s stratocaster.
Rythm guitar: Fender 'Jerry Donahue' Telecaster
Bass: Ibanez 'Studio' ST980
Apple Garageband Rhodes keys
Apple Garageband slow down drums
© 1996 by Jacques van den Oever
This is a 2024 Logic Pro Master

Lawd 'ave Mercy!

For your racing pleasure.
1987
Dedicated to a one time soul mate who is by now long gone into Nothingness & Eternity.
Yamaha DX100 keyboard
Korg drum machine with some midi driving the keyboard
Yamaha SG700 electric guitar

Piet Salverda Boogie Mstrd

German singer and musical friend Annette 'Tink' Graefe combined a text from a deceased music friend with her own words and wrote a catchy melody on my supplied chords and fretless bass. Our friend Rens van der Meer coloured the accompaniment in the right places and conjured up a musical landscape that expresses the sad farewell of two lovers.

The Last Train (words by Tommy Andrews & Annette Graefe)  

The last train has gone for the night.
I can tell by the dimming of the station lobby lights.
We had our final handshake, said our last goodbye.
It's all over now, this is the reason why.
 
Something's gone   -   terribly wrong.  It's been so long  -    it just can't be wrong
Is it all gone    -    no, it can't be gone.   It's been so long -    it just can't be wrong
 
The last train has gone for the night
and with it everything that ever matters in my life.
No chance for a return no chance for holding on.
It's all over now, why couldn’t we just get along.
 
Something's gone   -​terribly wrong.  It's been so long  -      it just can't be wrong
Is it all gone    -      no, it can´t be gone.   It´s been so long -      it just can´t be wrong
 
The taxi cab is waiting,   I don't know where to go
Feeling lost and all alone, afraid to let it show .
(what happened to our love)
 
Something´s gone   -​terribly wrong.  It's been so long  -      it just can't be wrong
Is it all gone    -      no, it can't be gone.   It's been so long -      it just can't be wrong
Come back to me   ….  come back to me  

Lead vocals and vocal harmonies: Tink.
I played the Epiphone 'inspired by Gibson' J-200 acoustic guitar, Fender Classic 70s stratocaster and Fender Fretless Jazz Bass.
Rens played piano, strings and Moog.
Apple Logic Pro provided drums and percussion as programmed by Rens.
Mixed by Rens @ Studio Thrills Music & Sound, Loenen, Netherlands

Last Train

"Outside of the box" denken a la Trump. Gewoon er een iets andere sport van maken dan kunnen we de Elfstedentocht ieder jaar houden.

Klune

Niemand houdt van ons, en dat kan ons niks schelen. 

Nobody Likes Us (And We Don't Care)

Fiskje

Cyrus Chestnut - piano
Stacy Dillard – tenor saxophone (tracks 1, 2, 6 & 7) /     
  soprano saxophone (tracks 3, 4, 5 & 9)
Gerald Cannon – bass (except track 8) 
Chris Beck – drums (except track 8)

Jazz pianist par excellence, Cyrus Chestnut, returns to the HighNote catalog with a superb new piano quartet recording. This highly anticipated album showcases Chestnut's rhythmic precision, emotive touch, and improvisational flair complemented by an ensemble that provides both subtlety and drive. The combination of Chestnut's expressive piano playing with the string bass of Gerald Cannon and the propulsive beats of Chris Beck creates a sound that provides a luxurious background of vibrant color for the saxophone of Stacy Dillard.  Chestnut's previous recordings on HighNote Records, including Kaleidoscope, and My Father's Hands, were met with widespread critical acclaim. JazzTimes lauded his "virtuosic piano playing," while Down Beat declared him “one of the finest jazz pianists of his generation.” This new recording is sure to add to that legacy, as Chestnut and his colleagues offer an imaginative set list comprised mostly of the leader's original works, spotlighting his distinctive compositional voice. It is required listening for anyone who appreciates the extraordinarily communicative depth of piano-led jazz ensembles.  – Ray Osnato for HighNote Records

07 Big Foot

Fred de Munk is een Verwarde Man. Oud en onrendabel. Hij schrijft liederen over de wereld, over leven en dood, over Sint, Piet, Jan, Nick, Simon, Geer, Goor, Trump. Hij heeft nu 19 albums op Spotify etc. In het ABN en het StadsFries. Allemaal thuis opgenomen op oude meuk van Marktplaats. Gratis te beluisteren op de hele planeet. Kunst aan het volk. l’Art pour l‘art.

1933

Fred de Munk

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