On 21st April the Parisian producer E-Unity presents his mini album, ‘BBB<3’. 

We're so happy to present the first single Avray Link. 

Pre order available now at our bandcamp : https://e-unity.bandcamp.com/album/bbb-3-mini-album

Visual by Laurent Allard 
Art Direction by Unité Services &  DR.ME 
Mastering par Krikor

BBB<3

E-Unity - Avray Link

‘Inflatable Gravestone’ is the debut album by Mun Sing released on https://soundcloud.com/planetmurecords on 2nd June 2023

‘Inflatable Gravestone’ is the debut album by Mun Sing (aka Giant Swan’s Harry Wright).

The motivating force of the album is the sudden loss of Harry’s father in 2020. His father struggled with substance addiction and the album explores ideas of 'spirituality' and the ‘higher self’ in relation to addiction and its parallels with the coping mechanisms of grief. It also aims to highlight the importance of humour and distraction when coping with loss.

Serving as a narrative for his own experiences, the album is largely built around club-centred tracks (such as ‘Spider’ and ’Squabble’) broken up by moments of yearning and reflection in tracks like ’The Poison Garden’ and ‘Helhest (Azrael Smirks)’ and moments of dark anguish like 'Inheritor' with its heavy slab-like chords and pensive piano. Flirting with awkward and suggestive rhythms, Wright deliberately suspends moments of resolution and groove in favour of drama and jerky, unexpected cartoonish humour, taking as much influence from the likes of the Art Of Noise as Kyary Pamyu Pamyu. 

Wright rewards the listener with moments of clarity and introspection like flags on the journey, recruiting vocalist MX World to deliver lyrics and melodic ideas created by him and his father. His father’s journals in rehab helped inform most of the lyrics. Some take whole sentences as a way to physically ‘give life’ to his words for the first time. The lyrics describe feelings, revelations and  apocalyptic hallucinations. MX World's clear, direct tone suggests folk music and the timelessness of the human condition.

The album concludes with the title track ‘Inflatable Gravestone’ which features a chorus of giddy manipulated laughter from Wright’s friends and family to a truly maddening effect. This is then resolved by bright and clear piano chords and the sound of Wright’s father breathing in his sleep. A deeply affecting and personal record with corkscrew twists and turns and a healthy dose of absurdism.
releases June 2, 2023

All tracks written and produced by Harry Wright. Lyrics by Harry Wright, except track 10 lyrics by Harry Wright and William Wright. Lead vocals by MX World. Additional vocals by Nashne, Akiko Haruna and Mouse.

Mastered by Beau Thomas at Ten Eight Seven Mastering.

Published by Domino Publishing.

Squabble

@assyouti - Kraken Sight [PNMTU010]
Artwork by yyed [https://instagram.com/_yyed/]
BANDCAMP [https://paynomindtous.bandcamp.com/album/kraken-sight]
YOUTUBE [https://bit.ly/kraken-sight-yt]
***
Assyouti (he/him) is an Egyptian DJ and producer born and raised in Cairo, a bustling city whose perpetual chaos and overwhelming noise pollution have been channeled into the artist’s unique music productions, developed around endless warping and manipulation of rhythmic and vocal samples. Now based in Berlin, Assyouti has been bringing his remarkable mutant bass music around local clubs as well as the most renowned festivals for the scene such as Uganda’s Nyege Nyege and Berlin’s CTM. After his debut EP "Shakhrama" (High Digital, 2022), and the follow-up “The Disintegration of Eric Omelette” (Shepard Tone, 2023), we’re beyond excited to present his next endeavor called “Kraken Sight”, releasing July 5th on our platform and marking our tenth outing so far.

Keeping up with Assyouti’s trademark feature of arranging broken rhythms, deranged percussions, and heavily distorted bass into articulated sound aggressions, the release is composed of five tracks sketched with a harsh industrial-infused sound palette, and refined through the surgical juxtaposition of tension, sudden release, and further sonic assault. Kraken Sight describes the descent into a dangerously dark ocean, inhabited by lurking creatures ready to swallow the listeners in the bottomless, obscure depth. Masterfully managing to convey an ever-present tension, Assyouti’s latest effort summons oppressive and abrasive soundscapes to lead to inescapable feelings of unease and discomfort, where light struggles to infiltrate and brighten the black, desolated abyss. 

All tracks are mixed by Assyouti and mastered by Wim Dehaen [https://soundcloud.com/wimdehaen].

Kraken Sight

Bandcamp

Assyouti - Sunken Sleeper

buy at https://temet.bandcamp.com

Simo : 'This is the first installment of a new serie called ‘Simo Live Cuts’. It will feature tracks taken from my live set. Those who attended Rewire, Sustain Release, Atonal or Blockhaus DY10 this year will recognize some parts of it :)

I'm currently exploring a spontaneous and lively sound with more dynamic and movement.The tracks have this jam vibe in their structure that I love.'

Simo Live Cuts I

Simo Cell - Clapflame

Entrañas - Caverna
Label: Infinite Machine
CAT#: IM114
Format: Digital
Release Date: September 27th, 2024

Tracklist:
1. Indignado
2. Ajicito
3. Diclofenaco
4. Cruces
5. Cascada
6. Coscacho
7. Tigrillo (ft. Buena Tarde)
8. Nauseas
9. Toque De Queda (ft. Ene Ese)
10. Chivo
11. Muerto a Puntapiés (ft. Carlos Pabón)
12. Caverna

Ecuadorian producer Daniel Gachet “Entrañas” presents his debut full album Caverna on Infinite Machine. The project explores an amalgam of polyrhythms found in traditional Ecuadorian music such as bomba and albazo, blending them with jagged atmospheres of uk bass and grime. Through deliberate sound design, Entrañas seeks to place the listener within the unpredictable ecosystem of the city of Quito and its surroundings.

In this record Entrañas searches for a sound that conveys both the infrastructural chaos he experiences currently in his home city, while also reflecting the hauntingly beautiful and seemingly perpetual terrain just outside of Quito. Not far from the frequent and unpredictable power outages and city wide lockdowns which are now commonplace due to the ongoing narco wars, there is an Andean stratovolcano visible from many parts of Quito, including Entrañas own bedroom window. Ruco Pichincha stands nearly 5000m in height, attracting awe and curiosity of many who happen upon it, perhaps by way of its beauty as well as its innate potential for mass destruction. A particular location of interest for the artist, the mountain emits a kind of objectivity that is distinct from the urbanscape of human activity; it asserts itself, unobservant of the adjacent violence, trials and tribulations. Its very name–“Ruco” translated in English to "old" from the indigenous Quechua language–seems to reflect both its acquired reverence from native inhabitants of the region, as well as the relative incomprehensibility of such natural monuments.

On Caverna, references to Quito and its encompassing geography are apparent in ways that are direct at times, nuanced at others. “Toque de Queda” (trans. “lockdown”) was produced in real time during a city wide lockdown in which Entrañas and his collaborator Ene Ese were unable to leave an apartment for hours on end. The sheer apprehension of such a situation can perhaps be gleaned from the seething claps and non-melodic droning atmospheres that build, producing a tone of frustration and unease. Tracks like “Coscacho”, “Muerto A Puntapiés” and “Cruces” seem to take on a similarly minimal approach, focused on brooding heavy bass lines and relentless polyrhythms that become increasingly menacing as the tracks build. A listener might imagine these compositions to conjure the rumbling subterranean activity of Ruco Pichincha. As their names might imply, “Caverna” and “Cascada” take a different approach, building up shimmering soundscapes reminiscent of 90s new age. These ephemeral sequences seem to summon meditation on natural landscapes in a way that feels lighter and more optimistic, unveiling a softer vision.

In light of his prolific catalog, Entraña’s twelve-track work reaches into territory that feels both more personal and experimental–though these compositions are undoubtedly dance-floor ready. Caverna brings together anthems of leftfield club music with chambers of ambient reflection–both of which read as significant and distinct to the artist’s background and day-to-day experience in Quito. As the majestic and humbling mountainous surface of Ruco Pichincha might resemble, Caverna’s title track ends the record with a reminder; a gentle nod to the significance of such sacred wonders as places of refuge in our human experience; whether we can grasp them, or see them from our bedroom window.

Artwork by Benfika
Mastered by Fausto Mercier
Words by Sueuga

Entrañas - Indignado

Out March 14th on SFX
https://www.youtube.com/shorts/W0aSBnXtN70

Performed, produced and engineered by Zoë Mc Pherson
Final mix by Matt Karmil
Mastering by Joker

Upside Down

Bang Bang

Spectral Decay Vol.2 from Berlin's Arboretum Records pushes back the boundaries of experimental club music.

Read more on CxC 🔗 https://couvrexchefs.com/en/ice_eyes-click-data-arboretum-records

Article

CxC PREMIERE: Ice_Eyes - Click Data (Arboretum Records)

POLAARIZED is a 6-track LP where the label’s core artists collaborate with some of the most daring and influential creatives shaping today’s music. Polarization—a scientific phenomenon that aligns forces in a shared direction—becomes a metaphor for the collective power of collaboration, where contrasting voices converge into something greater.

POLAARIZED reimagines the club as more than just a dancefloor—it’s a space for radical expression, a meeting point where boundaries blur, and communities thrive. This release is a sonic manifesto for those who live at the edge of the underground, where music becomes a force of connection and change.

To celebrate POLAARIZED, we’ve created a limited-edition sticker pack inspired by iconic Panini collections. Each pack includes 12 unique designs inspired by the concept of light polarization. Limited to 100 copies, these packs come with the digital album.

Animistic Beliefs x Flore - Mercurated Rivers

dj nick jersey - sticky

▼ PRESS NOTE ▼▼▼ 

Alkaline is sound forged in FM — metallic surfaces, syncopated pulses, and cinematic structures. An alternative path that doesn’t reject acid, but moves into a realm less warm, more mineral, more futuristic. 

With CT012, Cosmic Tribe takes the Alkaline Sound into the uncharted: music as a tool for deep-space and hidden-dimension exploration. Each track is a fragment of an expedition beyond known frontiers — charting invisible territories, intercepting signals from other worlds, and navigating encounters that alter the course of the mission. 

From EC13 and Calagad 13 comes a radical, visionary approach: not just tracks to hear, but cinematic sonic devices designed to remodel the listener’s inner architecture, ignite their imagination, and expand the very map of perception.  

A work of meticulous sound and mastering, paired with exceptional artwork, presented in a strictly limited edition of 150 copies on crystal-clear transparent vinyl.

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

▼ TRACKLIST ▼▼▼

SIDE A – Total: 14’18” 
A1 EC13 · Dimension Oculta — 6'16" 
A2 Calagad 13 · Message From The Otherworld 2 — 3'25"
A3 EC13 · Sonido Profundo (Shrt) — 4'37"

SIDE B – Total: 14’31” 
B1 Calagad 13 · Egomaniak (Main) — 5'28" 
B2 EC13 · Teruel — 4'22" 
B3 Calagad 13 · Humo — 4'41"

 ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ 

▼ CREDITS  ▼▼▼

Produced by Aitor Pereira & EC13
Mastering: A. P. Martínez
Artwork: EC13 / Cosmic Vibes
Cat.N° CT012 | 150 Clean Transparent Vinyl Limited Edition
Contact: tribe.muzak@gmail.com

PRE-ORDER

🔵 [PRE-ORDER] CT012 AUDIO SNIPPET

diable

New EP 'Frolic' out 7th Feb 2025 on Illegal Data:
https://illegaldata.bandcamp.com/album/mun-sing-frolic-ep

Debut album 'Inflatable Gravestone' released 02-06-23 on Planet Mu:
https://munsing.bandcamp.com/album/inflatable-gravestone

LIVE Asia/Australia/Europe 2024 >>

26 October / ALL Club w/ Yves Tumor / Shanghai, CHINA
30 October / Wall & Wall / Tokyo, JAPAN
31 October / ENTER [DJ SET] / Tokyo, JAPAN
01 November / FINAL / Taipei, TAIWAN
02 November / OIL / Shenzhen, CHINA
07 November / Phoenix Central Park / Sydney, AUSTRALIA
08 November / Grace Darling Hotel / Melbourne, AUSTRALIA
09 November / Catalog Music / Brisbane, AUSTRALIA
15 November / Le Station / Paris, FRANCE
22 November / Casino Luxembourg / LUXEMBOURG 
30 November / Ormside Projects / London, ENGLAND


Management/Bookings >> joe@qujunktions.com
Lols >> mmuunnssiinngg@gmail.com
_____________________________

Squabble

MUN SING

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