My Mix 5

The Alias Sessions

Unboxing Utopia

Shadow Surfing

Track from NE15 Född Död - Studie I Närhet, Längtan Och Besvikelse LP

Order here: http://northernelectronics.bandcamp.com
https://clone.nl/item34101.html

Född Död -  I smärtan, fri

Twin Color (vol. I)

Cosmic Drifter

Bourbon dreams (2018 ambient edit)

Ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout.

NECRONOMICON DREAMS No2 ABOVE THE PLATEAU

Last Days of Summer 25

released 2011 on "The Devil's Walk", original version features Soap&Skin,
instrumental version featured on Breaking Bad episode 13 of season 4

Apparat / Goodbye (Instrumental)

From Stop Suffering EP, Blackest Ever Black 2015

I Woke Up and the Storm Was Over

I’m very happy to announce a new collaboration with Alessandro Cortini, a master of electronic noise and synth player in Nine Inch Nails. I’m a huge fan of Alessandro’s work and I’m proud to share this music with you, something we’ve been working on for the past few months. An extremely limited white-label 7” titled Sun Draw Water is available at Mount Analog in LA, Phonica in London and through the Phantasy web shop: https://fanlink.to/DAACSDW

Buy 7"

Daniel Avery + Alessandro Cortini - Water

"Those not familiar with Jones’ style, will listen slack-jawed at the shear anticipatory nature of his sound collage. The five lengthy tracks are based on hypnotic and somewhat menacing grooves: a repetitive dub bass beat, waves of Middle Eastern strings and voices, layers of building hand percussion. Each track is respective but the washes of sound/percussion come and go often creating a sense of motion and change. All of the tracks are similar and even share elements. Mid-East tension is so accurately captured through the use of the regions instrumentation (especially percussion), sinister electronics, samples of men chanting, women crying, sounds culled from the horrors of war, and occasional angry distortion that the listener’s listener will be transported to the belly of the beast.
‘Mullah Said’ displays two aspects of the work of Muslimgauze. Firstly, musically, it is in the delightful drifting ambient vein. The percussion is mainly acoustic hand drums - providing a rhythm of aural features - the trademark shimmering string sound heard on a number of releases is much in evidence, rhythms are generally slower, there are lots of samples of people speaking in conversation, markets wherever. ‘Mullah said’ opens the disc with the lovely mix of these sounds. ‘Every grain of Palestine sand’ continues the mood, with a slightly faster tempo, and more emphasis on the beat. But it soon locks into a mesmeric lassitude as various effects echo or smear the sounds, drums come in for short moments, different string sounds enjoin the play. ‘Muslims die India’ follows the mood though the voices seem darker, sadder, and then comes ‘Every grain of Palestinian sand’ followed by ‘Muslims die India’. Yes - not a typo, these tracks are repeated. Muslimgauze trend - to remix himself.  Prime Muslimgauze middle eastern ambience - if you like that side you will love this album. The final track is short and different, a crackling ground over which a singer chants a song interrupted by machine-gun percussive bursts - ‘An end’."

Engineered by John Delf.
Recorded at the Abraham Mosque, Manchester.
Originally released in 1998 as Muslimlim 018.

Cosmic Drifter

Murcof

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