old mix i found lurking in the private sc track vault..

pretty sure it was made around the time i was prepping the set for space 289 (https://soundcloud.com/breadyscarethrough/mause-live-space-289-20-05-2022?in=breadyscarethrough/sets/mixes) which is why its a little rough.
some tracks overlap and theres some different ones in there so i reckons it was an early vers of that one. 
less lively than that one
🤷‍♂️🤷

an mix

Out now on @satellite_era !
SERA015: Satellite Era presents “The Heaviness Of Hovering EP” - a collection of boundary-pushing tracks by Mike Castañeda, better known as Terminal 11

100% of the proceeds made from this release will be donated to La Frontera on a monthly basis. They are a growing nonprofit that offers comprehensive crisis and community behavioral health services to children, adults, and families throughout the state of Arizona.

Learn more about La Frontera: lafrontera-empact.org

With a musical career spanning over two decades, Phoenix-based artist Terminal 11 has made it a priority to continuously adapt to the latest in sound design and technology. After a handful of highly acclaimed releases, we welcome him to our family with some of his best and admittedly most personal work yet.

Emerging from the pinnacle of an early breakcore movement in North America, Terminal 11 became a household name on legendary experimental labels worldwide such as Cock Rock Disco, Hymen, Opal Tapes, and Love Love Records. Although his pioneering sound has mutated over the years, the genre-free, forward-thinking mentality he wields has stayed consistent, allowing him to transcend past any particular style or trend.

By combining niche machines such as music trackers and modular systems, Terminal 11's production is a unique blend of aged subcultures and keen futurism. Each track serves as the reflection of a live performance that incorporates real-time sampling and looping, modular jams, live effects, and general improvisation. With a desire to keep challenging himself, his audio workstation tends to reform between projects. For his latest EP, he brings out his sharpest tools in an effort to forge something timelessly special.

"The Heaviness Of Hovering EP" may sound familiar to the avid listener of leftfield electronic music - thumping basslines, off-kilter drum programming, and disorderly synths effortlessly fill the soundscape. Terminal 11 expands on these ideas by refining the foundation of his previous work, forming a more lively sound that feels freshly discovered. Caustic ooze pours out of the stereo in "Von Bridges Kit" as the track progresses into a dystopian realm. "Pressure Cooker" is a clear nod to acid techno and braindance, providing a proper rave anthem for dancefloor enthusiasts. Frantic drum work embodies "To Disappear," slowing in tempo but ensuring to fill each second with altering percussion sequences. The metallic snap in "Rabid Mist" is playfully attentive as the track shapeshifts between a fusion of breakcore and dancehall. The title track repurposes old guitars from his newly founded personal collection to create emotive drones, adding a sentimental touch that serves as a perfect ending to this project.

The completion of "The Heaviness Of Hovering EP" meant much more to Terminal 11 than simply releasing music - it marks a pivotal moment in his fabled career amidst the underground. Setting these repressed emotions free has allowed him to continue progressing not solely through music, but also as a human. A healing moment proves to be monumental for his growth and just as important for our collective.

“I created these tracks while experiencing a mental state that oscillated between a blur of healthy functionality and numb avoidance, easing slowly only with time. The experience was a result of deep grieving - my mind had me hovering outside of myself while simultaneously feeling weighed down by life. This project was made gradually over the last two years during the pandemic within rare times that I could disappear into creativity. The tracks are presented in chronological order, keeping true to the timeline of conception and the sequential themes of transformation, healing, and ultimately returning to a fully lucid connection to purpose.”

CREDITS
Mike Castañeda - production, mixdown
Amir Mashayekhi - mastering
Nic Juister - cover art, visuals

"Dedicated to my father - Jorge Guillermo Castañeda (1961-2020)"

The Heaviness of Hovering EP

The Heaviness of Hovering

The Heaviness Of Hovering

Tbox-5 Beats

from forthcoming: Francisco Meirino "A Perpetual Host" CD

A Perpetual Host is Francisco Meirino’s fourth full-length, solo studio album on Misanthropic Agenda.
A deep dive into personal loss and the banalities of life and art, A Perpetual Host captures the raw, solitary, and often acerbic extremes that drive creation. Across four pieces, Meirino explores sonic tension and boredom, questioning the simplicity and complexity of the mundane with bursts of clarity that redefine existence itself.

Francisco Meirino is a Spanish sound artist based in Switzerland.

His music explores the tension between programmable material and the potential for its failure. His interest lies primarily in what is not supposed to be recorded : the end of life of electronic devices, electrostatic noise, magnetic fields and the unconventional use of music hardware and sound systems and how to exploit these sonic failures in radically different ways in his sound pieces.

His music combines intricate textures, sonic precision, wide spatial panning and is fascinating by its physical intensity and detail precision.

He mostly uses the modular synthesizer (Eurorack-Serge), various microphones, the computer, the field recorder, tape recorders and tape echoes, EMF detectors and various home-made electro-acoustic devices.

https://misanthropicagenda.bandcamp.com/album/francisco-meirino-a-perpetual-host

misanthropicagenda.bigcartel.com/product/francisco-meirino-a-perpetual-host

A Perpetual Host

Francisco Meirino "Something Always Remains"

2 hours of pure UK electro, acid & braindance with 707-addict Jerry LaFlim & cult acid producer Roy of the Ravers !

Rinse France Podcast

TRIPALIUM CORP avec JERRY LAFLIM & ROY OF THE RAVERS - 25 Janvier 2024

Kettle

Sky Split Open

Sky Split Open (feat. Rosa Anschütz)

MDC Interview#59 " Terminal 11 "
https://mdc-japan.amebaownd.com/posts/52069604

Terminal 11 - 2001/2024 Mix
Tracks:
Sketchy (2006)
Reausez (2006)
Vintage Respirator (2003)
Slowly Advancing Minidisc Exorcism (2018)
No One There (2014)
Fury (2012)
Start Over (2012)
Hawaiian Sniper’s Eye (2007)
Undici (2003)
Unicorn Peyote Kaleidoscope (2009)
Heather in Japan (2012)
Metacognition (2018)
Reconfiguration (2018)
Gruesome Things (2012)
Tension (2012)
Cold Storage Acid (2014)
Unpleasant Experience (2018) 
I’m In No Mood For This (2005)
My Fist in Your Carcass (2001)
Tea (2021)
Walls Closing In (2024)
Rabid Mist (2022)
The Inevitable Pains of Living (2018)

Terminal 11
https://terminal11.bandcamp.com/

INTERVIEW

Terminal 11 - 2001/2024 Mix

"Structure of Wild Type Human Transthyretin in Complex with Diflunisal"

ᴀʙᴏᴜᴛ ᴛʜᴇ ᴀʀᴛɪꜱᴛ

Peter Kutin works with sound across genres.
His pieces have been exhibited, commissioned, performed, screened or discussed at various notable occasions and venues across the globe. He has composed and written music / sonic-environments for film, theatre, performance, ensembles, contemporary dance, radio, etc…. His interest in moving image expanded beyond music, having also developed and directed a series of experimental short films and multimedial-scenarios. He received several awards, scholarships and residencies.

https://www.kutin.xyz/
https://soundcloud.com/kutin
https://www.instagram.com/kutin_____/

Steve Hui, known as Nerve, is a multidisciplinary artist with training in contemporary classical composition and roots in the rave scene. He hacks into the existing music system by mixing art forms, crossing boundaries and experimenting with traditions. His practice transcends the boundaries between music, sound art, multimedia theatre and underground culture. His major works include the trance installation opera Somnium, the documentary opera Songs of Portrait in collaboration with Cheuk Cheung, the cinematic opera 1984, and the digital opera The Memory Palace of Matteo Ricci. He is a co-operator of experimental art organisation Twenty Alpha, a lecturer of the Hong Kong Academy for Performing Arts, a resident of Hong Kong Community Radio, and a fellow of Asian Cultural Council in New York. He has performed at festivals such as CTM Berlin, LUFF Lausanne, playfreely Singapore and Sónar Hong Kong.

https://www.lo4nerve.com/
https://soundcloud.com/lo4nerve
https://lo4nerve.bandcamp.com/


🌿 ᴀʙᴏᴜᴛ ꜱᴏɴɪᴄ ᴀɢᴇɴᴄʏ

Sonic Agency privileges the acoustic to create a platform for further exchange. We endorse the emergence of new ideas, new alliances and the crystallisation of direct action. The politics we are supporting are based on dialogue and mutual respect. Dialogue is enabled when speaking and listening are valued equally. By enabling activist listening, entering dialogue and taking seriously the plurality of voices involved, we want to run counter to the continuous monologues of dominant narratives, and acknowledge and amplify the multifaceted reality we are living in. Sonic Agency is promoting the sounds of resistance, compassion, empathy, care, grief, and hope.

Listening is not neutral.
Listening shapes the reality we live in.
Listening is shaped by ethics and politics and leads back to it.
Listening is directly linked to memory and identity.
Listening is as important as speaking.
Listing is an active act.

Read the full curatorial statement here
strumandiodine.com/article/sonic-agency/

SONIC AGENCY - KUTIN & NERVE - "Structure Of Wild Type Human Transthyretin In Complex (...)"

My name is Manja Ristić, and you are listening to the Framework radio International Women’s Day special.

> https://frameworkradio.net/2024/03/880-2024-03-10/

In this edition you will hear sounds and creators from South Africa, Marocco, Ethiopia, Lebanon, Iran, China, Brazil, Argentina, Mexico, and Columbia; Spain, Greece, Serbia, Croatia, Bosnia, and Slovenia; from UK, Australia, USA, Germany, Italy, and Ireland; with aporee sounds of morning prayer in Ramallah, and bird’s song from Jerusalem – I am taking you for a journey around the Globe presenting the real sonic history of the world, the one told by girls and women. From place to place and from heart to heart, these voices hold the space together, storytelling from the shadows of oppression and discrimination, with wounds inflicted by systematic neglect, poverty, and wars – these authors speak the truth and nothing but the truth.

I am deeply humbled to present works by fierce creators, researchers, mothers, activists, freedom fighters, tribal elders, and one famous nun, life-long expats, and former sex workers; extraordinary versatility, and contemporaneity of their sound, being their common denominator, is what will mark this International Women’s Day Framework mix.

[ artist – release – track ]

Zayaan Khan – Ephesus at Fajr
Li Yilei – Pillow, Mantra and Trance
aporee.maps – Birds of Jerusalem, April 7th 2012
Kei Watanabe – Whisperings – 03 A whole in my heart
Elyse Tabet – seaside – 06 Sequel – live to tell (with Nadine Makarem)
Maria Papadomanolaki aka Dalot – Departures – 11 Unknown Parks, Unknown Cities
Concepción Huerta – The Earth Has Memory – 02 The Crack is Illuminated
Ana María Romano G. – A mundanear que el mundo se va a acabar
Chantelle Gray – On the lower frequencies, I dream
Eruption Duo – Eruption 20 Years – 07 Worms
Hara Alonso – Notions of Hope – 02 Notion 2
Maryam Sirvan and Hadi Bastani – trans.placed – 01 trans.placed
Assoc. Lalla Rkia Ali o Hmad (Timgharin N’Tiznit) – Salamou Alaykoum ⵚⴰⵍⴰⵎoⵓ ⵄⵍⴰⵢⴽoⵓⵎ
Ester Kärkkäinen aka Himukalt – the gun in her mouth
Robertina Šebjanič – Aqua Atmo Adriatic, 10 meters deep
Cynthia Zaven – Untuned 
Gail Priest – elbejée – aötebe 
Manja Ristić – tailless tarantella lifted its head – Vrnik 
Marija Balubdžić Umbra – Derealized – 05 B1 Sreda
Belinda Blignaut and Jacques van Zyl – Mud Rites
aporee.maps – morning prayer in Ramallah
Katharina Schmidt – Another Year – 02 september. the first sweater of the fall
Beatriz Ferreyra – UFO Forest + – 04 Vivencias def
Emahoy Tsege Mariam Gebru – Jerusalem – 01 Famine Disaster 1974
Manja Ristić – Bunur Bridge, Neretva River – hydrophone
Florconvenas – Donde hundimos nuestros nombres – 01 Para detonar
Stella Veloce – Saturday 
Natalia Beylis & Eimear Reidy – She Came Through the Window to Stand by the Door – 03 Encircled in Moss
Meghan Judge – heterodyne relations – gaia intrudes
Talulah Lotus – Horrorphone 
Manja Ristić – rain from the bag in the big forest
Youmna Saba – Ritha’
Pheobe riley Law – cove – 01 cove
Verónica Cerrotta – Camadas verticales – 01 Camadas verticals
Jasna Veličković – Shadow Study #4A
Ava Rasti – Apranik Records – Eight Night
aporee.maps / Birds of Jerusalem – April 7th 2012

Framework IWD 2024 —— Manja Ristić

ANBOMBTGT

"MURDER CHANNEL" is independent music label&party from Japan.based in Tokyo since 2004.