dude made a tag out of furry affirmations

HeartBreak & 808’s Nigga @okiitzu
you’re so full of yourself  and i fucking hate it
im rollin' im not tryna face
im not tryna face you
you’re so full of yourself  and i fucking hate it
you’re so full of yourself  and i fucking hate it
you’re so full of yourself  and i fucking hate it
;-;-;-;-;-
when i dont reach out -
;-;
i fill that nigga up wit spite
told ma brodi u can stay for thaaaaaaaa niggghuh g hgh x2
she takin sips @ tha green light
a Nigga tryna set tha mood right.... ;( x2
i fill her walls its gettin too tight yeaa
im tryna up ts connect tha new mic x2
i need a sec connect tha new mic connect tha new mic 
i feel the walls is getting too tight ahhahhhahhh coneccc ththahaha new micccc ;-; ;-; ;-; ;-;

you're so full of yourself, i fucking hate it

@murdstah @murdstah @murdstah @murdstah @murdstah 
prod produced by @murdstah @murdstah on instagram
everything was by @murdstah 

i ain want the wap... but im feelin it
she soakin everywhere, feel like a avatar
i ain want the wap... but im

yea gime a bean im tryna cause luh scene
she wont talk to me.. a Nigga seein green -_-
goin in my p goin in my pockets before i even think

throw me innat game im only dropin 10
i told u luh bae i took it to tha end
i need a sec before i i need a sec before i go back in
u took yung nigga shit, lets get even then...

yea she send me tha drop n im goin in
i ain want the wap... but im feelin it
she soakin everywhere, feel like a avatar
shit hurt me but i gotta act like ion give a shit

yea she send me tha drop n im goin in
i ain want the wap... but im feelin it
i told u luh bae i took it to tha end
shit hurt me but i gotta act like ion give a shit

#Rethink #Rtk #12
lets get even lets get even lets get even lets get even lets get even lets get even.wav

let’s get even then

bish kno she did it call her out im not trippen
love to see the ocean nigga n im
swimming 
countin paper nigga ye i luv the digits 
bad bitch up on my body n she drizzlin
jugg a pack nigga ye then i flip it 2x
yuh yuh
they why u leanin nigga cus im sippen 
luv the winter nigga ye i luv christmas
hit the cart nigga yeh i needa minute
shorty playin in my face im not trippen 
hit the party ion like it then im dippen 3x

mah swish (prod. sholak)

im w vervain in this bitch n we do crazy things ohhh
yea ik i bit the flow but its a remix auuughh

bitch luv when it rain outside, this hoe js love when its raining bru
if u hearing this now better throw ur hands up
if ur hearing this now better smile rn

metalhead shit yea all night long x2
metalheadshit til its all said n done x2

bitch i ball go stoopid
lil bitch im always zooted
new members we recruiting 
tie u up u feel like shoestring 

i been workin at this shit like every single day uh uh
nvr seen a single penny from this shit not getting paid
bitch i luv bitch i luv what i do now
expression bitch im new now

got bees all in the hive
and they tryna say hello
hello, hello, oooohhhhh

yes i love this feeling!!!!!!! prod vervain

i produced this 
ystrdywsgd -____-

i ain goin for
nun tha shit u sayin
i uh tell that ho
come from round me
keep playin
uhhhh
i runnup in his shi
get ta sprayin uppp
n they hatin on me
wtf u sayin
uhhh

& my bitch bad
i been 🙏🏼 2 er
yun nigga kept it pushin
kno im tryna score
i js keep it goin
nigga brain gettin sore
ucankeepyaho
thatbitchadrtywhore

Yesterday Was Good

broo wym 
roll w my team 
i love all my team 
i like making green 
here and there 
i like making green yeah
know who you are ?
don’t know who you are 
fuck w you for fun 
know who you are ?
don’t , what u mean you’re uh- 
(bass boost , idk what i said)

bih i’m with it, no? 
early in the morning
fucking w me whoa 
for a night , there she go 
bitch i’m loving on that , loving on that ho
bitch i washin i’m washin on you waaaaa
ahhh ahhh ahhh 
uhhh yeh she know yeh she know 
know me 
some will say u owe me

ii like making green w/ Jsavant prod me n uglylamar

law enforcement @300 @3c

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

Journal Entry #1—The Past, Like A Strange Bird

It has been about 53 months since the last solo Purl album was released. 'Renovatio' marked the end of an emotional process related to music-making that I felt had become too heavy for me to continue, and the title signified the rebirth I felt was necessary. I thought at the time that perhaps this would be the last Purl album.

Since then there have been 17 singles, EPs and collaborative albums released that in different ways opened my mind and heart beyond anything that came before. There has also been solo releases planned that did not happen (yet), for different reasons.

'Himmelsandar' isn't really something new. Then again, I wonder if there ever has been or will be anything new from this stream of awareness and emotion that I call Purl. It somehow seems to me like everything essential was present from the beginning, and I'm not sure if anything has been added to it since. I dream of starting new projects; painting on a blank canvas again. But nothing here was painted on such a canvas. Everything was painted and repainted, so many times that the original idea may no longer be distinguished other than as the faintest wisp of something... ethereal.

released November 22, 2024

• all sounds and visuals shaped and arranged by Ludvig Cimbrelius
• the artwork contains photographs by Mohammad Alizade and drawings by Alexander Lux

released by LILA लीला



let’s get even then

murdstah

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