All the music I did for Serious Sam: Siberian Mayhem through 2022.

Arrangement & composition by me.

Chrismoth Short Arrange. (Roulette)

All the music I did for Serious Sam: Siberian Mayhem through 2022.

I'm sorry!!!

Suspicious Ally (Roulette)

All the music I did for Serious Sam: Siberian Mayhem through 2022.

Composition and arrangement by me. Heavily inspired by X-Files.

Carter's Files (Roulette)

All the music I did for Serious Sam: Siberian Mayhem through 2022.

Arrangement by me and Jitz, composition by me. Heavily inspired by Touhou.

Judy Was Here (Roulette)

All the music I did for Serious Sam: Siberian Mayhem through 2022.

Composition by Damjan Mravunac, arrangement by me.

Knights of the Valley (Roulette)

All the music I did for Serious Sam: Siberian Mayhem through 2022.

Composition & arrangement by me.

Chrismoth Miracle (Peace)

All the music I did for Serious Sam: Siberian Mayhem through 2022.

Composition by me and Jitz, collaboration w/ arrangement as well.

The Chrismoth Miracle (War)

All the music I did for Serious Sam: Siberian Mayhem through 2022.

Composition and arrangement by me.

Main Menu (Chrismoth Arrange.)

All the music I did for Serious Sam: Siberian Mayhem through 2022.

Arrangement by me, composition by Damjan Mravunac.

Main Menu (Halloween Arrange.)

All the music I did for Serious Sam: Siberian Mayhem through 2022.

Arrangement by Jitz and me.

Citadel's End

Hell's Jungle

Above All Hope

A track I made for the worst ending for the indie game Voices of the Void.

Evil Consumes (Voices of the Void)

Tracks 1-5 comments
The motif I used for the menu theme was the same one I had composed for Saiko. Initially, I made the waking up theme (Another Dream) as an idea / experiment, but since it worked well, I also expanded it fully into a menu theme, with vertical layering the harder the difficulty is.

Into the Dream (Awake Arrange.)

Into the Dream (Hunger Arrange.)

Into the Dream (Hell Arrange.)

Into the Dream (Rotten Arrange.)

Another Dream

Tracks 6-8 comments
My Envy was the first track I had composed, and Till Death Do Us Part was the last chase theme I composed for the game. My Envy was particularly tricky as it had gone through 9 different iterations of varying intensities before we settled on the current style, which was a mix of three of the iterations. Till Death Do Us Part was done later, and it ended up being fairly tricky too, as the chase themes are meant to convey a different threat level depending on the enemy. Yui's (My Envy) is meant to be mid, while Saiko's (Till Death Do Us Part) is meant to be lowest. 
Her Prey ended up being my favourite chase theme to work on. It utilises Elissu's motif, but it's also very chaotic-- which meant I could pull some tricks I've always wanted to. It was meant to convey a very high energy chase-- as it was described to me, she can leap from tree to tree and throw axes at the player that instakill.

My Envy

'Till Death Do Us Part

Her Prey

Tracks 9-12 comments
The suspense tracks were my idea. I initially thought of including them after listening to Resident Evil 7's Soundtrack and seeing just how many variants they had of different encounters with enemies. At their core, they ended up being the easiest of the bunch to compose, although tricky to avoid making them same-y.

Suspense I

Suspense II

Death

Tracks 14-17 comments
Escaping the Dream was the first cutscene theme I had composed, which took me a substantial amount of time to get right. As with My Envy, this went through many iterations before the current style was chosen. It mixes Yui's motif with Saiko's.
The other cutscene themes were quite fun to compose, too. They mostly develop on existing motifs-- My Hell develops Yui's motif (with an added flanger effect in the actual cutscene), Her Mercy develops Elissu's motif and adds Saiko's. 
You will notice the tracks are a little different from the in-game cutscenes, especially with Her Mercy, which differs substantially. The reason for this is that I tend to compose the fuller tracks first, and then cut them down and modify them for the in-game cutscene.

Another Forest

Tracks 18-19 comments
When I first saw the cutscene, I was really happy. I was told to make the first few seconds of the cutscene silent, but then make it sound bittersweet. Saiko always seemed to suffer in all the endings of this game, so seeing an ending where she was happy was heartwarming, and I wanted to make the track sound optimistic towards the end. One could say this track evolves Saiko's motif into Sayaka's motif, a happier variation, and conclusive.

Past the Dream (Game Arrange.)

Tracks 20-22 comments
These were late additions to the game, but not unwelcome. Heartless Sacrifice was a tricky track to get right. The initial version was about twice as long, but I disliked how it ended up sounding. I think the current version conveys the "gotta move on" sound well. As for Soul's Rest and Inner Darkness, these were very interesting as it introduces a new character and a new motif-- the demon. I was told to make the shrine's theme sound unsettling, but safe at the same time. So, I wanted the first 50 seconds to convey that sort of unsettling feeling of discovering something new in the forest, while the rest of it feels a little safer, albeit with an underlying darkness. Darkness that we get to fully hear in Inner Darkness, the demon's full motif where it manifests and tears Yui apart. That track was fun to compose-- with great help from Ivan Spelljack Jitz. I rearranged the initial version we had in mind. I composed it separate from the cutscene at first, but surprisingly, it ended up fitting almost 1:1.

Heartless Sacrifice

Soul's Rest

Inner Darkness

Tracks 25-26 comments
I made these for the Part 9 short in imaginationclash's channel. I was given mostly free reign. In the cut I received of Part 9, the ordinary life portion of Sayaka was shorter, so I wanted to show a sort of comedic side to her constantly being nagged by her parent, until it slowly loses its happiness towards the end, and gets "tired." Contemplation was Sayaka's dad's theme, in his prison, as he is taken to a visitor. These tracks hardly played at all in the final version of the short-- having been replaced by anime tracks-- so I wanted to fully release them with the album as an extra.

(Bonus) Contemplation

This theme was composed for the Wasteland biome in Mod of Redemption.
Guitars played by Ray ~ https://twitter.com/tarotarottoray

Terraria: Mod of Redemption

"Wastelands" | Terraria Mod of Redemption OST

Just an insignificant little composer who's worked on Saiko no Sutoka, Serious Sam, and MicroWorks

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