Music From Memory

Jimi Tenor & Kabu Kabu - Dede (Baumhaus Remix)

A fortnightly journey into H.O.U.S.E. hosted by Dan Beaumont & Nadia Ksaiba featuring interviews & mixes from super special guests. Expect two hours of old bangers and upfront pumpers. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/rhythmconnection/episodes/rhythmconnection-28th-august-2025

Rhythm Connection 280825

Bright Patterns is a show about following an internal absolute while navigating endless options.

https://soundcloud.com/vickisiolos
https://www.instagram.com/greekdiner

BRIGHT PATTERNS with Vicki Siolos @ The Lot Radio 09-18-2025

@alex-downey
www.residentadvisor.net/dj/alexdowney
www.facebook.com/AlicksDowney
www.instagram.com/alyxdowney
Interview: www.untitled909.com/alex-downey
www.soundcloud.com/alex-downey

If you dig this content please consider supporting the performer/artist if you can spare a few pennies > www.paypal.com/paypalme/templeofvinyl

Follow and like us here @1btn
www.1btn.fm
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Voyage De Lux w/ Alex Downey - 25.09.25

Live Recording from Zmar Festival 2025 (Listening Tent - Saturday Night) - Picture by Andrea Zucca

Earl Orlog - Live at ZMAR 2025

First 90 minutes of the closing set @tresorberlin 27th of September 2025. With 3 x Technics 1210, 2% Dubplates and 98% Vinyl... Part 2 coming up...

WANIA mk3 @ 13m30s

SO-PHAT-MIXES-37: DJ Sotofett - Live @ Globus/Tresor, Berlin (2025-09-27) - PART1

In the words of Scott Zacharias, who closed the Outer Space Room at No Way Back, May 25, 2025, Day 2 of Return to the Source at Tangent, Detroit:

“NWB, being more than just the sum of its parts, always reflects my current life state(or lack of) and this year was no different. My friend Zach reminded me of this ultra-special cut by Arthur Russell: “In the Light of the Miracle.” It’s one of those holy grails and this mix (by Danny Krivit & Tony Smith) only existed as unreleased Talking’ Loud promo until a Soul Jazz comp finally issued it properly in 2005. I used to run it occasionally some 20 years ago, but hearing it again left me shook and set the stage for my entire set. And the rest of my life. My partner Ellen and I learned we were pregnant that same weekend.

Completely overwhelmed, I felt like I just wanted to share music for folks like I do in my own living room. Not really as a mix, but an intimate family affair. In the wee hours of the morning when I finally decided to share Russell’s opus, Ellen joined me on stage. We embraced and cried as we saw all our friends dancing in a now sunlit room. 

“I love you and that's all, living in the light.” — Arthur Russell”


IT.podcast.s14e07: Scott Zacharias at No Way Back 2025

New York based artist and musician Rahill selects a monthly medley of picks from her record collection, rooted in US jazz, with soul, folk and international sounds. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/rahill/episodes/rahill-8th-october-2025

Rahill 081025

Residency show broadcasted live at Radio Tempo Não Pára (04.10.2025)

Artist: @h_hady & @callmekell

Hady & Callme:Kell @ Radio TNP 04.10.25

Shhhhh @ MAKING TIME ♾️ 2025

Veteran NTS host Hampus brings you Doing Time: a genre-agnostic monthly trip through quality records from around the world’s past and present, featuring regular appearances from musical friends and family. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/doing-time/episodes/doing-time-12th-october-2025

Doing Time 121025

B2 - Michal Turtle - Jovan's Island (6:06)

A4 - Michal Turtle - Dub This Heavy (6:00)

A3 - Michal Turtle - Uiko's Return To Jeka (5:58)

Contribution number ten comes from long time label friend and multi instrumentalist Michal Turtle (@michalturtle). Q&A (excerpt) here below.

www.musicfrommemory.com

MFM: Hi Mike, how's life in beautiful Swiss? What's the story of you leaving the UK for Switzerland actually?

MT: Life is sweet thanks :)I've been here since the end of 1987, of course it was a lady story that brought me here.

MFM: Do you think that moving places changed you as an artist or maybe your approach to (writing) music?

MT: Once I got here, things quietened down a lot. I found a job in a recording studio, and started working with local heroes, some of whom I still do work for. The music scene here, compared to what I was used to in London is very low key, and I soon found quite a lot of time for writing my own stuff. The public has yet to hear (maybe one day) my early 90s output, but I carried on much in the same vein as the London years, albeit with improved technology. (this was my bronze age 
output, as opposed to the stone age London recordings)

MFM: Imagine if your inspiration or motivation ever runs dry, what place would you move to in order to find new?

MT: Geographically, it doesn't seem to matter to me where I work, if I'm on the road or on a long plane flight, I can work just as easily. If I don't have a (piano) keyboard, the writing style changes a little, and becomes more mathematical perhaps.

MFM: You have quite a background in musical education, correct? If you'd have to name one thing studying academically has taught you and which you still value today, what would it be?

MT: For much of the work I have ended up doing, I am grateful for my studies in orchestration and notation. I have written (physical) orchestral parts for real players, and they always worked just fine, and sounded as I imagined.

MFM: Experiment seems to play a vital role in your music, which never sounds the same and always rich of unconventional textures and musical combinations. Is that something you inherited from studying music at academical level?

MT: I would say no to that. My classical education was very traditional, and during it I was also experimenting at home and with other people, but the 2 elements never really overlapped. Luckily in college was a “state of the art” (8 track analog) recording studio, and the guy in charge of it was looking for projects to record. I ended up doing 7 or 8 pieces, multi-tracking everything. After that I was hooked on the recording process. (which I still am)

MFM: Did it ever cross your mind to work on a new album after your first and only one from 1983?

MT: In the late 90s I was discovering my production skills, and did 5 albums with my own project “wearedust” It was very much of that time, but some songs still get airplay on swiss radio, but as you say MFTLR was my only album under the name “Michal Turtle” I have written much new stuff in the intervening years, and there may well be a solo project of new material at some point.

MFM: Such a nice thing from you to join our mix series, thanks. You're not really a DJ right? How then did you approach making the mix?

MT: I've done several now, sometimes they are theme based, and other times it can be stuff I like and that has influenced me. This one is basically that, plus a couple of tracks from old projects (you may spot Lucianne and Tim in there) and a couple of more recent tracks by me.

MFM Mix 010: Michal Turtle

PLEASE DON'T SEND DEMOS

www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

B2 - Michal Turtle - Jovan's Island (6:06)

Music From Memory

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