The Sound of Experimental Ambient

"'Nova Llum' unfolds and morphs through 9 tracks of contemporary Ambient bliss... Shimmering fractals of ASMR, combined with Illbient laced electronics & drums - all combine for the perfect modern Balearic flotation tank"

Original Cassette released via @goodmorningtapes

Bandcamp

Centro Gris (from 'Nova Llum' LP)

Fain

Labyrinth

illbient/trip-hop delusions with a dark angel twyst¿¡ 
Tethered to earth by the voyeuristic croon of Endless whom you might recognise from Australian post punk group Low Life

1 for the dark angels

Arwork by Jeffrey Annert
Vocals Mitch Tolman
Produced by Michael Gunson

No Angels / ICU ft. 3NDLES5

moody rainy gazing out window mood xxx - Akimat

Having first met as performers at an ambient co:clear gig, slyn invites Akimat (@akiiimatamik0) for the second half of the fourth episode of in Passing tides. Australian now based between Glasgow and Berlin, Akimat is an amazing selector who dibbles both in her textural ambient mixes as well as her more upbeat, dance-floor sets.

in Passing tides 04 ~ Akimat & slyn ~ (16.07.24)

Comme Un Seul Narcisse

Meditation Innere Ruhe

3503 Soundscape

EARS

Stratus

Home Away From Home (Andy Stott Refix)

Arthur Russell - Home Away From Home (Andy Stott Refix)

Single from Water Memory, out December 21st 2017.

preorder: mlesprg.bandcamp.com

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Water Memory began as an imagination of the feelings that are floating through the natural world around us. It morphed and cycled and gained memories of my own which are now contained like those in all bodies.

Water Memory 1

B4 - soft g (3:18)

"Red Velvet Or Nothing" by Belong from the definitive "October Language" LP reissue due out Spring 2018.

"Red Velvet Or Nothing" by Belong

(AN ASCII IMAGE OF BOWSETTE) (KARAKO's THEME)

friendsim spoilers:

karako is a very young and very small child juggalo. on twitter i described karako as "the one clown you are not allowed to be horny for" and a bunch of chuckleheads tried to be funny and say like "hueuhuhe is that a challenge" and its like one why don't you just listen to me when i say things, two stop trying to one up me you will never ever win, and three i am eagerly waiting your apologies. my inbox is open.

i mean i get it. i was just on a podcast this morning talking about how the one thing that binds us all together is that we've all engaged in some clownery. i think i talk about regrettably hooking up with a juggalo as a teen for a solid 10 minutes. its hard being me.

i just moved and gave my old electric bass away to a friend who was interested in learning. i recorded this before giving it away. goodbye electric bass. dozens of children will miss how i used to just go ham on the bass in a bunch of songs for no reason. oh also im beatboxing for two seconds in this one. i ran it through a filter so it sounds less like "james roach making some sounds."

all in all, i wanted to make this one sound a little more whimsical so i borrowed the synth i made for my friends dnd character theme... where they're also a clown? its a really good synth. ok marsti is up next.

(an ascii image of bowsette)

Dwelling / Gemuet

Dwelling

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

03-Sleepless

PLEASE DON'T SEND DEMOS, thanks...

Webshop: https://www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

B4 - soft g (3:18)

Music From Memory

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