Been wanting to know this song plus the one mixed into it for so so long! amazing stuff. could I get an ID?

Please canbi get id on this obscurity... thanx

This instant is just crazy to me .. thx!!

This is so so beautiful.  Do you mind sharing who this artist is? <3

Full feature, interview and tracklist coming soon!

Off The Record Mix Series 23: Suzanne Kraft

https://www.nts.live/shows/yu-su/episodes/yu-su-27th-july-2021

Yu Su, Pender Street Steppers, and Hotspring 270721

2022 kicks off with a mix by long time dear friend and Lullabies For Insomniacs mastermind Izabel (@lullabiesforinsomniacs) who recorded the mix live in Melbourne outdoors during a Wax'O Paradiso event. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Izabel, nice to have you kicking off the mix series in this new year. You're in sunny Australia now but before that you'd been living in Europe for quite some years. What made you decide to move back?

IZ: Europe was home for almost 7 years, I left Australia in my early 20’s thinking I would be away for some months but fell in love in Amsterdam and spent years living in the city. In 2018, I moved to Berlin where I lived for a year, I found inspiration through all walks and was surrounded by great crew but grew tired of life in the big smoke. I wanted new challenges and yearned to be amongst nature, so left the city and travelled south to the Atlantic where I spent time in France, Spain and Portugal before heading to Corsica. I slept in a tent or stayed with friends and got on by doing seasonal work. I had not been back to Australia to see family and friends for many moons and was homesick, so decided to make my way across the Indian Ocean. Australia had heavy border restrictions, so plans to return were slow.

MFM: Your label Lullabies For Insomniacs had some busy times from 2016 to around 2019, after that it got more quiet and also the format shifted from vinyl to digital and cassette. What can you tell about this transition?

IZ: The transition happened naturally, I was traveling a lot which effected the label and my creative output. The tapes from Unearth Noise and Baldruin are recordings that we had been sitting on for some time but for various reasons kept delaying release. We decided to bring them out on tape as the music was better suited to this format. My sound world has been heavily inspired by the DIY music and tape scenes of Amsterdam and Berlin in the 80’s and there are great tape labels around today that were also motivating, my friend Etkin’s label ‘Kinship’ is one of these.

MFM: And now that you're settled in Australia again, what are your thoughts and plans with the label and music? Did the past 2/3 years change your perspective/vision?

IZ: Visions and inspirations come and go, some solidify and take root while others are fleeting in dream form. My focus has certainly changed as I devote more time to learning new skills and pursuing other crafts like furniture design, ceramics and writing. The music scene here in Melbourne is thriving, there are a lot of great artists and as I was
away for so long there is much to discover.

MFM: What can you say about the set/mix? Perhaps you can describe the setting it was recorded in?

IZ: The records I packed were chosen while isolating at home, this setting could not be more different to the glorious Sunday afternoon on the lawns at the Wax’o event. I played before OK EG who did a live set to celebrate their new record released as the debut on the Wax’o imprint. It was the second time I had the pleasure hearing them perform, their set made way for a great night. I thought a lot about European winter whilst making selections, I do miss spending the end of the year wrapped warm in Winters caress. These reflections and the recent passing of someone close to the family has brought me into a state of deep
introspect these last weeks, the session is both celebratory of life and a lament to lost life. This mix is a recording from the first hour, the second hour I played some psych, dub and percussive jams. 

MFM: Any plans, wishes or anything else for the near future that you'd like to share maybe?

IZ: At the moment I am taking each day as it arrives and am happy to continue on a journey learning and growing and enjoying time with family and friends. In February I will start a little party series in Melbourne with my friend Martha called Dub Cake. All the while my dream to move sea or country side lingers.

MFM Mix 036: Izabel

Delighted to host @melodyastruth influence mix on Oddity Radio.

@jonnynash : It is a selection of music I've been enjoying over the last year, with a loose focus on "guitar music".

Turn on, tune in and don't drop out!

For regular updates please follow : www.instagram.com/oddityradio.fm/

Jonny Nash - Oddity Influence Mix

https://www.nts.live/shows/sofie-birch/episodes/sofie-birch-1st-august-2022

Sofie Birch - Terraforma Pt. 2 010822

NO WEAPON IS ABSOLUTE - DJ Sundae - 19-10-2022 - NTS 2

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

The stupid season approaches with much haste, Bublè is being defrosted as we speak, Mariah is on her way back to earth, the turkeys are scared and Santa is shitting himself. Don’t forget the good that comes with all of it, I.e time off work, being too full for days on end, and that first dip in a cold body of water on a hot day. Amongst all the chaos, it's very important to take some time to completely wind down and zone out. To help with such a thing we’re going to let Acid Chess Club aka Benji aka the mayor of Melbourne take the wheel and drive for the next 5 hours (no destination required). 

You ever meet someone and just be like “damn, this cat knows what’s up!” Well, that’s how I felt when I met Benji, and I'm certain I'm not alone. If/when some extraterrestrial beings finally come to this god-forsaken planet, I'm gonna vote to put Benji forward to be the first contact and show em around town. I reckon they’re not too far away after hearing this mix… A smile that’s better than a hug, and a hug that’s better than a tray of perfectly roasted potatoes. Music is his game, in all forms, and he knows it inside and out; Responsible for all types of conceptual avenues to enjoy music, including various jaunts into the hosting realm under the umbrella of Crate Mates, Chewin The Fat, and Tesselate, all whilst having a firm grip on the DJ’ing thing and playing in the band San Of The Rambutan (TIP!) A man of much know-how and he’s only getting started. 

Hmmmmmm, damn, where to start? It’d probably be quicker to go through the bases that aren’t covered in this masterpiece, but I won’t. This is a big mountain to climb, but a stunning one at that. The scenery, the serenity, the flora and the fauna are all beautifully captured. Completely chock full of picturesque backdrops and stunning saturations, it reminds me of an album of photo highlights from the best trip you’ve ever had, a soundtracked slide show if you will. Every picture is worth a thousand notes, each one adding to the overarching narrative. Benji has done this series justice tenfold, in doing so making me even prouder to present such a thing. So without further adieu, chuck on your Solomons, fill up your butter sessions water bottle, and go conquer this beast. 

With love. X

His sounds >>>> https://soundcloud.com/acidchessclub

FHUO # 77 // Acid Chess Club

From Paris with love here comes mix 008 by Second Circle artist and friend D.K. (@d-k-music). Q&A (excerpt) here below.

www.musicfrommemory.com

MFM: Salut Dang Khoa, welcome to our podcast series. Had a nice summer?

DK: Hey! Thanks for having me. My summer was pretty cool, I was happy to play some nice festivals and gigs in Europe. I also had a little break to go on vacation with some friends in Marseille to enjoy the sea and the South coast of France.

MFM: Speaking about summer, your music has quite an exotic touch in which melody and percussion both seem to play a pivotal role. Where does that come from? 

DK: At the very beginning, it was simply inspired by the kind of house music I was listening to. But it changed through the years. I had a period when I was into industrial stuff, and I’ve been really inspired by the textures, by that sensation of mechanical groove and how the percussions were used. It kind of lead me to listen to the roots of music, and got into ritual sounds. Regarding the melodies, I don’t know man, it’s maybe because I’ve listened to too much R’n’B when I was a teenager haha.

MFM: But you're not a trained musician in one way or another? Like, can you read notes and play keys or other instruments maybe?

DK: I played violin when i was very young at the Rennes Conservatory of music for 6 years but it was a long time ago and i didn't practice since. I still can read notes but i'm super slow when it's about to play a musical score with other instruments now.

MFM: Would you say you have a D.K. workflow when in the studio?

DK: I like to have a precise idea of what I want to do before I start, even if it’s going to change completely during the process. Also, the shape of a track will really depend on what I’m listening to at the moment. I can easily get lost sometimes, producing something that is totally different of what I’m doing but I always learn some new technics. It’s a good way to find new ideas as well. Most of the time, I work on the same loop until I’m satisfied, almost all the elements of the track have to be already present on this loop, so I can have a vision of what it’s going to look like. Then, I know it will be easy to structure, edit and finish.

MFM: Interesting, for a lot of producers making arrangements seems a tough task or annoying burden even. What's your trick?

DK: I start with the  rhythm structure then focus my work on finding the main theme of a track,  and i build everything around it. If the beat and the  hook are strong enough it's usually not a tough task to make the arrangements.

MFM: You've been putting out music not only as D.K., how come?

DK: I decided to use that 45ACP moniker to focus my work more on sound textures and beats. It was maybe more heavy and club-oriented than what I used to do as D.K.. But now, I’m trying to combine everything in one project to create more contrast in my music. I’m generally interested by the opposition of textures and sounds in music. For instance, I like to mix raw percussion parts with clean drums or melancholic cold pads with naive midi melodies.

MFM: So, what can tell us about the mix? Any specific theme behind it?

DK: It’s a collage of tracks that I’ve been listening to at home recently and some edits I’ve made, from ambient and tribal to Japanese stuff. It’s obviously not what people can expect to hear me play in a festival or club but I would say that it’s more the vibe that I’m trying to create when i’m performing live.

MFM: Last but not least, any exciting news you'd like to share?

DK: I’m wrapping up my next Ep at the moment, it will be the third volume of my trilogy dedicated to club music on Antinote. I also have a release to come out soon on 12th Isle, and a couple of remixes.

MFM Mix 008: D.K.

Recording of Terekke's set at the listening stage during Dekmantel Festival 2019.

Dekmantel Festival 2019

Listening Stage: Terekke at Dekmantel Festival 2019

Celebrating Chill Pill II w/ a Radio 80000 takeover. Starting at noon going all the way until 9pm. Only the best music with contributions from Nice Girl, Bell Towers, Laura Groves, Andras, DJ Chrysalis, Eden Burns, DJ City & Secret Circuit.

PP Chill Pill II 80000 Takeover (ANDRAS)

For our second installment of the Musik Mix series we are joined by 5ive from japan and Samo from Sweden in a remote joint effort.
Tupplur simply means - to take a nap in swedish. 
Taking an afternoon nap is happiness!

artwork by Tobias Centerwall

Sattaoja Musik Mix - Episode 2-  5ive & Samo - TUPPLURS MIX

NO DEMOS, thanks...

Webshop: https://www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

MFM Mix 008: D.K.

Music From Memory

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