what's this masterpiece called? thank you

@derekdee  mate, would you kindly let me know this one? :)

this DEE guy always hitting all the spots!!!!

still super keen to know what this is, if anyone knows

“Here’s a little half-cut mix I made for Bar Part Time for when you’re feeling a little tipsy. An hour of hazy pop and woozy dance music with Japanese IDM-Pop, Scottish breakbeats and even a little Paul McCartney thrown in. Could pair well with a Pet Nat?” - @jamietiller

B.P.T. Radio 014: Jamie Tiller

@fragmentsinwax @kiernandj 

https://undertheapricottree.net/kiernan-abbott/

“Right now feels like the tides are changing in all kinds of different ways and this mix was a pause in the chaos. In the past year I’ve often felt a little lost in this little venture, so the tracks selected here are the ones that slipped between the cracks. I took a peaceful moment to record this after a week of friendship back home in Wales - I hope listeners take a moment to enjoy this too.”

📸: Kiernan Abbott

Apricot 50: Kiernan Abbott (Fragments in Wax)

A very special recording from our 10 years of MFM event at Fairfield Amphitheatre last September between Jamie and Lauren. It was beautiful to see two close friends throwing down tracks, lost in the music and the thing that they love. You know things are going well when an hour into their set, Jamie and Lauren both asked if we were recording the set. Yesterday was Jamie's birthday and we and Lauren felt it was the right time to release this mix, as a celebration of Jamie and his music. Jamie Tiller b2b Lauren Hansom, live from Fairfield Amphitheatre ~ 4 hours of bliss ~ Jamie Tiller forever.

Jamie Tiller b2b Lauren Hansom (10 Years of MFM)

Cigarettes and wine on the terrace at dusk. Lots of bug spray.

M August - Meridian Figures

Edition de rentrée pour la Méridienne, zone d'écoute et de rêverie sonique. @mlle_elle

Méridienne : Linda Vista (25.08.24)

030 Steve & Dj Earl Grey

DJ Earl Grey & Steve have been hosting a monthly Wednesday date-night residency for over a year, sharing the sensitive, soulful, and deep cuts from their record collection. Their shared love for each other - as well as jazz, soul, ambient, and rock - forms the foundation of their Waxflower mix.

This year, they launched Tender, a 'third space' offering yoga classes, deep listening sessions, movie screenings, exhibitions, workshops, and Naarm’s smallest record store.

Recorded live @waxflowerbar with @dj.earlgrey and @fax_lyrical

030 - Steve & Dj Earl Grey

Another call from Sydney from Perth Lewis (Luke Fugar) - producer and DJ, who recently released the ambient/balearic EP "Jetty Summer" on California's Dream Chimney. 

In the guest mix, Luke has collected his favorite tracks and melodies with reflections on love.

For request TRACK ID text to the @perthlewis .

Design poster by @sasha.foam (instagram)

Night Lovers + 25 w/ Perth Lewis

Swedish DJ, producer and songwriter Johan Blende debuts on Hell Yeah with a journey to the heart of a grown-up dancefloor in the Med.

Blende is a master of mixing up retro 70s and 80s sound into modern dancefloor delights. He's been doing it for two decades on a wide range of cultured labels from Studio Barnhus to Eskimo, always with a rare charm and leftfield perceptive. With this EP, he taps into the magic of hazy afternoons turning into euphoric evenings by the sea.

'Off To Mallorca' jangles with taught bass notes and sunburnt vocals. Distant synths glow, the jumbled percussion injects just the right dose of ass-wiggling funk and this playful yet sophisticated cut builds toward a blissful rapture. 'Television' ups the ante with prickly acid panning about the mix over sleazy, low-slung drums. Tension simmers as edgy synth motifs stalk the groove and anticipation builds before the whole thing explodes into a cosmic disco payoff. It's raw, unpredictable, and perfect for when things start to get a little weird.

'Como No Brasil' gazes skyward and basks in a wash of shimmering melodies and breezy, wordless vocals that drift like clouds over layered, sun-drenched rhythms. It’s a dreamy, tropical float until a surprise acid storm rolls in and moves things from tranquil paradise to dancefloor hypnosis. Finally, 'Carousel Bagatelle' is a layered, late-night trip that feels both playful and introspective. Hypnotic synths swirl around screwy acid lines and supple, dubbed-out house drums that spin you into a daze.

Blende’s debut on Hell Yeah lands like a postcard from a perfect party - sun-dazed, acid-kissed and endlessly replayable.

Shop

Johan Blende - Como No Brasil

Slightly better mix, which maybe no one will be able to tell, but I can.

Runaway (hell hounds on my trail) (Better Eq version)

exael - phased shit (upcoming)
tetsu inoue - health loop
svn & pst recording 2 A2
klein - snippet
ulla anona - becomer (upcoming)
vladislav delay - siru
pascäal - windows, doorways
mauro - wicker
hallucinator - phebes
dices & aem rhythm cascade - echo thought

fade 2 blur

https://www.nts.live/shows/luke-mele

JONNY NASH - MAROON CRISP
TEMPELHOF, GIGI MASIN - PHANTOM SHIP
MKWAJU ESEMBLE - HOT AIR
MAXXXBASS - UNTITLED
GIUSEPPE LEONARDI - EVERY TREE AND CREATURE
CLUSTER, ENO - SCHÖNE HÄNDE   
PAULINE ANNA STROM - THE UNVEILING
ÆOLUS - MYSTERIES OF MUSIC PARK
EKOLALI - DOGGERLAND
DONATO DOZZY - K1

NTS Radio Jan. 23 ('19)

Recorded live at Paloma Bar in Berlin, 2 DEEP, AKA @perila and @specialguest-dj, gave a slow-burning masterclass in how to warm up a dancefloor.

Read more: https://ifonlyuk.com/podcast-61-2-deep-special-guest-dj-perila

If-Only Podcast #61: 2 DEEP (Special Guest DJ & Perila)

Coming in from across the ocean it's our pal DJ D.Dee (@derekdee) with his 'Sounds From The Patio, For The Patio' mix. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Dee, great to have you on board! Living in Vancouver since 10+ years, could you name some of the city's most relevant cultural changes? 

DD: Happy to be here! Hmm, tough one. I’d say the biggest one for me has been the natural growth and progression of the underground scene. When I was first introduced to the scene here it was quite small and consisted of a dedicated core of like-minded individuals with a penchant for deeper music. Since then it’s grown and grown and there’s scenes within scenes and it feels like there’s more of a place for everybody to do their thing, which is nice. Then again, it may have always been this way and I just didn’t notice, scenes are so subjective and everyone here tends to live in their own little bubble. It can be quite an isolating place, especially in the winter months.

MFM: You've been running Pacific Rhythm since 7 years, did you expect/plan it to be where it is now?

DD: Honestly I’m still figuring it all out and learning along the way. When we started we only put out a record once a year and this year it’s looking like we’ll put out at least 6. I’m very grateful to have so many other friends who run labels now, when we first started I didn’t really have anyone to go to for advice that wasn’t also learning the ropes themselves. It’s a tricky industry to navigate, especially from Vancouver where you’re so far away from the manufacturing, distribution process, and frankly most of the places that actually stock your releases. People really aren’t buying records like they used to and honestly I feel like the whole process of creating them is a bit archaic and convoluted. Pacific Rhythm will always produce physical artifacts because I think that’s important but I could see us drifting away from producing vinyl in the long-term. The reality is there are so many better ways to share music in the modern world and we’re often all kind of just caught up in this nostalgic haze. 

MFM: What is it like being both a DJ and promotor, and could you share some of your highlights with us? 

DD: To be honest I think way more DJs in North America have to do both if they want to make a living in dance music. There’s way more of a club and festival infrastructure in Europe and in my experience most good events in North America are a lot more DIY and grass roots, especially in underground music. I started being a promoter because there weren’t really other people around that were interested in the kind of music I wanted to hear and I’ll likely continue being a promoter for that same reason until I inevitably age out of the scene and focus on something more daytime oriented. I just got home from touring Australia and that was really something special. They have such a well developed scene down there and a lot of really open minded dancers, very refreshing! Big love to Mike (Planet Trip) and Jamie (Crown Ruler). Most recently I’ve got my US visa and I’m looking forward to playing more there. I’m also planning on spending the bulk of the summer in Europe and have some interesting dates scheduled here. Truthfully though! Who knows. I think our scene is going to go through some major changes post Covid-19 and things may not normalize for quite some time.

MFM: What can you tell about the mix?

DD: I’ve been asked to self-quarantine for two weeks by the Canadian government and this mix was recorded smack dab in the middle of it. I’ve been pretty deep in the self-reflection zone and doing a whole lot of the “deep listening” thing. I wanted to record something to help people pass the time and share some new music from friends and toss in some percy’s to round it. The approach was very easy going, not so much mixing, more about trying to let the tracks breath and staying out of the way. 

Stay in mate, it feels great!

MFM Mix 013: DJ D.Dee

Mist & Moss Radio w/ Image Research (5/17/20)

Mix curated by @am-agency

Imagined to get along with the Études SS21 YES FUTURE collection, the mix tells the exploration of a world no longer altered but magnified. Hypnotic melodies and tribal rhythms give the feeling of vertigo where one must resist this new landscape or get lost.

DYRYF / Thomas Gray 
Doe / Ben Bondy  
Çiya / Rosaceae 
Slappy / Shakey 
Manglares / Molero
Sweep / Mapstation 
Temperature Drop / Stephen Mallinder
Wild Cuckoo / Stroppy Pie
Meltdown / Miracles
Face/MaShaRu
Saline Drip / Ben Bondy
Dictatone / Ricco
Atabey / J. Albert
Nu-tronik / Tevatron
Nu Moon / Discovery Zone

Yes Future

Hailing via Ontario (CA), Brandon co-founded the famous "inivisible City" Record Shop in Toronto which has since then released some important re-issues on the self-owned label and generally become a haven for the local record-digging scene. 

Around 2016/ 2017, however, Brandon has parted with Invisible City and it certainly did not take him long to establish his own fantastic label "Séance Centre" which does not solely focus on the music  but instead situates its releases in their individual cultural and physical environments via visual modalities like photos and documentary but also word-based comunication such as interviews, essays or storytelling.

It was immediately clear to us that his approach fits perfectly with 5918mins. and so we are glad that Brandon has contributed this summer special full of goodness, seamlessly meandering between more experimental and pleasing sounds. Perfect for the current heat wave.

Brandon Edward Hocura (Séance Centre)- Summer Mix

PLEASE DON'T SEND DEMOS

www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

MFM Mix 013: DJ D.Dee

Music From Memory

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