Off The Record Mix Series 23: Suzanne Kraft

DJ, producer and record collector Trujillo’s trajectory from Venezuela to Berlin is as colourful as his music. His well-honed sense of soul, disco and tropical 80s house rhythms comes paired with an unparalleled devotion to digging up dusty dance floor heat. 

Trujillo grew up in Merida, Venezuela, where records were a part of daily family life. His grandfather opened the city's first modern art museum and had a longstanding tradition of playing classical music everyday at lunchtime. His father had a vast collection of 60s and 70s rock and gifted Trujillo his first record when he was five years old and he’s never looked back. 

He wrote some words about his mix:

“During the last few months, I’ve been touring paradise islands in the Caribbean. Every day, I used to go to shell beach, a place with a magic view, just the perfect spot for watching the sunset and the waves dancing to the rhythm of my playlists, while dreaming to come back playing for crowds. On my return to Berlin, I decided to put together all these musical memories in a mix which I called Dreamwaves. When my good friend and fellow digger Danny asked me to join the exquisite Idle Cellar’s podcast series, I thought this would be the perfect summer soundtrack for enjoy a good glass of wine whilst watching the sunset.” 

Enjoy friends xx

Dreamwaves

As you all know we’re re-launching the radio with a brand new identity & content objectives. One of our new broadcasting system is called “Tiger Tapes”, this series will focus on international artists from every corner of the world. For our birthday & 1st of the series, we wanted it the be a very special mix. That’s why we went & got in touch with one of our biggest inspirations since our inception as a radio. 
He’s a big but hidden stage player, Amsterdam’s best-kept secret, an important figure in his native scene, you’ve guessed it, his name is Orpheu The Wizard.

And oh boy, how happy we are to have asked him to inaugurate our podcast series, he had carte-blanche for this mix & you can feel he went & dug up as deep in his record collection as he did his personal emotions. At first listen you are taken away by the mixtures of emotions that run throughout the 3 and half hour mix, a highly addictive touch helping you to unlock all spectrum of feelings. 

Filled with textures, glitchy but enticing drum patterns, voices from another dimension, pads that shine higher than the heavens, basses that reach untold frequencies. The mix is abundant with tracks that you will definitely be hearing for the first time, even us, diggers in the team, barely recognized any songs & that’s why he is called Orpheu The Wizard, his wand is the needle & we are his subjects.

Links:
https://soundcloud.com/orpheuthewizard
https://soundcloud.com/wakedream

Tiger Tapes 001 - Orpheu The Wizard

I got to know Laurel (@silver-side-pony) via the growing bin website. Always loved their picks from the bin and so I got curious. Then I heard one of Laurels mixes and was sold. I am superhappy to share this almost 4 hour long sandwich with you... now handing over the keyboard. 
"Laurel hails from the rural North Island (Te Ika-a-Māui) of Aotearoa, New Zealand. They enjoyed a few years observing Pōneke (Wellington)’s rambunctious and delightfully strange music scene at venues like Puppies and the revered Camp a Low Hum, before moving to Berlin.
This mix is the result of many quiet lockdown nights trawling bandcamp, deep dives into the (Growing) Bin, and excavating their record collection. Winding in and out of new music and old gems over 3.5 hours, the mix reflects their unease and excitement of heading back to parties after a long break. Laurel made sure to include some old well-trodden favourites, doing a big middle finger to the pressure to play new and “rare” tracks at every single outing.
Big shout outs go to Eyeliner (@disasterradio), Tania (@taniajust), Castro & Nemo (@sound-metaphors), Cáit (@caitfa), and Stella (@stella-zekri-ouiddir) for inspiration." 
Thanks a TON for this yummy mix Laurel!!

Laurel - Growing Bin Sandwich (Guest Mix, 2023)

Новий епізод щомісячного подкасту Hunt The Unknown, який знайомить слухачів з різними представниками сучасної діггерської спільноти. Цього разу мікс підготував Basso – один із знакових діггерів Європи, який ще у 90-х присвятив своє життя колекціонуванню еклектичної музики, а зараз стоїть за лейблом Growing Bin та одноіменним магазином платівок. 
____

A new episode of the monthly Hunt The Unknown podcast, which introduces listeners to various members of the digging community. This time the mix was prepared by Basso – one of Europe's iconic diggers who dedicated his life to collecting eclectic music back in the 90s, who started the Growing Bin label and the record store of the same name.
____

Cлідкуйте за гостем:

www.soundcloud.com/growingbinrecords
www.instagram.com/basso_in_the_bin

Cлідкуйте за куратором шоу та його Youtube-каналом:

www.soundcloud.com/ruslancher
www.instagram.com/hunt.the.unknown
www.youtube.com/channel/UC48i3V-nIyvjEVNK0SBf8Ow

Підписуйтесь на Gasoline Radio:

www.gasolineradio.com
www.instagram.com/gasoline.radio
t.me/gasolineradio

HUNT THE UNKNOWN W/ BASSO 18/09/2022

Back by popular demand: Tako's wonderful Holiday Mix!
Here's what I wrote 7 years ago:

I was about to post this beautiful summer mix of Tako with the following words:

"What do you expect from a mix when it's done by a supernice guy with an excellent taste in music and a wonderful record collection? Yeah and that's exactly what you get here. Also make sure to get a copy of the first 12" of the Sombrero Galaxy, released on Lovefingers long awaited ESP Institute. Sombrero Galaxy is the collabo between Tako and Jonny Nash and their "Journey to the center of the sun" is one of my favourite releases of the last years, cheers!"

That was yesterday. In the meantime something terrible happened. Tako's friend Petros Malevis from Athens passed away without a warning. This mix is dedicated to Petros! He will be missed. Rest in peace, Petros.

Tako - Holiday (Guest Mix, 2010)

Hailing via Ontario (CA), Brandon co-founded the famous "inivisible City" Record Shop in Toronto which has since then released some important re-issues on the self-owned label and generally become a haven for the local record-digging scene. 

Around 2016/ 2017, however, Brandon has parted with Invisible City and it certainly did not take him long to establish his own fantastic label "Séance Centre" which does not solely focus on the music  but instead situates its releases in their individual cultural and physical environments via visual modalities like photos and documentary but also word-based comunication such as interviews, essays or storytelling.

It was immediately clear to us that his approach fits perfectly with 5918mins. and so we are glad that Brandon has contributed this summer special full of goodness, seamlessly meandering between more experimental and pleasing sounds. Perfect for the current heat wave.

Brandon Edward Hocura (Séance Centre)- Summer Mix

We had the pleasure to put together some of our old & new favorites for our dearest @gintonic-6 's DJ de Quartier mix series.

"Dive into the Other Side of Midnight and get to know the story of a Mystical Man in his Ocean of Dreams. Like Sorcery, there will be Bluebirds & Silhouette Calls... you'll get Lost in your Meditation Blues and eventually be Found, Star Dreamin’. This is An Attempt At Understanding Love (Pt's I, II, III, IV & V) on a Rare Summer Night..."

DL the mix and check other great DJs contributions here: https://stepasidemtl.com/

Painting by Linda & Norm.

DQ006 (Step Aside): Linda & Norm - Magic Jive mix

It's with great pleasure to welcome long time dear friend Jonny Nash (@jonnynash) who in 2019 released 'Make A Wilderness' with us (MFM037). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Jonny, welcome to the series. So, it's already been over a year ago since Make A Wilderness came out. How do you look back on that now? 

JN: In many ways Make A Wilderness marked the start of a new chapter for me, the first steps into new territory - a wilderness you could say! That record was really about exploring a simple question - what kind of sounds resonate with me, and why. I think the record was primarily an exercise in sound, and not necessarily in arrangements or songwriting. I felt it was necessary to open the doors to new sounds in this record, and I feel like I got pretty close to creating the album that I wanted to make. 

MFM: You went to different places to record specific instruments and in certain environments. Why? 

JN: It took me a long time to make the record, not in terms of actually writing the music, but determining what the instrumentation should be. I wanted a finely balanced mix of alien, unfamiliar sounds and organic human sounds, to somehow express a feeling of “ancient future”, the sense of floating in some timeless space that could be millions of years in the past or in the future. I found that the Cristal Baschet, was perfect for expressing this feeling of “deep time”. Capable of beautiful harmonics and also wonderful atonal textures, it was a central part of the album. I contrasted these sounds with familiar instruments such as piano, vibraphone and voice. It was very important to have some sparse elements of voice in the record to somehow keep it grounded on earth. 

MFM: Have you always been that interested in sound and sound sculpturing?

JN: Well, I’m a naturally curious person and I think my brain and also my ears are always developing and learning new things. I think that I am able to hear sound in a different way than I did a few years ago. A big switch from focussing on melody as the dominant element that catches my attention. Of course, melody is still a central element for me but I now spend alot of time thinking about timbre, the colour of the sound and how the distinctive character of a sound sits in context with other sounds in a given composition. New ways of hearing influenced the record and took me to a place where “sound sculpting” was of equal importance as deciding what chords and melodies to choose. 

MFM: You mentioned earlier that the past couple of months your label Melody As Truth got a lot support through digital sales. Does that have effect on your label vision and strategy?

JN: The switch towards digital and especially streaming does undoubtedly have an effect on how I think as a label owner. It is pretty clear that this is an important area of growth and although there are lots of issues with certain platforms and revenue models, I find it important to keep on top of what is going on and try to adapt. In the future I can see the label experimenting more with digital only releases, I think there are interesting areas to explore here. Quiet dynamic music cut on vinyl in 2020 often sounds worse than a WAV file to my ears. I also buy hardly any vinyl myself these days, it is expensive, taxing on the environment and often a form of object fetishism. The other side is that a physical object looks amazing, can sound great, gives full importance to the artwork and design, can be treasured and won’t be lost. So a physical object is almost like an insurance policy for not losing the music too. I guess I’m sitting somewhere in the middle.

MFM: Thanks for contributing your mix. Can you tell us a bit about it?
 
JN: The mix is pretty much a selection of music I have been enjoying or discovered this year. A few older favourites too. I had no idea except to make something that I would enjoy listening to whilst having a walk or reading in the morning.

MFM Mix 020: Jonny Nash

It's no secret that Japan has produced some of the finest meditative sounds, from the environmental music of Hiroshi Yoshimura to the warm synths of Haruomi Hosono. 

Ken Hidaka, Max Essa and Dr. Rob are three friends and deep digging collectors who've been immersed in these sounds for years, through writing, DJing or throwing their long-running monthly listening party at Bar Bonobo in Harajuku. 

Together they have charted the history of Japanese chillout and downtempo music from 1988 to 2018 on a compilation for Music for Dreams 'Collectors' series, titled Oto No Wa. Each track is the result of friendships and physical connections, mapping out the development of chilled sounds, from ambient to electro-acoustics, post-house and balearic.

Alongside a mix from Dr Rob, we asked him, Ken and Max to discuss some of their favourites of the genre: https://www.stampthewax.com/2020/07/12/a-brief-history-of-japanese-chillout-&-downtempo/

Image: Haruomi Hosono - Paraiso LP

Interview + Tracklist

A Brief History of Japanese Chillout & Downtempo - Mixed by Dr Rob

For our second installment of the Musik Mix series we are joined by 5ive from japan and Samo from Sweden in a remote joint effort.
Tupplur simply means - to take a nap in swedish. 
Taking an afternoon nap is happiness!

artwork by Tobias Centerwall

Sattaoja Musik Mix - Episode 2-  5ive & Samo - TUPPLURS MIX

NO DEMOS, thanks...

Webshop: https://www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

MFM Mix 020: Jonny Nash

Music From Memory

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