Plzzzz track idddd i neeed thissss pleaaasseeee

i will cry my heart out if this ever drops off SC having never gotten this id its one of my fav trax ive ever heard and i can only listen to this snip over/over

July_2021_To_Lisen

Love High aka Alex Intas aka Romantas serving up heartbreakers. Pour yaself a prosecco and keep you're eyes and ears peeled for their first release/reissue dropping real soon.

ID Requests ~ @love_high

1800 triiip - Love High - Mix 026

One of the scene’s most revered house music producers, UK aficionado Shur-i-kan steps up for Lazydaze.31 with a stunning mix full of original productions.

READ THE Q&A HERE: https://www.lazy-daze.com.au/#/31-shurikan/

Tracklisting:
1. Numbers - unreleased
2. Beach Life Ambient Mix - Points of Focus (Dark Energy Recordings)
3. Improv with Bill - unreleased
4. Places - Going Places EP (Dark Energy Recordings)
5. Slumber State - Points of Focus (Dark Energy Recordings)
6. Wrap You Up - available on Soundcloud
7. Drifting - Library music (BMG Zomba)
8. In Loving Memory (ft. The Uhhh!) - unreleased
9. Autumn Leaves - Humble Beez Project LP (Ballpark Records)
10. Inner Space - Musicity
11. Four Years of Rain - Barely Breathing LP (Yen Records)
12 Come Wander - Liquid Love EP (Dark Energy Recordings)
13. Entering Vahalla - Barely Breathing LP (Yen Records)
14. In Your Arms - Waypoints LP (Freerange Records)
15. Bye Bye - unreleased

All tracks written & produced by Tom Szirtes.

@shurikan

lazydaze.31 // Shur-i-kan

Promotional Mix for D59B Radio recorded on the road near Ribeira Brava, Madeira, June 2021. Please hit the 'Support Eddie C' button on my Soundcloud homepage to support or visit me at eddiec.bandcamp.com
Thank you!

EDDIE C - BEST FRIEND 015

It was in 2011 that Dutch pair Lars Dales and Maarten Smeets quickly broke through in the electronic music scene. Since then they have become known for their widescreen approach to making and playing club-ready grooves. From deep to disco, tech to soul, they join the dots between the past and the present with their own sense of storytelling and do so in clubs around the world, as well as in their own studio. House might be the root of the @damswindle sound, but it takes nourishment from a much wider world of music.

It was their early, high impact tunes such as 'The Wrap Around' and 'The Break Up', that got dancers all over the world in a frenzy. Since then, the pair has constantly evolved and matured and continued to draw on all musical niches. Building bridges between them, their landmark 2018 album High Life or their ‘Coffee in the Morning EP' both furthered their take on house music with a real sense of timelessness and class.

Since 2013, the pair has also established their own Heist Recordings as a well respected label that is home to the majority of their own originals, though other underground mainstays such as Aus Music and Classic Music Company have also come calling. Heist is more than just a label, though - it is a breeding ground for talents old and new; somewhere talent is nurtured and allowed to develop. Label showcases and special projects such as the yearly Roundup EP; where all artists from the past 12 months remix each other after a random selection process, furthers the family vibe and helps Heist stand out from crowd. Artists such as Nebraska, Adryiano, Kassian, Demuir, Makez, Max Graef, Pépé Bradock, Nachtbraker, Matthew Herbert, Ge-Ology, Byron the Aquarius and many more have all contributed, proving that it is a place for unrestrained creatives to be free with their own sonic visions. The label looks as good as it sounds, too, thanks to visual artist Bas Koopmans's standout artwork designs.

Proof of Dam Swindle's widescreen approach to production is their long and talented list of collaborators, which includes the likes of acclaimed musician, Eric Clapton and John Mayer collaborator and Blue Note artist Tom Misch, US talent Seven Davis Jr., instrumental collective Jungle by Night, plus Marc de Clive-Lowe, Jitwam and Lorenz Rhode. Next to their own originals, a broad spectrum of artists have asked Dam Swindle for some of their special remix magic: on labels like Strut and Soundway they have reworked the legendary Pat Thomas, aka the ‘Golden voice of Africa,' and gave his single ‘Yamona’ a contemporary electronic edge, as well as The Mauskovic Dance Band’s track ‘Space Drum Machine’ and plenty more artists like Kerri Chandler, Mayer Hawthorne and Tom Misch. As their talent for bridging genres from all over the world continues to attract global attention, high profile projects keep rolling in from all points on the musical globe.

Dam Swindle are famously avid collectors of both old and new records, and it shows in their DJ sets, which keep you on your toes as they move freely and skillfully through different times, places and sounds. Rather than limiting themselves to a certain feeling or mood, Detroit Swindle can call on classic house, obscure disco, African funk, soulful techno and plenty in between, all with the aim of making those special moments that crowds never forget. It is for that reason that their name has become a real stamp of authority and invention in the dance music world. Whatever they do, then, this pair do with irresistible charm.

Watch on YouTube

Dam Swindle @ Mareh Music (Stream Live)

Long time pal and driving force behind Invisible City it's Gary Abugan (@invisible-city) from Canada serving up the 29th mix in the series. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Gary. How's life in Toronto today? Did you manage to do some more gardening? :)

IC: We have a really nice garden in front of the shop and also at home in my backyard, both get some nice sun and shade and are where I spend all my time. So yes, gardening everyday ;)

MFM: (Before the pandemic hit) You've seen quite a few bits of the world by now while touring. How would you describe Toronto as a city if you had to promote it to the readers who haven't been there yet? 

IC: It’s summer here now in Toronto and we’re in the middle of a heatwave. We’re lucky to have an island with nice beaches as a nearby getaway via ferry. Toronto is a very large sprawling city compared to most European cities. Our multiculturalism definitely sets us apart. We have heaps of reggae and island music here along with lots of record shops, and the variety of food here can’t really be beat. I miss giving guided Invisible City tours of the city to any traveling DJs passing through.

MFM: Would you say it's a good place for an artist to be, whether being a young upcoming talent or professional and all in between?  

IC: Sure you can make it here if you’re skilled/talented and not overbearing, the problem is that there isn’t that many music venues to play. Between the crazy expensive visa you need to play the USA and the costs of flights to Europe, we are kind of isolated musically. Rent is crazy expensive here and most artists have another job, but I’m not sure if Toronto makes it specifically harder or easier compared to other cities. 

MFM: People may know you as the driving force behind Invisible City, the record store and label. How much time do you spend with the one compared to the other? 

IC: I would say pre-Covid more focus was on the shop and getting that to a sustainable level and stocking the store. We didn’t even have a sign for years until recently. During Covid, when the shop was closed for about a year and a half, a lot of focus was on development and signing artists paying advances and getting back into production. I learned alot about Music Publishing too… Laura helps me a lot with organizing everything, label and shop, I would be lost without her.

MFM: Looking back on running a record store and label for over 10 years now, what would you say are some key changes that took place over time?

Back then there were not that many reissue labels and it wasn’t as competitive or extensive, now everyone has a reissue label. I only wanted to put out records that I was strongly connected to or somehow found on a whim. If someone showed me a record, I would ask them if they were planning on reissuing it, now people just go ahead. It’s crazy how many reissues there are so it’s challenging now as a label to dig even deeper. The record shop also was really niche and specialized in the past and now there’s just more in each genre. It’s still pretty curated, but I am finding that I didn’t know a lot of good common records, so we like having “high end cheapos”. I like that most people can just come off the street and buy records now, although we still have some niche stuff too. It feels overall more balanced and varied and for the people.

MFM: The label seems to run at a nice and slow pace. Is it on purpose to not have a heavy and steady output? 

IC: I like to only do a couple records a year, it’s only me and Laura who do it all and it takes me ages to figure out artwork, I’m very picky. The shop, DJing, and occasionally throwing parties also takes up a lot of our time. We always have a lot on the go. I also like to focus on one or two artists at a time, but also it costs a lot of money to make a record! Now things are totally slowed down and our plant says I can’t get pressings out till next March!

MFM Mix 029: Invisible City

Through the alias Music For Tourist, @chris-martinon’s sets are always sunny and catchy, just like the Latino sounds he favors. After having produced music for the fashion scene, he is now the host of the most summer-y show on Rinse.

Rinse France Podcast

Download

Music For Tourist avec Marwan Filali - 1er Novembre 2021

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-14th-december-2021

Pender Street Steppers w/ Benedek & Suzanne Kraft - 141221

“The result of an afternoon spent selecting music and sipping natural wine, pretending to understand something of both. An hour + of beautiful and rambling music to enjoy while waiting for the sun :)” - @eternalloveyt

B.P.T. Radio 046: Eternal Love

Cruisin' mix well commanded by the homies Rémi Feldman et Axel Prunier! 
Let yourself be guided by the worldwide rnb houzy dnb vibzzz 🛥🛥🛥

@zanzibrrrrr
@axelonthebeat
@mercredirecords

Cruisin' with... axelonthebeat & zzbr

First contribution to our Spring/Summer mix series by LA's very own, @suzannekraft . Check out our short interview with him on our website! https://www.homagebrewing.com/spring-summer-mix-series

Homage Mix Series: Suzanne Kraft - 001

Faking Jazz Together 🎷

For us, Norm is the ultimate definition of a selector, and many in the community will agree. Needless to say, we were incredibly excited when he joined TNP as a resident. His new show “Faking Jazz Together” is an excellent addition to his other projects, which include(d) Memorabilia, Bayetë and Native Dance.

Norm’s ability to unearth the warmest, sweetest and deepest sounds is unprecedented. The first installment of his residency stole our hearts: a jaw dropping, incredible selection of lush music that we didn’t know we needed to hear. We recommend you to listen to this one eyes closed, shoes off, laying in the sun. 

Words from Norm: “This opening Faking Jazz Together show connects the dots between songs cleverly juggling with chords voicing and offbeat progressions. Spanning from major studios productions, One-Hit-Wonders and confidential amateur acts, these titles share a charming perspective of these codes while treasuring a genuine song writing. 

This is my fantasized outtake of what could have been a local fusion jazz program back then. It features biting AOR, hazy Chanson, fierce Boogie, Japanese Bossa impersonation and wistful Italian score.”

Artist: @memorabiliarecords

Faking Jazz Together w/ Norm

Metropoli

M August - Shades of Love

061022 restaurant recording by norm (@bayetecontact & @memorabiliarecords)

cornerstore during service • #3 • NORM

SWAYMIX 005 - Jeremy Castillo

New month new mix.
Ryan Bishop is behind one of the most creative and consistent multi-modal musical platforms out there. Dream Chimney (which hardly needs introducing), was certainly a big inspiration for 5918mins. and we are very happy to have him onboard. 

DJing himself under the name "The Beat Broker", Ryan developed a propensity towards Balearic sounds, which seemed to fit perfectly with the current time of the year. We are also very impressed by Ryan's consistency in digging and playing high-quality newer releases (which only makes sense if one one is interested in the musical, rather than the collectable worth of records). 
                             ----> to be enjoyed on a lush summer evening

Dream Chimney

Joris Caloud and Pierre Hubert, who run the always reliable Lorem Ipsum mix and party series sent over 4 hrs of summertime, in the form of electric soul, balearic hip hop, and drum machine AOR. Sit back, have a mimosa and enjoy the flight!

Séance Centre Radio Episode 32 NTS feat: Lorem Ipsum (Feb 2021) NO BANTER

"The vibes is good!"
DJ, artist and playlist curator based in Skopje, Macedonia

I curate monthly playlists with:
My favorite tracks of the month (Miyazaki pictures)
My favorite mixes of the month (Aerial pictures).

I also hold a monthly residence at @amok-radio

You can find even more playlists at my Spotify profile below.

NO DEMOS, thanks...

Webshop: https://www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

MFM Mix 029: Invisible City

Music From Memory

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