a really special mix! thank you @lilvica!

hey can you tell me ID here pleaseee ✨✨☝️

As you all know we’re re-launching the radio with a brand new identity & content objectives. One of our new broadcasting system is called “Tiger Tapes”, this series will focus on international artists from every corner of the world. For our birthday & 1st of the series, we wanted it the be a very special mix. That’s why we went & got in touch with one of our biggest inspirations since our inception as a radio. 
He’s a big but hidden stage player, Amsterdam’s best-kept secret, an important figure in his native scene, you’ve guessed it, his name is Orpheu The Wizard.

And oh boy, how happy we are to have asked him to inaugurate our podcast series, he had carte-blanche for this mix & you can feel he went & dug up as deep in his record collection as he did his personal emotions. At first listen you are taken away by the mixtures of emotions that run throughout the 3 and half hour mix, a highly addictive touch helping you to unlock all spectrum of feelings. 

Filled with textures, glitchy but enticing drum patterns, voices from another dimension, pads that shine higher than the heavens, basses that reach untold frequencies. The mix is abundant with tracks that you will definitely be hearing for the first time, even us, diggers in the team, barely recognized any songs & that’s why he is called Orpheu The Wizard, his wand is the needle & we are his subjects.

Links:
https://soundcloud.com/orpheuthewizard
https://soundcloud.com/wakedream

Tiger Tapes 001 - Orpheu The Wizard

The newest contribution in our mix series comes from the talented multi disciplinair artist Vica Pacheco (@lilvica), who created the beautiful art for the covers of both the Virtual Dreams and the MLO compilation. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hola Vica, bienvenidos to the series. Your from Belgium, via Mexico and France. Can you tell a bit about your journey?

VP: I moved to France in an exchange program as a young art student, curious to discover what was going on in the other site of the world, I followed my heart in a naive way to be sincere. Then I built a new French family in this school, they welcomed me so well and made me feel at home, which helped me to take the decision to finish my art studies there… Then, things just came naturally, I joined my partner and few friends in Brussels, they were all like  “Brussels is so nice, there are lots of concerts happening all time, people is warm and motivated, great places, great parks and great beer”  

MFM: What are some of the main differences you've experienced so far when comparing Brussels to Oaxaca? Are there similarities as well? 

VP: Life in Oaxaca is warm, your senses are distracted all the time by the environment, there are always haunting melodies in the ambience, something delicious to eat or drink in the street, is colorful and joyful. My people is really proud about our culture which manifests itself in infinite ways. But, there are many negative facts that makes a harder contrast with the European lifestyle, as social inequality, extreme poverty, machismo, different ways of negligences by government and post colonial social consequences. On the other hand, Brussels is grey, the rhythm of life and culture is just so different, things happens under different rules. People is super motivated, independent music scene is super present in the city, there are friendly institutions supporting art. Anyway, both places are a human size cities and are full of interesting things to discover.

MFM: Your visual art, as used in the Virtual Dreams series, appears as very liquid and organic yet synthetic and digital at the same time. Somewhat like a fine line between the past and future. A future relic if you will. How did you find this signature style? 

VP: I pass long time working with different programs and machines which have become an extension of my creative language, visual or sonic. This alliance between "organic" and "digital"  or "technologic" and "arcaic" is something that came naturally on my fabulating process, while getting interested on topics such as nature-culture, mythologie, anthropologie, scientific imagery and science fiction, I just let myself to do a synthesis of those interests while creating my art.

MFM: Same goes for your music, it's like you've scored your own film perfectly... 

VP: I grew up listening to Mexican popular music, playing it and singing it when younger, same as painting, drawing or ceramics, I never saw visual art and music as separate fields. But  I can say I started working  with sound when I was 18, living in Mexico City, then when I arrived to Villa arson, the sound studio was open to any kind of experimentation, the approach of this studio was wide open, no limits between plastic art and sound art, everything was possible, so I developed my own language mixing medias.

MFM: What's next, do you have any nearby goals that you're working on achieving? Are you an artist who works from one project to another? What are you currently working on?

VP: I’m involved in several projects all time, I’m a little bit hyperactive and I like to keep my creativity going on. I’m currently working making the music for a theater piece, which will take place next week in Geneva, im really excited about it, but in parallel I continue doing performances and few concerts and making some 3d artworks. Im coming back in July to Mexico for few months for other projects too so yeah, things are moving.

MFM Mix 038: Vica Pacheco

Welcome to Oddity Radio - not a radio in the true sense of the word, more a collective hub curated by Alexis Le-Tan’s ear. A new loudspeaker for these independent labels, filled with artists and attitudes that we believe exemplify a creative spirit for the future.  A family brought (almost) all together for a dance & community vibe in Oddity Spaceship Paris. Biscuit and Elena Colombi doing the opening honors for our first Oddity Radio show on Rinse France. Turn on, tune in and don't drop out! ⁣⁣

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Oddity Radio avec Biscuit & Elena Colombi - 14 Avril 2022

For this month's episode Brandon Hocura, dreaming forward to summer, has put together a gathering of songs that move between clement weather patterns, held together as a speculative season of transformation. A future past, where the turbulent and spiritually promiscuous spirit of the late ‘60s is folded into our current social climate.

Séance Centre Radio Episode 49 NTS w/ Brandon Hocura NO BANTER

Welcome Noise In My Head to the BSRMIX!

Blessed to have our studio neighbour and long time pal Michael Kucyk finally serve up an audio offering. With a deep and long dedication to the world of left leaning music, the Efficient Space boss and veteran radio host (3RRR, NTS etc) has been a constant source of inspiration and discovery for ourselves and many more. Dive deep, warm up or cool down with his killer 1.5hr session!

Photo by Karl Halliday

www.buttersessions.com

BSRMIX #127 - Noise In My Head

https://www.nts.live/shows/bill-spencer/episodes/a-month-of-sundays-w-bill-spencer-21st-august-2022

A Month of Sundays w/ Bill Spencer - 210822

Dj FATi_Gang of Ducks _Kiosk Radio

Recording of DJ Sundae's set at Dekmantel Selectors 2022.

Dekmantel Selectors 2022

DJ Sundae at Dekmantel Selectors 2022

Delighted to host Brandon Hocura Influence mix on Oddity Radio for @seance-centre.

Brandon Hocura : Thinking back to my formative musical experiences brought back places, moods, and memories, mostly from my late teens and early twenties. For the mix, I wanted to connect those salad days with my long-term interests; basically I chose some foundational favorites and filled the spaces between them with sonic portals, linking then and now in my mind.

Turn on, tune in and don't drop out!

For regular updates please follow : www.instagram.com/oddityradio.fm/

Brandon Hocura - Oddity Influence Mix

Originally released as a cassette on 20 February 2021.

Mixed by @SKYRAGER

GMT28

GMT28 Skyrager - Rhizosphere (Side A)

Khotin has been a key figure in the developing Electronic music scene emerging from Canada - for over ten years he has been producing and releasing music.

His sound has evolved exponentially, weaving between sounds and styles with cohesive ease of which others might only dream of. His records have found a home somewhere between the heady 90's ambient and trip hop era, deep house and has drawn upon abstract influences from balearic roots, trance and a whirlwind of other other cultural guises.

All of this makes his music remarkably interesting and hard to pin down.

His forthcoming album "Release Spirit" is forthcoming on acclaimed label Ghostly International. It features a collection of ambient soundscapes, tape recordings and off piste samples as Khotin draws inspiration from far reaching influences such as World of Warcraft, train journeys through Europe and Japan, family vacations and beyond.

We asked Khotin to record a mix which reflects a similar nature of the new album - the result is a delicate assortment of textures which lend themselves to a brooding optimism for the year ahead. At least we hope..

Khotin: The Ransom Note Mix

NO DEMOS, thanks...

Webshop: https://www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

MFM Mix 038: Vica Pacheco

Music From Memory

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