i've listened to this mix many times - it never gets old @cantomamusic thank you!

ID anyone? I have just been after this track for around 20 years...

006 Myles Mac

Myles Mac has been adding colour to Melbourne’s electronic music scene for over a decade now. His presence is felt across a number of seminal productions: from the Lost Weekend parties at Boney – where a few of Waxflower’s own shared late nights and sweaty mornings – to his pairing with DJ Camov and the formation of Project 95 and, of course, the world renowned Melbourne Deepcast label and mix series responsible for showcasing local and international artists. Myles stands out from the crowd as a consummate curator of feel good times.

Big Mac played amazing mixes for us at Waxflower throughout his residency. This one provides a glimpse into his exceptional taste, sleuthing between jazzy vibes and street soul and hip hop. No doubt if we locked the doors and begged him to keep playing we would have ended up deep in Mac’s first love: house. Shifting gears and pleasing ears – that’s Myles Mac.

Recorded Live at @Waxflowerbar

006 Myles Mac

B.P.T. Radio 036: Tornado Wallace

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-14th-december-2021

Pender Street Steppers w/ Benedek & Suzanne Kraft - 141221

Over the last few months we've been quietly archiving all of the amazing music that gets shared at Paradise every weekend and we're now ready to slowly share those magic moments with the rest of the world.

Our inaugural recording comes courtesy of a first time B2B session that occurred between Josh Cheon of @darkentriesrecords and @barparttime's co-founder @jeremy_castillo at the Bar Part Time x Open Ferment afterparty on September 9, 2022.

Enjoy this two hour glimpse into a high vibe / high consumption evening with two of San Franciscos most talented and warm hearted DJs and be sure to check back often for more additions to the archive!

📸: Karli Fahlman

Paradise Archives Vol. 1 with Josh Cheon B2B Jeremy Castillo

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

SWAYMIX 002 - Eternal Love

Recording of Tako's set at Dekmantel Selectors 2022.

TASCAM DR-40

Tako at Dekmantel Selectors 2022

061022 restaurant recording by norm (@bayetecontact & @memorabiliarecords)

cornerstore during service • #3 • NORM

SWAYMIX 004 - Loveshadow

just-us records is a collaborative dig, online shop, and sometimes record label by Bill Spencer, who lives in detroit and Izaak, who lives in San Francisco. the two of them dj frequently in their respective cities and occasionally elsewhere. their mutual obsession with and love of all kids of sound has catapulted them, together, through the vastness of recorded music and the possibilities of sharing it with others. this particular mix is put together from a multi-year effort to explore the worlds of independently-produced R&B, Soul, Jazz, Hip Hop, etc. etc. from the CD/PC era of the early 00’s. We hope you enjoy just as much as we did!

Just Us Records (Bill & Izaak)

Jura Soundsystem aka Kev Griffiths, the mastermind behind the always on point "Isle of Jura Records" serves up a 90 minute micro vacation triiip to a place we all wish we could escape to. 

ID Requests ~ @jura_soundsystem

1800 triiip - Jura Soundsystem - Mix 052

Amsterdam based record label releasing visionary electronic music from both past and present.

Webstore: https://www.musicfrommemory.com
Sublabel: @secondcircle

NO DEMOS, thanks.

MFM Mix 044: Phil Mison

Music From Memory

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