16.10

At Unsound 2021, Shackleton and Wacław Zimpel will present a new work entitled ‘The Spirit Still Remains’, an Unsound-commissioned performance involving alto clarinet, electronics and voice. Broadly understood as ritual and devotional music, the work will explore transcendence, love and death.
As part of the Unsound podcast series, Shackleton and Zimpel were asked to make a mix that would somehow connect to this project, to perhaps reveal some of its inspirations and reference points.
Shackleton and Zimpel say: “Over the course of the past couple of years, we have often recorded or rehearsed together. Generally at the end of the day, we might get a couple of beers in and listen to other people's music. Some of it is stuff we both know and like, some of it music that one of us thought the other might like. When we were asked to do the mix, we thought it might be good to select music that we had listened to together. Then we decided to expand the scope a bit to fit more of a common theme. Broadly speaking, the mix is intended to be ritual, sacred or meditative music in various forms, something we are trying to achieve with our project. We hope you enjoy it.”

Tracklist:
Catherine Christer Hennix - The Deontic Miracle - Selections from 100 Models of Hegikan Roku -  Music of Auspicious Clouds (part 1)
Johnny Cash Reads The New Testament - Mark Chapter One
Brast Burn - Debon - Debon Part 1
Six Organs Of Admittance - Nightly Trembling - Redefinition Of Being
Ormatan Tarawangsa - Panimbang - Limbangan
Catherine Christer Hennix - The Deontic Miracle - Selections from 100 Models of Hegikan Roku - Music of Auspicious Clouds (part 2)
Sequentia (Barbara Thornton & Laurie Monahan) - Hildegard Von Bingen - Canticles of Ecstasy - O Vis Aeternitatis
Johnny Cash Reads The  New Testament - Mark Chapter Two
Sleep - Holy Mountain - Holy Mountain
Johnny Cash Reads The  New Testament - Mark Chapter Two
Shun-Nohden Satto - Anthologie de la musique traditionnelle japonaise (Mono Version) Entenraku -  Nokorigaku Sanben (Hyojo)
Terry Riley - Songs For The Ten Voices Of The Two Prophets - Chorale Of The Blessed Day
Technical Space Composer`s Crew (Holger Czukay & Rolf Dammers)	 - Canaxis 5 - Boat Woman Song (part 1)
Ustad Bismillah Khan - The Shehnai Legend: Bismillah Khan & His Ensemble - Raga Bhimpalasi, Aochar, Gat In Slow Ek Taal, Gat In Fast Teen Taal
Technical Space Composer`s Crew (Holger Czukay & Rolf Dammers)	 - Canaxis 5 - Boat Woman Song (part 2)
Alemu Aga - Éthiopiques 11, The Harp Of King David - Man Yemèramèr 
Alice Coltrane - Universal Consciousness - Oh Allah
L. Shankar, Zakir Hussain, Vikku Vinayakram - Ragam Abheri
Johnny Cash Reads The  New Testament - Mark Chapter Two
Robbie Basho - Art Of The Acoustic Steel String Guitar 6 & 12 - Pasha II

Unsound Podcast 71: Shackleton & Zimpel

Streaming from Amsterdam's Radio Radio: this is RRFM.NL w/ @mattikk

RRFM • Quantum Electronica w/ Mattikk • 10-03-2022

Over the last few months we've been quietly archiving all of the amazing music that gets shared at Paradise every weekend and we're now ready to slowly share those magic moments with the rest of the world.

Our inaugural recording comes courtesy of a first time B2B session that occurred between Josh Cheon of @darkentriesrecords and @barparttime's co-founder @jeremy_castillo at the Bar Part Time x Open Ferment afterparty on September 9, 2022.

Enjoy this two hour glimpse into a high vibe / high consumption evening with two of San Franciscos most talented and warm hearted DJs and be sure to check back often for more additions to the archive!

📸: Karli Fahlman

Paradise Archives Vol. 1 with Josh Cheon B2B Jeremy Castillo

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

@Mikeburns

Mit freundlicher Unterstützung und Förderung der Stadt Wien Kultur/ MA7

Video-Stream

Mike Burns - 14/04/23

Live recording of @space-ghost-1 + @pqtrjck at Bar Part Time for a night of Street Soul May 2023.

Space Ghost + DJ Patrick (Street Soul Special II) Live @ B.P.T. May 2023

No.50 

Celebrate our 50th friendly mixtape, curated with a beautiful blend of Jazz, ambient, street soul and balearic feels. 

Come join us

FRIENDLY MIXTAPE - TELEPHONES

Trushmix 232 welcomes Jeremy Castillo straight outta San Francisco.
All around nice guy, DJ and one of the main heads man behind San Francisco's hotspot for wine and music fans Bar Part Time! And also one of the guys behind the Club Lonely parties with the best underground vibes!

Jeremy made an excellent mix for us here at Trush with the sounds of the early nineties, giving it a house infused vibe, as he states himself, house dubs on freestyle, and under the radar cheapos that have been in my bag that I wanted to use!

This is what we like!

Enjoy this mix! A perfect start to another awesome weekend!

Music from the top!

Trushmix 232 - Jeremy Castillo

Off Course - a new mixtape series by Sentinel Island Disco.
No algorithms. No directions. Just instinct.
Each episode drifts away from the expected, guided only by feeling.
Uncharted rhythms, obscure gems, and sonic rituals from across the globe.
You're off course now—stay lost.

For the inaugural edition, we've invited DJ, producer, crate digger pur sang and dear friend MLiR. He delivered a mix that plays like a mirage: humid, pulsing, and slightly out of reach. Dusty rhythms rise like heat from sunbaked earth, synths shimmer like moonlight on black water, and low-slung basslines guide us through jungle clearings.

Nothing here is rushed. Tempos stretch and sway. Each track is a step deeper into the unknown, stitched together with a gentle hand and an ear tuned to atmosphere over genre. Synth pop melts into dream-state house, lo-fi textures wash against crystalline grooves, and the edges blur—until all that’s left is feeling.

This is what it means to go Off Course: no algorithms, no directions, just intuition—and a desire to get beautifully lost.

Off Course /w MLiR - 001

Sol is a DJ, collector, and graphic designer in Seoul, South Korea. She plays music from the '90s, such as balearic, downtempo, house, and techno. From a DJ's point of view, when people think of Sol, she wants to be recognized as a person who does not think of a genre of music and gives various genres of music to people.

H.A.N.D. MIX 070 - Sol

Take a leap into the new week with Customs’s 14th Outsiders show. A borderline Balearic selection of horizontal downtempo and hazy dub as we break through to brighter days.

🌐 "Outsiders" is our pre-recorded series hosted by labels, collectives, agencies, venues, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Customs @ Kiosk Radio 14.04.2025

Next up with magic mix number eighty seven is Old Fashioned @clm-bdt.

A record collector based in France, here he brings his self titled 'Sem Querer' mix for you to enjoy :)

Link -
https://www.youtube.com/channel/UCPrPVZCQCa823QbouAp4XDw

M a g i c a s t - 0 8 7 🎇 - Old Fashioned

Soubeiran, Mont Rouge - Ya Peli (MAKA Version Edit)

#afrohouse #afrohouseremix #maka

Soubeiran, Mont Rouge - Ya Peli (MAKA Edit)

Under the Hat Demo

Don't say we aren't good to you. Ending the year with a bang we bring you a special mix from the one and only Steve Rachmad, the longstanding Dutch techno veteran. A pivotal figure in dance and electronic music, he has cast a spell upon techno in a manner unlike any other, his music championed far and wide by a sprawling array of dj's. Never one to stand still he has channeled his creativity across a number of personalities and guises having released as A Scorpion's Dream, Adverse Match, Black Scorpion, Continuous Cool and of course Sterac. 

His music is machine driven, drawn on a wealth of experience and experimentation through hardware and analogue equipment whilst in the booth his approach as a dj is versatile and constantly changing. 

This mix was recorded at Thuishaven as part of the close of their winter season.

Read & Download

Steve Rachmad: The Ransom Note Mix

PLEASE DON'T SEND DEMOS, thanks...

Webshop: https://www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

MFM Mix 044: Phil Mison

Music From Memory

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