@juanizguerra lovely mix! could you maybe ID this track? thx!

DJ Possum and Myles Mac return with a three hour trip full of saxy summer time slow jams, deep balearic burners, soulful UK garage and loungin' 90s house & hip hop. Mellow to its core, this one invites you to hit recline and see where the vibe might take you. One for the boom bappers and the chill steppers!   

Tracklist and full info: melbournedeepcast.net/portfolio/myles-mac-dj-possum

A little bit about the mix..

@djpossums:

Collaborating with Myles is fun because it's where we find a point of intersection with our djing styles and music tastes. I'm an unpinned DJ in terms of genre but together we find cohesiveness to tell a story that is reminiscent of our upbringings and nostalgic memories; UK Underground street soul, 90s Hip Hop, funny South African Kwaito tunes that we sing along to even though we don't know the language, soulful electronic love songs, early house classics and many more..

Some pretty banging songs that are precious to me from the message in the lyrics, the feeling they create, the fun vibes or just their awesome production are: Can't Stop (One World 12'' Mix) by After 7, U.N.I.T.Y. by Queen Latifah, Scratched by Etienne de Crecy and the Brazilian balearic classic Tudo Faz Sentido by Taciana to name a few.

@myles-mac:

One of the few upsides of extended periods at home this year thanks to all the lockdowns has been the time to trawl through old Ibiza chill CDs, youtube channel wormholes and bandcamp compilations to discover classic or relatively unknown 90s downtempo gems that have managed to last the test of time. With this mix, Maria and I put our heads together to tell a story of the past that somehow still sounds fresh to our ears today, trying to squeeze in a bunch of styles from both of our collections while making it all flow and sound somewhat cohesive over three hours and a variety of tempos.

Inspirations for the mix come from all over the map, but there's a definite focus on the link between the UK and Ibiza in the early-mid 90s, with old Dj Alfredo live recordings, José Padilla's Café del Mar compilations, psychedelic mixes from the late great Andrew Weatherall, the absolutely insane discography of UK Street Soul pioneer Toyin Agbetu (the producer behind 2 Tuff, Deluxe, Shades Of Black, Robyn, Mary Pearce and many more), the crisp jazzy productions of downtempo master Paul Hardcastle from Kiss The Sky (a ton of which he's uploaded to bandcamp) and the don of deep &amp; soulful UK Garage Mike Millrain (aka D Base, DJ South Central, Vibes Alive, Stone Cold Steppaz).

A few special mentions go to our friend Dust-e-1 in Montreal for his chillout monster of a remix for Pascale Project, the late Richard H. Kirk aka Sandoz who recently passed but left us with an infinite resource of beautiful electronic dance music, and Alaska's Kwaito classic "Accuse" that will always put a smile on our faces no matter the occasion.

www.melbournedeepcast.net

MDC.265 Myles Mac & DJ Possum

Tracklist here.. https://www.nts.live/shows/jamie-tiller/episodes/jamie-tiller-24th-october-2022 :)

NTS Radio Show - Episode 32

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

The stupid season approaches with much haste, Bublè is being defrosted as we speak, Mariah is on her way back to earth, the turkeys are scared and Santa is shitting himself. Don’t forget the good that comes with all of it, I.e time off work, being too full for days on end, and that first dip in a cold body of water on a hot day. Amongst all the chaos, it's very important to take some time to completely wind down and zone out. To help with such a thing we’re going to let Acid Chess Club aka Benji aka the mayor of Melbourne take the wheel and drive for the next 5 hours (no destination required). 

You ever meet someone and just be like “damn, this cat knows what’s up!” Well, that’s how I felt when I met Benji, and I'm certain I'm not alone. If/when some extraterrestrial beings finally come to this god-forsaken planet, I'm gonna vote to put Benji forward to be the first contact and show em around town. I reckon they’re not too far away after hearing this mix… A smile that’s better than a hug, and a hug that’s better than a tray of perfectly roasted potatoes. Music is his game, in all forms, and he knows it inside and out; Responsible for all types of conceptual avenues to enjoy music, including various jaunts into the hosting realm under the umbrella of Crate Mates, Chewin The Fat, and Tesselate, all whilst having a firm grip on the DJ’ing thing and playing in the band San Of The Rambutan (TIP!) A man of much know-how and he’s only getting started. 

Hmmmmmm, damn, where to start? It’d probably be quicker to go through the bases that aren’t covered in this masterpiece, but I won’t. This is a big mountain to climb, but a stunning one at that. The scenery, the serenity, the flora and the fauna are all beautifully captured. Completely chock full of picturesque backdrops and stunning saturations, it reminds me of an album of photo highlights from the best trip you’ve ever had, a soundtracked slide show if you will. Every picture is worth a thousand notes, each one adding to the overarching narrative. Benji has done this series justice tenfold, in doing so making me even prouder to present such a thing. So without further adieu, chuck on your Solomons, fill up your butter sessions water bottle, and go conquer this beast. 

With love. X

His sounds >>>> https://soundcloud.com/acidchessclub

FHUO # 77 // Acid Chess Club

First up in 2023 is Los Angeles based Juan Izguerra (@juanizguerra) who runs his residencies at Dublab and Homage Brewing. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Juan, welcome to the series. You're based in Los Angeles, right? Can you tell a bit about what keeps you busy? 

JI: Hey there! Super stoked to contribute. Well, I was born in Pomona, California and I started DJing about six years ago. I recently found myself as the event coordinator at Homage Brewing in 2021 and It’s been a great experience to be on both sides… I love being able to DJ at some of my favorite parties, and then host locals and out of town friends at my own events with Homage. My girlfriend and I made the move to LA in the summer of 2020. Early on in the pandemic rent was pretty much the same in Pomona as it was in LA so we thought we’d just live in the city. When clubs/bars opened up again I got involved with Homage. Since then I’ve been able to host parties at our space and focus on bringing people together for the music. 

MFM: What triggered you to initially get interested and involved in buying and playing records?  

JI: I’ve collected records since my teens but it wasn’t until I was 20 that I met one of my now super close friends Josh da Costa (Confusing Mix on NTS) who put me onto crazy records he found during his time living and touring in Europe. He showed me things like Roberto Musci, Thomas Leer, The Antennas, Cherry Red records, and weird compilations. Hearing things like that made me so curious. I saw Josh DJ one day and I was fascinated with how he made people dance. It made me want to learn how to do that! 

MFM: Nice. Did you have any other role models you felt inspired and motivated by?

JI: Definitely. My friends Josh (who I mentioned), Jimi Hey, and Shags Chamberlain were an early influence on me. They toured all over the world and would come home with bags of records, share their discoveries, and give a story about where they found it. I saw that as a way to connect with people and It inspired me to travel and want to find things of my own to share. As I got more curious on the DJ’ing side of things, I definitely got a lot of inspiration from my good friend Bianca Lexis. She’s one of my favorite DJ’s!

MFM: You've done quite some traveling yourself too, within the US but also intercontinental. How is LA nightlife compared to some other places you've been? What's the LA style?

JI: LA’s nightlife definitely needs some work. In New York, Europe, and Mexico City, there’s an audience for every genre and a club for it as well. I think that’s what we struggle with most. People have to resort to attending warehouse parties which involve a lot of financial strain on the organizers. Still, we do have a lot of people putting together great parties here such as Third Place and Moony Habits. Lots of great house/outdoor parties which are really fun and unique to LA. 

MFM: Where and how do you go finding new records and music? Do you have your secret or not so secret methods?   

JI: When it comes down to record shopping I typically like to leave LA. Visiting suburban areas is where I get the most luck. Something about those areas feels more zen since it’s less competitive. It puts me in a mental space where I’m able to focus on looking through records thoroughly. 

MFM: Looking forward to anything specific in '23? Any future plans you'd like to share maybe? 

JI: I’ll be visiting Tokyo for the first time in May so I’m super psyched about that. Also planning to be in Europe in August/September so I'm looking forward to setting up some gigs there!

MFM: Tell us about your mix! How did you approach selecting and recording it?

JI: I wanted to make it a bit cerebral but still keeping it rhythmic and having plenty of songs with lyrics. It has an ambient start that works into downtempo tracks and slowed down Italian house. Hope everyone enjoys!

MFM Mix 047: Juan Izguerra

SWAYMIX 006 - Ramzilla

Booyakasha! Handing the keys to the '94 Ford Capri over to one of the most dedicated 12" sleuths on the the internet right now! Mirren is perhaps best known for resurrecting a trove of tantalising 90s/00s cross over jams through his own youtube channel, and for wowing local listening bar enthusiasts lucky enough to catch him in full flight. Sit back, relax and enjoy the smoothness personified. Safe to say he's left no stone or obscure white label unturned for this one! 

@mirrens

Youtube channel: https://www.youtube.com/channel/UCAcdX0mF2T8lgQHiWivSH-Q

Q. I get the sense you are a guy who finds real enjoyment in digging deep for long neglected jams and resurrecting them for fresh ears, with frequent uploads to your YouTube channel regularly blowing minds on the internet (speaking from personal experience here!). While there’s a wide range of styles uploaded to the channel, has there been a general theme developing or certain characteristics that you look for when deciding what to share?

A. Glad you've dug the channel! I mean I've been massively influenced by others (e.g. Archive Digital, Modern Art, Mike Who) who were casually dropping heat across their channel/mixes years ago that I never would have come across otherwise. So trying to find and share songs in a similar way has always been the motivation. But you’re at the mercy of what you stumble across, which is why I’m not uploading exclusively mid tempo hip house bangers like I really want haha. I think the variety keeps things interesting though, or at least is hopefully providing a broader appreciation for what’s out there - especially for us Aussie folk.

Q. What inspiration did you draw upon when putting the mix together? Is there a sound, feeling or time period in dance music history that connects all the different elements in one way or another?

A. Truthfully this mix is a collection of fun music I've found first-and-foremost, so it might say more about my searching patterns than it being an intentional narrative.. catchy 90/00s hip hop cut-throughs seem to be in no short supply! I think the wealth of music available in the genre does say something about how versatile (and enjoyable) it is and how it can be used as a vehicle for different cultures, ideas or influences. So maybe the mix is me highlighting this :`)

Q. Are there any records in the mix that are particularly close to your heart, or old favourites that you’ve been keeping up your sleeve for the right moment? If so, what’s the story behind those and how might you have stumbled across them?

A chunk of the mix is from lucky discogs pickups or random spotify dives so they’re not the most romantic stories, but finding a song in that deep internet corner definitely adds a fondness. There’s also a few dope tunes from some great channels/crews scattered throughout. But 'Njen Grad' and 'Wuck U Right' feel particularly sentimental due to how many hours I’ve clocked listening, so I’m excited to share them!

MDC.283 Mirren

Jordi, aka Llupe, and Nico, aka DJ Aficionado, share quite a few things in common: Catalan origins, a love for all things Balearic, the same street in Berlin and shows on Refuge Worldwide. They both certainly appreciate a good party, too.

Organizing parties and playing together was a natural direction for them. Their party series, Orbita, launched earlier this year, aims to create ample space for quality adult dance music. It seems to be working well, as they’ve been fortunate to host guests like Apiento, Tom of England, and Sianza, to name a few.

This mix is a recording from the last Orbita party, held at Fitzroy on what many described as the last day of summer in Berlin. For those who remember, it was a dreamy and sensual Sunday, filled with music that sounded just right in that room. It felt nice and cosy and the dancers seemed to be momentarily free from any kind of Monday angst. Playful and light, yet seriously good. Feel the magic, times two.

Sound Metaphors Mix Series 29 : DJ Aficionado & Llupe

We’re bringing one out from the vaults ‘cause it was way too selfish to keep it just for ourselves. This is Vision 025 w/ Courtney Bailey—recorded live at Fitzroy back in September!

This one’s packed with slow burns and seriously warm heaters, building in intensity as the set goes on. In a time when BPMs just keep getting faster and faster, it’s a real breath of fresh air to hear something focusing on organic, lush, warm music. @courtneyey, on from midnight to 2 AM, delivered the perfect selection to set the tone for a long night that kicked off in the best possible way. Expect house slow heaters, a sprinkle of disco tunes and jazzy melodies, mixed with ghostly vocals, tribal touches, acid pads, and overall top-notch electronic music that connects straight to your soul.

Enjoy!

Vision 025 w/ Courtney Bailey (Fitzroy Club Berlin 2024)

Lyrics:

Barfuß wate ich flussaufwärts gegen den Strom
Barfuß warte ich auf Wandel, doch das Wasser bleibt monochrom
Barfuß brate ich in der Sonne, sie kocht mich mit Hohn
Warum latsche ich hier, ich dachte alle Wege führen nach Rom

Bin weder stromlinienförmig noch kann ich treiben
Wie Pipis Vater, der Piratenkönig, er sollte verbleiben
Zwei Schritte vor und einer zurück oder andersherum 
ich werde langsam verrückt
auf ebener Fläche muss ich bergsteigen


Ich sehe wollige, drollige Schafe, spärlich eingezäunt
Wollen, dass ich mollig schlafe, dann bin ich aufgeräumt
Den Zaun umzustürzen, es ist eigentlich total leicht
Die Haftzeit abzukürzen, da schauen sie alle dann gleich

Dumm herum, es reicht die Viecher sind zu weich
Dialog, aber allein; Monolog, aber mit zweien
Fluss ohne Wasser, doch der Guss wird immer krasser
Singen ohne Klänge, es erklingen meine Gesänge
Bebop weitergedacht, Hip Hop in 11/8
Ehre, wer es anders macht

Querströmung (Interlude)

Under the stars

Limited cassette version of the 1800 triiip series via @maybe-tonight - Zero ego or flex just smooth as butter blends moving through known, unknown & invisible jams from MT crates. 

Tape Design by Paul Conley

Physical copies available via our bandcamp

Buy - Limited Cassette

1800 triiip - Maybe Tonight - Hors Serie 2020

PLEASE DON'T SEND DEMOS, thanks...

Webshop: https://www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

MFM Mix 047: Juan Izguerra

Music From Memory

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