Love this one. Would someone be able to help me out with an ID?

is this beautiful track from Jon Hassell?

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-1st-april-2025

Pender Street Steppers w/ Kozue  010425

"Knee MIX" Nr.06 FROM Andras

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

Unknown Mobile & CFCF - A Windless March Ouest
Slow Attack Ensemble - November, 1st in Detroit
Bill Nelson - Buddha Head
Love apple, Lou ragland - I’ve Gotta Move 
Robin Trower - I’m Out to Get You
Jeffrey Silverstein - Sunny Jean
Life Without Buildings - Envoys
Rock Band - Bizzy
ML Buch - Pan Over the Hill
Sean Murray and Shawn K. Clement - Anything
Milou Moon - Circles 
Dan Lacksman - Love You Every Day
Fleetwood Mac - Hypnotized
Ryuichi Sakamoto - Risky
Pink Industry - What You Couldn’t Give
Mathematiques Modernes - Jungle Hurt
Cold End - Metropolitan Jungle
Billy Idol - Adam in Chains
Jack J - Down the Line
Don Cherry - Universal Mother
Kofi - Curious
Ali Omar - On Release (feat. Gina Mitchell)
Kyoko Koizumi - No No No (Dub Mix)
Hidemi Ishikawa - Love Comes Quickly ～霧の都の異邦人～
My Bloody Valentine - Soon


| GOOD MORNING SKYLAB | w/ Simon 23.05.25

Recorded at Airhouse festival 2025.5.23 (Maum stage)

Ambient set in The airhouse festival by Jongho

DJ Possum adapts her music to the room's vibe. Her sets span 90s house, transcendental prog, trance, euphoric techno, and deep reggaeton, aiming to energise the room, while maintaining a fresh, introspective atmosphere.

As DJ Possum, Maria thrives on igniting introspection and creating meaningful experiences on the dance floor. Often djing with Myles Mac, she loves creating fun journeys that flow from 79-100 BPM to 120-138 BPM, delving into ethereal, mystical, and experimental soundscapes.

DJ Possum（Maria）擅長根據現場氛圍靈活調整節奏與選曲，她的 DJ set 橫跨 90 年代 House、昇華式 Prog、Trance、欣快感十足的 Techno，以及深層的 Reggaeton——在激發舞池能量的同時，也保留了一份清新與內省的空間。

Maria 的放歌風格注重情感流動與感官敘事，致力於在舞池中創造有深度的共鳴時刻。她經常與 Myles Mac 並肩演出，擅長編織一段從 79–100 BPM 緩緩推進至 120–138 BPM 的聲音旅程，引領聽者穿梭於夢幻、神秘與實驗性的音景之中。

DJ Possum @TOHA Radio 2025.04.29

𝓣𝓪𝓷𝓲𝓪 𝓙𝓾𝓼𝓽 | DE, Berlin

Emerging from long nights and countless shared moments, @taniajust has become a familiar presence — both in the booth and beyond. A driving force behind the Fandango collective, she offers here a progressive house mix that feels both personal and precise.
There’s an echo of kinship in her selections — shaped by years spent navigating the same shadows.
An elegant and unexpected contribution.

CTW218 ◦ Tania Just

All Is Clear

—
BUY ME A COFFEE : ko-fi.com/slowerpace
DOWNLOAD DIGITAL ALBUM : https://slowerpace.bandcamp.com/album/digital-affair
—

Cover art by slowerpace 音楽
www.instagram.com/slowerpacemusic

Credits to Producer >> Jjos

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Nosedrip at Garage, Horst Arts & Music 2025

Reunite is a token of gratitude,
for the family and friends who are no longer here in this physical world,
but whose love still surrounds us in quieter ways.

It’s the chosen belief that their presence lives on,
in guidance when we feel lost,
in warmth when we feel alone,
and in the light that finds us through the darkest moments.

It’s the chosen belief that one day,
when we’ve done what we came here to do,
they’ll be there, waiting to welcome us home.

Until then, they believe in you.
They cheer you on, every step of the way.

Explore the full Art In Motion Experience,
https://youtu.be/osmd7YC0uSY?si=kcuCh5y8nOpT5Ki_

Reunite

PLEASE DON'T SEND DEMOS, thanks...

Webshop: https://www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

MFM Mix 053: Loradeniz

Music From Memory

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