TAMEE ( session 22.10.2016)

DL / TEE:
https://johntgast.bandcamp.com/album/deceptive-shatter

DECEPTIVE / SHATTER

5GT022 ~ JOHN T. GAST, GOSSIWOR 2 ~ 220611-005 SHATTER

ice is dripping. candles are out. the foreplay over.

Our selection of lustworks are anticipating your next move…

INDEXOXO<3

A third volume of nocturnes devoted to whetting all thirsts -
a salve to soothe all burns of desire.
For where there once was love,
ever shall its void fill with longing.

@user-951049725-782254964 @ikezwanikken @kingsofty @djbirdbath @vasesound @mikemidnight @raw_silk @kind_tree @milliamusic @rreinartz @connaharaway @cybermission @pppainterrr @murphyet

INDEXOXO<3

Downstairs People - Sabotage

@stacksofvoices

Stacks ‘Want’ album out May 15th 2024

Music and lyrics by Jan Matthé & Sis Matthé
Written and recorded in St. Lauri, Antwerp
Mixed by Stacks and Yves De Mey
Mastered by Wouter Brandenburg in Amsterdam
All rights reserved ℗ + ©️ Knekelhuis 2024

Stacks - In Mazes

Atlas of Green

Born Through

From "Nighthawks, Translucence, and Drift Music"

Nighthawks

Ephemeral Being

Ephemeral Being (Claire Rousay Remix)

everything was better in 2010 

prod me .

2010 (demo)

To whom it may concern,

For a long time we have been following M.Rux' musical adventures and have felt a strong mutual intercontinental attraction. We are honoured to feature a mix he recorded specially for us. 

No world fusion edits. It's raw. It's white bread. It's schwarzer voodoo weit unter der Gürtellinie.

Voodoocast 006 - M.RUX

Roberto Musci - Tamatave (04:18)

Roberto Musci - A Tale For C (03:28)

Roberto Musci - Empty Boulevard (02:04)

Roberto Musci - Claudia, Wilhem R. And Me (02:57)

Minais B is the solo moniker of Villads Klint, who also produces deconstructed pop cuts as a part of the trio Khalil along with Nikolaj Vonsild (When Saints Go Machine, Cancer) and Simon Forman (Age Coin, Yen Towers), whose debut album was released August 25th on Posh Isolation. In his solo project, the young producer explores movement and contrasts in sound, and “As The River At Its Source” is no exception hereof. It stays in motion from the beginning to the end, constantly moving from one frame of mind to another, ultimately maintaining an atmospheric quality throughout the entire duration.

In “As The River At Its Source”, Minais B is uniting alluring and challenging sounds by merging sonic experiments with a profound, soothing melancholy, questioning when a sound is beautiful and when a stranger becomes an acquaintance. At times the piece lets its listener drown in dreamlike arpeggios and synth pads, while suddenly breaking down in order to proceed with a passage consisting entirely of restless bass-heavy beatings.

As his first vinyl release, Minais B delivers a very mature offering on “As The River At Its Source”, a highly emotional endeavor in contemporary ambient music, touching on the complex nature of human connection.

Artist: Minais B
Title: ”As The River At Its Source”

All music written and produced by Villads
Text by Adam & Villads
Speak by Nynne
Mastered by Aske
Lacquer cut & Vinyl Master by Hari
Pressed at R.A.N.D Muzik
Artwork by Laurits

Out on 12" Vinyl and digital download October 21st, 2017
Distributed worldwide by EM92 Distribution

Facebook: https://www.facebook.com/petrola80/
Bandcamp: https://petrola80.bandcamp.com/releases

Press:

http://adhoc.fm/post/minais-b/
https://secretthirteen.org/minais-b-as-the-river-at-its-source/
https://www.theransomnote.com/music/mixes/minais-b-the-monday-is-okay-mix/
http://www.seeksicksound.com/minais-b-river-source/
https://bostonhassle.com/minais-b-as-the-river-at-its-source/
https://www.thenewnoise.it/minais-b-as-the-river-at-its-source/
http://www.straylandings.co.uk/news/minais-b-of-posh-isolation-signed-trio-khalil-to-release-solo-record
https://nichemusic.info/minais-b-as-the-river-at-its-source/

As The River At Its Source

Buy 12" / DL

PET-002: Minais B - As The River At Its Source

Premiere performance of "clouds" by the Birch Creek Festival Orchestra (Door County, Wisconsin), Brian Groner, conductor in 1996.

clouds (1996)

MARIA W HORN, Epistasis, LP

Release date - Oct 25th 2019 
Catalogue nr. - HG1904
Format - Vinyl/digital

https://hallowground.bandcamp.com

Tracklist:
A1) Interlocked Cycles I 	(10:45)
A2) Epistasis 			(09:31)
B1) Konvektion 			(13:16)
B2) Interlocked Cycles II 	(09:46)

Credits:
All music composed, recorded and mixed by Maria W Horn
Linnea Hällqvist - violin
Knapp Brita Pettersson - violin
Maria Jonsson - viola
Natalia Goldmann - cello
Johanna Niederbacher - cello
Mats Erlandsson - electric guitar
David Granström - electric guitar
Johannes Landgren - organ 
Fredrik Lundqvist - organ

Mastering by Lawrence English
Design by Ruth Stofer

Promotion by Dense Promotion, ed@dense.de 
Distribution by Cargo Records and a-Musik
Released by Hallow Ground

///
Following the success of her 2018 solo debut album »Kontrapoetik,« the Swedish composer Maria W Horn returns with »Epistasis,« her most ambitious record to date. The title track, »Konvektion« and the two parts of »Interlocked Cycles« see the XKatedral co-founder explore radical approaches to composition that combine avantgarde methods with electronic means. While »Kontrapoetik« highlighted Horn’s strength as a conceptual and political artist, »Epistasis« is to be understood as an advanced statement by a forward-thinking composer who throughout four pieces channels her influences, ranging from black metal to minimal music, through state-of-the-art technology. 
Originally composed as an audiovisual piece for synchronised multichannel sound and lights and premiered in 2018 at the Royal College of Music in Stockholm, »Interlocked Cycles« is a series of pieces exploring a gradual increase in tempo and density using various instruments. It was written to be performed by a computer-controlled upright Disklavier piano while the electronic part was generated within the Supercollider framework using phase modulation synthesis. Navigating between acoustic and electronic sounds, the two parts of »Interlocked Cycles« create a frame for the album by respectively serving as an introduction and coda to Horn’s musical exploration of the notions of authenticity and artificiality.
The nine and a half minute long title track was composed for an eight-voice double string quartet and draws on evolving progressions in F minor that were inspired by the sound and harmonic structures of early nineties doom and black metal music. During the performance of »Epistasis,« which was commissioned by Konstmusiksystrar and premiered by Malvakvartetten at Konserthuset in Stockholm 2018, four parts are played by the string quartet and four parts are played back electronically. Using various amplification techniques, the spectral characteristics of the string instruments are enhanced and distorted and were later on complemented by feedbacking electric guitar overdubs while mixing the piece. The result are densely layered drones that are most unsettling when they are the quietest and reveal their anthemic qualities in their most forceful moments.
The structure of »Konvektion« however takes its cues from a very different field of the musical world. The composition progresses in a way that was inspired by Arvo Pärt’s »Tintinnabuli« technique, where step-by-step diatonic movement interplays with triads to form a complex harmonic function that is still rooted in tonality. Based around four-note chords articulated as dyads and performed by two organists on the same instrument, the duration of each dyad is measured by the individual breaths of the two performers while pitches are predetermined in the score of the piece. The alternating breathing cycles of the performers slowly move the piece forward at a glacial pace. Simultaneously, an electronic part composed of interference tones creating high and low frequency beating patterns gradually unfolds, making »Konvektion« an exercise in minimalism that combines the subtle gravity of Phill Niblock’s work with the visceral theatrality of Anna von Hausswolff’s organ pieces.

-

Epistasis

MARIA W HORN - Epistasis (HG1904)

PLEASE DON'T SEND DEMOS

www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

Roberto Musci - Empty Boulevard (02:04)

Music From Memory

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Roberto Musci - Empty Boulevard (02:04)

Music From Memory

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