MAYA – SYNTHEZOID HEARTBREAK / DISTANT VISIONS
Touch Sensitive Records | TSR005

A late night voicemail from Cherrystones: “Phone me! I’ve got something killer! It might not make sense at first but it’ll suck you in...”
After hearing the outsider psych of ‘Distant Visions’ we are suitably hooked and the wheels are in motion to reissue the music of Maya from 1975.

It’s at this point we realise we ain’t even heard the A-side yet! Turns out it’s the heaviest heartbreak jam going…

Following on from 2015’s acclaimed Critical Mass compilation, Cherrystones and Touch Sensitive come together again to proudly present a lost masterpiece from the U.S. hard rock and psychedelic underground.

Fully remastered and faithfully reproduced on limited 7inch vinyl with additional insert featuring lyrics and notes from Burk Skyhorse Price (Maya) and Cherrystones.

Two tracks of timeless, heartfelt outsider music.

“In the drying up world of unknown homemade underground rock sounds, there never fails to be at least one scurrying rodent running for cover; bug-eyed under the flashlight of the modern-day sonic adventure seeker. Nearly all the LPs have been brought to the surface. More recently rabid fuzz and loner sound explorers are rubbing elbows with Northern Soul speed-freaks in the deep cold, hour-eating world of coverless 45s to seek out what could be seen as the final frontier of no budget, big dream and no fan base homemade local vulnerable Rock ’n’ Roll.

So what do we have here? A UK discovered and repressed Ohio private nuclear soul bomb by Burk Skyhorse Price with his Maya unit from the shadows of Cincinnati Ohio, in the music-world turmoil years of 1975.

The single has all the ingredients: songs about heartache, bubbling synths, alien feelings, proto-punk, backwards feedback, isolation.

Two lengthy songs of two different moods: “SYNTHEZOID HEARTBREAK” a "Fuck You!” to all partners that want you to join the Real Estate game and turn in your misfired Envelope pedals for a suit and tie; rendered musically in a raging underground punk damage mode.

But I think the small band of freaks that have heard Maya’s lone 45 agree that its the pro-Alien sad dirge of “DISTANT VISIONS" that gets the pen scratching the history books for another legendary entry. This reflective afternoon delay lurker makes me wonder what happened AFTER the fade out to "Visions”. 
Maybe the homemade air siren blew out the studio?
Regardless, here is a big dreaming band that left quite a brief one-two punch to the face of the industry that had no place for their punk and lonely sound poems. Funny but fitting how they have finally found a home forty years later and many continents away. Solid homemade damage here, touching AND sensitive, albeit crushingly loud.”

John Olson (Wolf Eyes / American Tapes / Third Man Records) Michigan, 2016.
_______________

Tracklisting:

Side One: Synthezoid Heartbreak	
Side Two: Distant Visions

Touch Sensitive Records | TSR005 | 7inch / Digital
Release Date: Friday 26th February 2016
Mastering / Restoration: Stephen Quinn, Analog Heart 
Cut: Mike Grinser, Dubplates & Mastering

Label: info@touchsensitiverecords.com


Maya - Synthezoid Heartbreak

The System - Find It In Your Eyes (4:35)

A-side of the the Blue Gas 7" single, entitled Shadows From Nowhere (1984), originally released in France by Night Records .

Shadows From Nowhere

Blue Gas - Shadows From Nowhere

Spanish Hivern Discs cohorts Olde Gods – comprised of RBMA alum Guillamino and JMII – are back with a new tape that pays tribute to tapas. To whet your appetite, they’ve served us the edit “El Acid” on a platter to premiere. What sounds at first like a relaxed stroll at the beach soon turns into a comment on air pollution, as the acid reference reveals itself. Keep an eye out for Olde Gods’ “Tapes” release, coming up on April 21, and also check out La Mandanga’s Instagram account, the satirical Barcelona outpost responsible for the sweet illustrations.

Pre-order “Tapes” on Bandcamp: https://oldegods.bandcamp.com/album/tapes

@oldegods
https://instagram.com/oldegods
https://facebook.com/godsolde
https://twitter.com/OldeGods
https://instagram.com/la_mandanga
http://redbullmusicacademy.com

Tapes

Olde Gods - El Acid

Nico Motte, Raphaël Top-Secret and Zaltan join forces on these 4 songs, each sitting somewhere between some sort of somehow aquatic dream pop and blurred visions of an eerie grunge sound, that probably never was... 
PRODUCED BY NICO MOTTE AT SYNTH CITY AND RED BULL STUDIO

18 Rays

18 RAYS - I Feel Rain

Zenit - Waitin' [1986]

Buy / stream: 
lnk.to/coveredingloria

Pop-not-slop:
https://open.spotify.com/user/deek-recordings/playlist/7f4uYQCSG8rFCRQPmiIL3z

Suzanne Kraft - Nordsee

Odyssey - Who

Jazzfunk leftield action by Pete Brandt and his band. We love this song so much 
 with the Arthur Russell vibes all around. Very happy to have this near perfect copy for sale!

Pete Brandt's Method "What You Are" - Fried Egg Records 7", UK, 1980 - SOLD

Early in 2018, the world was introduced to Mildlife through their debut album Phase. Few first releases amass praise from Mojo, The Guardian, BBC 6 Music, The Express, and Shindig, then go on to be celebrated by DJ Mag, Resident Advisor, Worldwide FM, Dummy and Indie Shuffle. But it’s precisely this eclectic mix of genres, tastes, and influences that brought Mildlife together, and what they committed to reflecting in their sound. After a surreal start to 2018, the four-piece completed a sold-out national tour of Australia, and recently announced plans to cross the oceans for their debut Europe and UK tours.

With the release of their debut imminent, Mildlife took retreat at Research Records HQ in Melbourne, staying overnight after recording each morning and afternoon. It resulted in the evolution of the title track, newly imagined and re-contextualised at increased tempo with swathes of improvisation throughout. The studio recording was the culmination of the song’s growth in a live setting, evolving on club stages and at festivals throughout 2017.

Mildlife’s knack for locked-in grooves and celestial tones features heavily across ‘Phase II’, a more than 11-minute sonic journey. Kevin McDowell's synth soars while Adam Halliwell’s growing prowess as a flautist is peppered over James Donald’s shimmering percussion. Shortly after, Tom Shanahan's phased bass appears, and the four lock into a groove that gives a subtle nod to 1960s Krautrock band, Can. It’s not long before ‘Phase II’ erupts into a cosmic jazz-funk that urges you to move. It sucks you in, free of worry and consequence; utterly otherworldly. It’s no surprise that the band has been described as “kaleidoscopic”, “irresistible” and “enchanting”. With Mildlife, you’ll always leave wanting more.

Phase II

Mildlife - Phase II (RREP02)

Order Vinyl & Digital:
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

Bandcamp

DOMENIQUE DUMONT - LE SOLEIL DANS LE MONDE

NO DEMOS, thanks...

Webshop: https://www.musicfrommemory.com

Amsterdam based record label releasing visionary electronic music from both past and present.

Sublabel: @secondcircle

The System - Find It In Your Eyes (4:35)

Music From Memory

Recent comments

Maxfaber

Subroto Maity

Alexander Baranovsky

Inès

Related tracks